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The ‘Dive into Hope’ initiative brought together Qatar’s diving community, families, and supporters in a two-day event that culminated in a tribute to cancer survivors and raised funds for the Qatar Cancer Society (QCS). Held over two weekends at the 4x4 Beach Resort, Sealine, the event was organised by Deep Blue Diving Centre in collaboration with the Qatar diving community. Initiated by diving instructors Zaina Fadel and Mohammed Hammamdeh, the movement began on October 10 when 50 experienced divers plunged into the Gulf waters to create a “Message of Hope”. This collective dive was both a physical act of solidarity and a potent visual representation of courage, healing, and community support for those battling cancer. **media[378576]** A week later, on the main event day, October 17, the message was unveiled to more than 400 attendees. The centerpiece was the screening of an underwater video, capturing the divers’ formation and unity. Shared on a large screen, the footage reinforced the theme that hope can rise from the depths to reach every heart. A highlight of the day was the attendance of cancer survivors, who shared their inspiring personal journeys with the crowd. In a moving gesture, three women survivors were invited to experience scuba diving for the first time through a specialised Discover Scuba Diving session. As the women surfaced from the water, safe and exhilarated, the crowd erupted in cheers and applause across the beach. Their courage served as a powerful symbol, reminding everyone that hope is not just a feeling, but a strength that carries people forward. The emotional drive behind the event was shared by one of the key organisers, Zaina Fadel. “This event means a lot to me personally. After losing my mother to cancer, I wanted to give back in a way that carries her spirit forward. ‘Dive into Hope’ was born from that feeling, from the desire to turn pain into purpose. **media[378575]** “I worked on this event from my heart, day and night, because I wanted to see it come to life and deliver a message that truly touches people, a message of unity, compassion, and hope,” Fadel said in a statement. The family-friendly event also featured interactive spaces, sponsor booths, and activities designed to encourage connection, awareness, and giving back. The event, supported by Al-Wakra Municipality and the Qatar Scouts and Guides Association, strengthened collaboration across the local community. Proceeds generated from the initiative are being donated directly to QCS, reflecting the organising team's commitment to supporting patients and raising awareness. Organisers have confirmed that due to the overwhelming success and impact, plans are already underway to expand 'Dive into Hope' into an annual initiative, using diving not just as a sport, but to spread awareness and bring hope to others through action, unity, and compassion.

A regular passenger maritime link connecting Qatar and Bahrain was officially inaugurated yesterday (November 6) at Al-Ruwais Port, signaling the start of a new phase of constructive bilateral co-operation in maritime transport. The event was led by Qatar’s Minister of Transport HE Sheikh Mohammed bin Abdullah bin Mohammed al-Thani and Bahrain’s Minister of Transportation and Telecommunications HE Dr Sheikh Abdulla bin Ahmed al-Khalifa, along with other government and port officials between the two countries. **media[378270]** This new service establishes a maritime connection between Qatar’s Al-Ruwais Port and Bahrain’s Saada Port, covering a sea distance of around 35 nautical miles (about 65kms). In a press statement, Sheikh Mohammed said: “This project represents a pioneering strategic step that reflects the depth of fraternal ties between the two brotherly countries, while further strengthening co-operation and integration among the Gulf Cooperation Council (GCC) states. “The project also reflects Qatar’s keenness to establish and enhance developmental and strategic partnerships with the Kingdom of Bahrain in the fields of transportation, logistics, and related services, in a way that serves mutual interests and promotes economic integration within the GCC framework.” According to the Ministry of Transport (MoT), travel time between the two ports ranges from 70 to 80 minutes. Passengers can book services and flexibly manage their travel schedules using the dedicated ‘Masar’ mobile application. **media[378271]** In its initial phase, the project will offer passenger services to GCC citizens and residents. The inaugural operational trips are scheduled from today (November 7) to November 12, providing two daily round trips, one in the morning and one in the evening. MoT noted that service frequency will soon increase, with three daily round trips planned from November 13 to 22. Further gradual expansion of the schedule remains an option, subject to demand and utilisation rates. The service will utilise two types of vessels: standard-class ships accommodating 28 passengers per trip, and VIP-class ships with a capacity of up to 32 passengers. Both vessel types are outfitted with modern hospitality services and amenities to ensure passenger comfort. In addition, all approved security and customs procedures in both countries will be strictly applied to guarantee travelers’ safety. Sheikh Mohammed stressed that MoT, in collaboration with its Bahraini counterpart, is committed to applying the highest standards of safety, security, and operational quality. This commitment, the Minister pointed out, is intended to ensure passengers enjoy a comfortable and safe travel experience while simultaneously enhancing the efficiency of maritime transport services between the two nations. He lauded Bahrain’s Ministry of Transportation and Telecommunications, along with all relevant entities in both countries, for their efforts in bringing this vital project to completion. MoT Undersecretary Mohammed bin Abdullah Al Ibrahim al-Maadid said the Qatar–Bahrain maritime link embodies the two nations’ shared understanding that transportation is a key driver for sustainable development. “The inauguration of this new maritime route goes beyond facilitating passenger transport and expanding mobility options; it represents a qualitative step toward creating a stimulating platform for diverse economic, tourism, and service activities—generating tangible benefits across multiple sectors,” he said.

The sixth edition of Qatar Luxury Classic Cars Contest and Exhibition returns to Medina Centrale, The Pearl Island, from November 19-23 in its 6th edition, showcasing an array of rare vintage vehicles from across the GCC region, the Gulf Qatari Classic Cars Association ( GQCCA ) has announced.Under the honourary patronage of HE Qatar Museums (QM) chairperson Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani, the event marks its regional significance through its collaboration with the International Federation of Historic Vehicles (Fiva).Speaking at the press conference yesterday, the association’s board member and general secretary, Eng Abdul Latif Ali al-Yafei, said some 71 out of the 180 registered cars have been selected to compete for 20 prizes, judged by a panel, including international experts and compliant with Fiva standards.**media[377355]**Al-Yafei noted that the event’s 2025 edition will see a record expansion in area and participation, offering cash and in-kind prizes to heighten competition and excitement. It is also expected to bring together an elite section of luxury classic car owners from Qatar and GCC countries.According to the organisers, 15 of the prizes will be distributed to the top three winners in each of the five age-based categories: Pre-1947, 1948–1959, 1960–1970, 1971–1981, and 1982–1995.The remaining five will be presented as Excellence Awards, recognizing the Best Exceptional Luxury Car, Most Iconic and Distinguished Car, Best Preserved Original Car, Best Preserved Qatari Heritage Car, and Best Car in Show.“This exceptional edition will feature distinguished participation from GCC countries, showcasing an exquisite collection of luxury classic cars representing various historical eras. It reflects the regional prestige that this event has achieved over the years,” al-Yafei said, thanking their partners and sponsors “whose generous support has been instrumental in organizing this exhibition and similar events that celebrate Qatar’s classic car heritage”.“Such support reinforces the synergy between the private sector and the community in elevating Qatar’s tourism and cultural landscape. The event aims to inspire classic car owners, especially youth, to preserve, restore, and celebrate the timeless artistry of these vehicles, ensuring that Qatar remains a hub for automotive heritage and innovation,” he stressed.The Association partnered with leading organisations, including United Development Company (UDC), Social and Sports Activities Support Fund (Daam), Qatar Museums, Sheikh Faisal Bin Qassim Al Thani Museum, and Alfardan Automobiles Group, and Alfardan Hospitality, among others.Six judges, four international experts with extensive experience in classic car evaluation and two from Qatar who have served in four previous editions form part of the jury.Mohammed Zaidan al-Zaidan, deputy CEO for Operations at QM, said Qatar Auto Museum will take part in the event, showcasing one vehicle as a symbolic presence, without competing, joining the judging committee.QM, he added, will organize an educational programme designed to introduce students to classic cars as cultural and artistic artifacts combining engineering, design, and heritage.Mishaal al-Jaber, director of HR and Administrative Services at UDC, said: “At UDC, we believe such events foster community engagement and revive heritage in a modern form that reflects authenticity and refined taste.”Hassan Yousef al-Obaidli, director of Programmes at Daam, said: “Our continuous sponsorship of the event for the fourth time stems from our commitment to support activities that strengthen Qatar’s cultural and social identity and highlight its role as a distinctive destination for unique events.”Alfardan Automobiles’ chief marketing officer Hussein Omar Alfardan said: “Alfardan Automobiles is proud to serve as a main sponsor for this prestigious event, reinforcing our strategic vision to support Qatar’s tourism and economic sectors.“In line with our commitment to the classic car community, we have launched the BMW Classic Car Club, the first of its kind in the Middle East, offering enthusiasts exclusive opportunities to preserve and enjoy their automotive heritage.”Alfardan Hospitality COO Wissam Suleiman added: “Our partnership reflects our dedication to supporting national events that enhance Qatar’s global image as a hub of luxury, innovation, and cultural sophistication.”

Emerging Qatari artist Moza al-Marri has brought the warmth of both Qatari and Japanese traditions onto one canvas, and in doing so, earned first prize in the 2025 Japan-Qatar Illustration Contest.Her winning piece, titled "Qahwa to Ocha - Coffee and Tea,” celebrates the shared cultural essence of hospitality, the gesture of offering a drink, whether Arabic coffee or Japanese tea, as a universal language of respect and connection.“It’s not just colours and lines. Art is a message you send to the world. I wanted to show that despite our distance, Qatar and Japan share deep similarities, in how we welcome people, how we sit together, even in our architecture and manners,” al-Marri told Gulf Times on the sidelines of the awarding ceremony at the Japanese embassy in Doha recently.Her research-driven approach reflects her belief that meaningful art begins with understanding.“You need to research, to brainstorm, to understand the idea before applying it,” she said, noting that both cultures value hospitality, gratitude, and harmony.Asked why Japanese culture, particularly anime and manga, which is gaining popularity among Qatari youth, al-Marri described it as part of a broader curiosity and cultural openness.“It’s something new, something different. People here love discovering new art forms and feeling they belong to something. The anime community in Qatar is growing and it brings people together, especially the youth,” she said.Al-Marri noted that what was once a niche interest has blossomed into a thriving subculture: “Years ago, anime wasn’t well-known here. Now, families support their children’s interests in it, and that’s beautiful to see.She added that Qatar is even developing its own anime productions, and described it as “a promising future.”For al-Marri, initiatives like the Japan-Qatar Illustration Contest go beyond art competitions, they are cultural dialogues.“You need to think of the other side. When I worked on my illustration, I thought, what if a Japanese person saw this? It would help them understand us better and the same goes for us understanding them. It’s a two-way message,” she said.Her reflections echo the contest’s broader mission: to foster understanding, empathy, and collaboration between Qatar and Japan through creativity.Al-Marri termed such experience as “wholesome” and deeply rewarding, saying: “I had to set aside a lot in my life to focus on this piece, but it was worth it. Seeing how well the contest was organised, how much effort the embassy and team put into it, it shows how much they care.”She hopes future editions will draw even more participation, stressing that “there’s so much talent here in Qatar, and next time, I want to see thousands joining.”Al-Marri’s growing portfolio also includes her contribution to the “For Palestine” student art exhibition at Multaqa Art Gallery in 2023, another proof to her drive to use art as a form of empathy, advocacy, and connection.

Mathaf: Arab Museum of Modern Art opened “Resolutions: Celebrating 15 years of Mathaf Exhibition” and “we refuse_d” to the public Friday, honouring its roots in Sheikh Hassan bin Mohammed bin Ali al-Thani’s foundational collection and confronting the struggles of artists who face censorship and displacement.“Resolutions”, on view until August 8, 2026, explores the institution’s journey, showcasing four areas that cover its origins and impact on the region.The section “Infrastructure: Traces of a Legacy”, curated by Fatima Mostafawi, examines the museum as a complex case study rooted in the vision of artist and collector Sheikh Hassan.It details how Doha emerged as an artistic hub during the political turmoil of the 1990s and includes archival materials like letters, photographs, and video interviews that capture Sheikh Hassan’s role as both fellow artist and patron.The exhibition continues its self-examination with “Mathaf as Institutional Memory: An Exhibition History”, curated by Hadeel al-Kohaji, which chronicles the “kaleidoscopic range” of exhibitions the museum has hosted.This section utilises an elaborate timeline and backstage documents to foster a sense of institutional memory, valuing the museum’s publications, graphic design, and international partnerships.“Resolution” broadens its scope to the regional impact of art, featuring “Education: Art as Knowledge Creation”, curated by Noora Abdulmajeed.This underscores the foundational role of art education in cultivating revolutionary possibilities and knowledge circulation within the Arab world.“Representation and the Writing of History”, curated by Arthur Debsi, spotlights how artists in West Asia and North Africa used a shared visual language in the post-independence era to define a Pan-Arab ideology and continuous resistance, especially in relation to the occupation of Palestine.Addressing contemporary issues, “we refuse_d” exhibition, curated by Nadia Radwan and Vasif Kortun, brings together 15 artists whose practices explore refusal, endurance, and action.On view until February 9, 2026, this exhibition asks critical questions about how to persist, resist, and create under conditions of silencing, censorship, and displacement.Speaking to the media, Kortun said: “To see other people’s misery it’s not what we really wanted to do and we kind of turned the idea of refusal around its head... we know of the concrete cases of cancelations but what we don’t know is the untold, or unwritten or unknowable history of refusals and cancellations.”Among the highlights of this exhibition are Abdul Hay Mosallam Zarara’s *Untitled, from the Mahmoud Darwish series (2008), the newly commissioned installation *Resonance (2025) by Majd Abdel Hamid, Samia Halaby’s *Six Golden Heroes (2021), and Taysir Batniji’s early work *Untitled (1997).

Mathaf: Arab Museum of Modern Art is celebrating its 15th anniversary with the launch of two major exhibitions designed to explore the institution’s history, the origins of its foundational collection, and its role in engaging with contemporary political and social challenges. Speaking to reporters at the press preview yesterday (October 30), Mathaf director Zeina Arida said the two exhibitions share a strong common thread: telling “stories of friendship, solidarity,” and offering “a very good idea of the journey that led to Mathaf as a major museum for modern and contemporary art in the world”. **media[375281]** She noted that Mathaf first opened its doors in December 2010 in its current building, a repurposed school located in Doha’s Education City. The museum is the result of a collaboration between Qatar Museums (QM) and Qatar Foundation, driven by the vision of Qatari artist Sheikh Hassan bin Mohammed bin Ali al-Thani, also a collector, researcher, and educator in the field of modern art from the Arab World. The ‘Resolutions: Celebrating 15 years of Mathaf’ exhibition, on view from today (October 31) to August 8, 2026, examines Mathaf's foundation. It revisits the museum’s primary vision through a display of its permanent collection, exploring four defining areas: Sheikh Hassan’s pioneering efforts; the museum’s expansive exhibition history; its engagement with knowledge circulation in the Arab world; and its response to defining Arab identity in the post-independence era. **media[375282]** Arida said the collection focuses heavily on the “network of solidarity” established by Sheikh Hassan, who started collecting at a young age. This included significant support for artistic production in the 1990s. Before the official museum project began, she noted that Sheikh Hassan invited artists from Iraq following the Gulf War to come to Doha, an effort to support their creative output, stories which are showcased in the exhibition’s first galleries alongside archival material. Curators of the show aim to explore the legacy of Mathaf by showcasing the evolution of its research practices and its history of collaborations. According to Qatar Museums, the anniversary exhibition seeks to revive institutional memory while fostering decolonial discussions surrounding the visual identity of the Arab world in a global context. Another anniversary exhibition, ‘we refuse_d’, shifts focus to contemporary practice, inviting artists to explore the tensions between resilience and action in response to modern political and social challenges. Curated by Nadia Radwan and Vasif Kortun, Arida noted that ‘we refuse_d’ brings together 15 multi-generational artists whose practices probe refusal, endurance, and action. The artists ask what it means to persist, resist, and create under conditions of silencing, censorship, and displacement. The artists are: Taysir Batniji, DAAR (Sandi Hilal and Alessandro Petti), Barış Doğrusöz, Samia Halaby, Majd Abdel Hamid, Emily Jacir, Jumana Manna, Walid Raad, Khalil Rabah, Yasmine Eid Sabbagh, Nour Shantout, Suha Shoman, Dima Srouji, Oraib Toukan, Abdul Hay Mosallam Zarara. Arida said the concept for ‘we refuse_d’ was born from reflecting on the museum’s history, citing Mathaf’s “stunning groundbreaking contemporary art exhibition” that marked its opening in 2010, titled ‘Told, Untold, Retold’. Featuring commissioned works from 23 artists, this exhibition marked a significant conceptual departure, offering a fresh perspective on art and the world. Arida said Resolutions and ‘we refuse_d’ are part of the Mathaf’s ongoing mission to tell the stories behind the institution and its celebrated collection.

The final phase of Qatar’s 25-year cultural plan features ambitious global projects designed to strengthen the nation’s position as a hub for art and innovation, according to Qatar Museums (QM) Chairperson Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani.“Over the next decade, we will be introducing one project after another to continue to build a knowledge-based economy and support the growth of the creative economy,” she said in her keynote address marking the Qatar Creates anniversary season at the National Museum of Qatar (NMoQ).The keynote was delivered against a backdrop of institutional milestones, including the 50th anniversary of the NMoQ, the 20th anniversary of the QM, and the 15th anniversaries of Mathaf: Arab Museum of Modern Art and the Doha Film Institute (DFI).HE Sheikha Al Mayassa said that the plan involves three major institutions, which will further globalise the country’s cultural impact: the Qatar Auto Museum, the Lusail Museum, and the Art Mill Museum.These projects, she said, “hold two of the world’s most extensive and diverse collections”.The QM chairperson said that these museums will be amplified by the upcoming Art Basel Qatar, scheduled for February 2026, which signifies a major push into the international art market.HE Sheikha Al Mayassa said the Lusail Museum, designed by Swiss architectural firm Herzog & de Meuron and situated on Al Maha Island, will house the extensive collection of Orientalist art.Beyond a repository, it is envisioned as an institute where international scholars and artists convene to explore East-West connections.On Doha’s waterfront, HE Sheikha Al Mayassa said that architect Alejandro Aravena and his firm Elemental are transforming an industrial flour mill into the Art Mill Museum.This project, she pointed out, is planned to be “more than a museum”, serving as a vibrant creative village for art, craft, and design, facilitating connections between local and international creative communities.“Over the past two decades, we have been able to invest in both our hardware and software,” HE Sheikha Al Mayassa continued. “The hardware being the buildings, such as the one hosting us now, and the software being the talented people who bring our dreams to life.”She stressed that the future focus must be on cultivating this “software”, the creatives and innovators within the ecosystem, to build the knowledge economy.The core mission of the new strategy, she added, remains supporting local talent and growing the creative economy, extending the reach of existing platforms like the DFI, the Fire Station, and M7.“Culture is no longer a separate sphere, it is inseparable from our social, economic and environmental development,” said HE Sheikha Al Mayassa, who led the celebration of recent activities highlighting Qatari creatives. “It is the heart of our nation uniting our diverse communities.”These include the Liwan Open Studios and the inauguration of the Fashion Trust Arabia exhibition, “Threads of Impact”, which brought more than 80 designers to Doha.She noted that even the children’s focus is rooted in creativity and community health, pointing to the Dadu Children’s Museum of Qatar and the 3-2-1 Qatar Olympic and Sport Museum.According to HE Sheikha Al Mayassa, the Children’s Museum will work with artists from the Fire Station, reinforcing the strategy of “globalising the local and localising the global”.She also underlined the nation’s cultural achievements under the banner of a new 18-month campaign, “Evolution Nation”, marking 50 years since the founding of the NMoQ.

The 10th edition of Hospitality Qatar opened yesterday (October 28) at the Doha Exhibition and Convention Centre (DECC), bringing together government officials and industry experts to mark a decade of exponential growth and development within the nation’s thriving hospitality and tourism sectors. **media[374583]** The event, which specialises in the hospitality, tourism, and Hotel, Restaurant, and Café (Horeca) sectors, was inaugurated by Qatar Tourism (QT) chairman and Visit Qatar Board of Directors chair HE Saad bin Ali al-Kharji, along with other dignitaries and ambassadors. Running until October 30, the expo celebrates its milestone anniversary by highlighting Qatar’s position as a leading regional tourism hub, aligned with the Qatar National Vision 2030. Organised by IFP Qatar, this year’s exhibition features around 150 exhibitors from 20 countries, including major international participants from China, Italy, the UAE, Egypt, Russia, and the Netherlands, spotlighting the global interest in Qatar’s rapidly expanding market. **media[374584]** According to a QNA report, QT’s Tourism Development head Omar Abdulrahman al-Jaber noted that the event has evolved into a primary platform that unites local and international partners, encouraging investment and supporting excellence across all facets of the industry: from hotels and restaurants to service innovation and sustainable practices. He said that over the past decade, Hospitality Qatar has become a primary platform bringing together local and international partners, encouraging investment, and supporting excellence. Al-Jaber added that the commitment to innovation, empowering national competencies, and strengthening partnerships embodies Qatar’s rising position as a leading regional hub, aligned with the objectives of the Third National Development Strategy and QNV 2030. **media[374585]** Haya Bayan, director of Commercial Affairs and Operations at IFP Qatar, stressed that the event marks a “significant milestone” in its successful journey. He added that the latest edition is designed to be an effective observational benchmark, showcasing the latest innovations in interior design, sustainability, technology, and food and beverages for local and international participants. The 10th edition is packed with high-level engagement opportunities and featured events designed to foster expertise and business connections. Key activities include: • B2B Matchmaking: A dedicated platform facilitating business undertakings and maximizing return on investment for participants by expanding networks and securing immediate agreements. • Live Cooking Competitions: Culinary teams from 35 hotels and restaurants, featuring 400 chefs, will compete in high-stakes cook-offs judged by renowned experts, showcasing talent and creativity. • Conference Sessions: Insightful discussions are scheduled across four main themes: ‘Redefining Luxury: The Future of High-End Hospitality,’ ‘The Future of Food: Innovation & Manufacturing,’ ‘Digital Power: Marketing & Social Media in Hospitality,’ and ‘Smart Hospitality: Innovation & Technology Transforming the Industry.’ • Certified Workshops: Sessions focusing on Luxury Service Excellence, Food Safety & Sustainability, and Digital Strategies for Hospitality (including AI and branding). The event will also host the Ambassador of Excellence Awards, recognising leading industry figures, and the talabat Choice Awards, celebrating the best in the industry, which will be presented on October 30. talabat is participating as a Gold Sponsor for the milestone event. Organisers noted that the diverse range of exhibitors covers every aspect of the sector, from luxury tourism and food manufacturing to smart technology and service excellence, providing participants with a comprehensive procurement hub. According to the organisers, Hospitality Qatar 2025 is set against the backdrop of Qatar’s unprecedented growth in tourism, fueled by significant investments in luxury infrastructure and world-class facilities.

A stockpile of more than 350 letters and correspondence, dating back to 1975, provided the National Museum of Qatar (NMoQ) with the intimate and untold story of its founding, highlighted at a major exhibition celebrating the institution’s 50th anniversary.“The biggest discovery (during the research and planning stage) for us who work in the museum were the correspondence, old letters which we found in the storage of our museums,” NMoQ’s Research and Collections deputy director Dr Abdullah Mohammed al-Sulaiti told reporters.He said that when they opened the box and discovered the old, the hidden letters came as a shock, a find that allowed them to piece together the story of the old museum.The exhibition, titled “A Nation’s Legacy, A People’s Memory: Fifty Years Told running until February 7, 2026”, traces the museum’s evolution from its inception in 1975 as the first national museum in the region to its reinvention in 2019 in the iconic structure designed by French architect Jean Nouvel.Such discovery, Dr al-Sulaiti added, offers a raw, firsthand account of the huge logistical and technological challenges faced by the museum’s original architects and curators.“We understand exactly what they are thinking and the difficulties of doing that project at that time,” he said. “There is no Internet, there is no e-mail, there is nothing (of that sort).”“They only have telephone and Telex, it’s a very old machine at that time,” he said, pointing out the contrast with modern communication.Dr al-Sulaiti said that the documents show that early museum staff often had to travel extensively to collect information and objects, highlighting the rigorous dedication required in the pre-digital era.The exhibition begins at Temporary Gallery 13, guiding visitors through the museum’s history from its establishment, an idea initiated in 1972 by His Highness Sheikh Khalifa bin Hamad al-Thani, to its present state.The mission was, and remains, to collect and display the history, traditions, and natural environment of Qatar.The Qatar National Museum officially opened in 1975 within the Sheikh Abdullah bin Jassim Palace, the restoration of which earned the prestigious Aga Khan Award for Architecture in 1980.Key historical artifacts are on display, including some of the newly discovered correspondence.Highlights include the brass opening piece from the 1975 inauguration, displayed next to a photograph of His Highness Sheikh Khalifa.The exhibition also features contemporary re-creations of beloved features from the original site, such as the famous Earth Dome.According to Qatar Museums, the exhibition weaves together personal stories of individuals who contributed to the museum’s legacy alongside archival photographs that trace its role in chronicling Qatar’s national transformation.The exhibition also showcases the work of artists Shouq al-Mana and Khalifa al-Thani, whose pieces reflect national identity and resilience.Among these is Khalifa al-Thani’s Pearls Don’t Lie on the Sand, which transforms the traditional dhow into a luminous sculpture symbolising discovery.A major feature is Yousef Fakhoor’s installation, Echoes of time, The Four Doors.Using sound, light, and video, the piece unfolds a poetic journey through Qatar’s past, present, and imagined future.Each of the four symbolic doors invites reflection, bridging generations by presenting moments in time, from a young girl’s whispered prayer in 1975 to a vision of Qatar in 2050.

Qatar and Japan continue to chart a course for expanded defense co-operation, aimed at strengthening security ties, addressing key regional security challenges, and maintaining stability and traffic safety across the Indo-Pacific region. The two nations reiterated this shared commitment during the 2nd Japan-Qatar Military-to-Military Dialogue held on September 29 at the Ministry of Defense in Tokyo. The Japanese delegation was led by Hayashi Mitsuko, Director General for International Affairs at the Ministry of Defense; while the Qatari side was headed by Staff Brigadier Nassir bin Ali al-Thani, deputy chief of the International Military Co-operation Authority of the Qatar Armed Forces. Both parties exchanged views on a wide range of topics, including regional and international security issues, the future direction of Qatar-Japan defense co-operation, and ways to enhance defense exchanges. The talks underlined the importance of continued collaboration in ensuring maritime safety and maintaining stability across the Indo-Pacific and the broader Middle East region. The Military-to-Military Dialogue followed a series of high-level engagements between the two nations in recent years. In January 2025, Qatar and Japan held the second Strategic Dialogue at Japan’s Ministry of Foreign Affairs headquarters in Tokyo. The meeting was chaired by HE Sheikh Mohammed bin Abdulrahman al-Thani, Qatar’s Deputy Prime Minister and Minister of Foreign Affairs; and HE Hayashi Yoshimasa, Japan’s Minister of Foreign Affairs. During that session, both countries discussed expanding joint investments in the energy sector, strengthening partnership in cybersecurity and technology, and improving defense relations. They also agreed to promote cultural exchanges, facilitate private-sector investments, and encourage visits by business delegations between the two nations. A key outcome was the agreement to exempt Qatari citizens from entry visas to Japan through a pre-registration system for travelers, marking a milestone in bilateral relations. The deepening defense ties between the two nations was also highlighted by Japan Ministry of Defense official, during a meeting with reporters from Qatar, Bahrain, Jordan, and Türkiye in Tokyo last month. The official stressed the vital importance of the Middle East to Japan’s national interests, noting that the region's stability directly impacts Japan’s energy security due to its reliance on the area for approximately 90% of its crude oil imports. The official underscored Japan’s ongoing efforts to build trust through defense co-operation and high-level exchanges, stressing the importance of freedom of navigation under the vision of a ‘Free and Open Indo-Pacific’. The official noted that such joint action includes ensuring safe maritime routes, access to ports, and strengthening mutual understanding between defense authorities. Qatar and Japan’s defense relations have deepened since the signing of a Memorandum on Defense Exchanges in May 2019, during the visit of HE Dr Khalid bin Mohammad al-Attiyah, Qatar’s Minister of State for Defense Affairs, to Japan. This was followed by regular engagements, including a phone conversation between the two defense ministers in October 2019, virtual talks between the Chiefs of Staff in October 2021, the 1st Military-to-Military Talks in November 2023, and ministerial meeting in June 2024. In November 2024, a Japanese Maritime Self-Defense Force vessel made a port call to Qatar, symbolising growing friendship and mutual understanding between the two nations’ maritime services. Japan maintains similar defense partnerships with several Middle Eastern countries, including Bahrain, Türkiye, and Jordan, as part of its broader policy to promote peace, stability, and freedom of navigation in the Indo-Pacific and beyond.

Qatar Museums (QM) Chairperson HE Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani unveiled the major retrospective “A Nation’s Legacy, A People’s Memory: Fifty Years Told” on Thursday, marking the official kickoff of the National Museum of Qatar (NMoQ)’s 50th-anniversary celebrations across Doha. The celebration featured the recognition of major donors, the prestigious Anniversary Awards Dinner, themed *Recognising Evolution – A Journey from Tradition to Tomorrow, and the “Taste Evolution: Collaboration Dinner”, presented by Qatar Creates. **media[373167]** The opening was attended by QM chief executive Mohammed Saad al-Rumaihi and NMoQ director Sheikh Abdulaziz al-Thani, among other dignitaries and guests. “A Nation’s Legacy” chronicles the NMoQ’s journey, from its establishment in 1975 as the region’s first national museum to its reinvention in 2019 as a cutting-edge experiential institution housed within an iconic building designed by French architect Jean Nouvel. **media[373173]** According to the QM, the NMoQ’s 50th-anniversary festivities began on October 22 with a symbolic voyage of the historical dhow Fateh Al Khair. Bearing the museum’s logo, the dhow sailed along the Doha Corniche, serving as a visual narrative of continuity, resilience, and transformation. **media[373169]** The ceremony was enhanced by cultural maritime performances, featuring renowned Qatari singer Munsoor al-Muhannadi, highlighting the museum’s role as a vital bridge between past heritage and future generations. “For half a century, the NMoQ has safeguarded the legacy of our nation and our national treasures while continually developing new means of storytelling through the latest advances in technology,” Sheikh Abdulaziz said in a press statement. **media[373168]** “With ‘A Nation’s Legacy, A People’s Memory: Fifty Years Told’, we invite audiences to join us in celebrating the institution’s remarkable record of honouring our heritage while imagining what is to come.” NMoQ Research and Collections deputy director Dr Abdullah Mohammed al-Sulaiti told reporters during the press preview that extensive public programming will form part of the exhibition, aimed at nurturing creativity, learning, and cultural participation across all age groups. Key among these initiatives is “NMoQ Late: Our Heritage, By Young NMoQ”, which aims to empower teenagers by offering creative expression opportunities, after-hours access, and culturally relevant initiatives. This effort seeks to position the museum as a vital “third space”, a welcoming environment where youth can connect, collaborate, develop skills, and build a sense of ownership within the community. The QM added that the NMoQ’s learning and outreach programmes, such as workshops, educational activities, and immersive experiences, will further connect audiences with Qatar’s heritage. Specialised culinary initiatives like collaborations with Chef Noof, Desert Rose, and cooking classes at Jiwan will explore food as a living heritage, demonstrating how traditional practices are preserved, adapted, and celebrated today. These programmes will transform the exhibition from a historical survey into a vibrant, interactive journey celebrating Qatar’s past, present, and future. The QM noted that the anniversary celebrations included a special tribute dedicated to the significant donations that have enriched the QM’s collections and sustained the preservation of the nation’s cultural heritage. These gifts were highlighted as a reflection of deep civic pride and the shared commitment of individuals, families, and institutions to safeguarding Qatar’s legacy. The celebrations also featured a live musical performance from Dana al-Meer and Hala al-Emadi, who reflected Qatar’s evolving national identity through a lively fusion of traditional Arabic and modern sounds. It concluded with “Taste Evolution: The Collaboration Dinner”, a culinary experience crafted by Chef Noof al-Marri and QC+’s Michelin-starred Chef Jeremy Cheminade, blending authentic Qatari flavours with contemporary techniques.

The National Museum of Qatar (NMoQ) celebrates a half-century of defining the nation’s cultural identity with the launch of a major retrospective exhibition, ‘A Nation’s Legacy, A People’s Memory: Fifty Years Told’. According to Qatar Museums, this landmark survey is designed to blend heritage with innovation, using modern art, historic documents, and immersive installations to illustrate how the institution became a crucial mirror of Qatar’s collective memory and national pride. The exhibition, which offers a comprehensive and chronological exploration of the museum's origin, growth, and evolution, will be on view at the historic Old Palace from October 24 to February 7, 2026. It traces NMoQ’s journey from its visionary founding in 1975 as the first national museum in the region to its bold reinvention in 2019, housed in the iconic, desert rose-inspired structure designed by French architect Jean Nouvel. Speaking to reporters at a press preview yesterday (October 23), Dr Abdullah Mohammed al-Sulaiti, deputy director of Research and Collections at NMoQ, stressed that a primary goal of the exhibition is to highlight the museum’s history, countering the perception that its story began with the unveiling of the new building. “Most of the people thought that the museum is just a new building which is what they see it now... But we want to highlight that this museum is older than 2019; it was built in 1975,” he said, noting that the exhibition dedicates significant attention to the visionaries behind the institution’s earliest days. **media[372592]** Dr al-Sulaiti said ‘A Nation’s Legacy, A People’s Memory: Fifty Years Told’ spotlights the planning developed by the Michael Rice company and focuses on the key moment the museum was officially opened in 1975 by His Highness the late Amir, Sheikh Khalifa bin Hamad al-Thani. He added that the museum’s original home, the Sheikh Abdullah bin Jassim Palace, is celebrated as a symbol of Qatar’s foundational commitment to culture and heritage. He said the exhibition highlights key events across the five decades, covering the museum’s closure in 2004 and the 2019 reopening. The curatorial approach masterfully blends historic artifacts with cutting-edge technology to illustrate this evolution. Visitors will encounter archival material such as a plaque commemorating the opening of the Qatar National Museum in 1975, and a historical portrait of Sheikh Khalifa captured on positive slide film. It features recreations of original beloved pieces, such as the Earth Dome, presented with modern interpretations that underscore the continuity of NMoQ’s mission. **media[372593]** The Sheikh Abdulla bin Jassim al-Thani’s Old Palace is transformed into a “living archive” via a multi-channel video installation, creating a compelling “dialogue between memory and modernity” within the historic walls. The survey also embraces contemporary Qatari artists who reflect on national identity and transformation. This includes specific artwork by Shouq Almana and immersive installations by Yousef Fakhroo, whose piece Echoes of Time aims to provide visitors with an experiential journey connecting Qatar’s past, present, and future. Dr al-Sulaiti stressed that the 50-year anniversary represents a pivotal moment for reflection on past achievements, celebration of the museum’s evolution, and anticipation of future cultural innovations that will further elevate Qatar’s standing on the global stage. He added that the survey also underlines the museum’s role in offering audiences of all ages a chance to reflect on Qatar’s identity and heritage.

While traditional culinary capitals often prioritise centuries of specialised tradition, the booming dining scene across the Gulf, particularly in Qatar, is shaping a new global culinary model defined by “radical diversity” and “cosmopolitanism”.This was the assessment of Japanese business strategist Rie Ruqayyah Mihara, a consultant who has successfully navigated the travel, food, and hospitality sectors in Qatar and with prior experience in Pakistan, turning her experience into a blueprint for cultural translation and commercial viability.Mihara told the Gulf Times that the Gulf is not simply importing global trends, but forging new ones through a unique blend of international influence and local adaptability.“If Japanese food culture is characterised by ‘specialisation’, mastering a single path, and the ‘deepening of tradition,’ then I believe the dining scene in the Gulf, including Qatar, is defined by its ‘diversity’ and ‘cosmopolitanism,’ where the cuisines gather,” Mihara stressed.She noted that the Qatari market is distinctively dynamic, flexible, and open, allowing diners to experience the latest global food movements almost instantaneously. Moreover, she said dining is deeply intertwined with social life, emphasising large family and friend gatherings – a key factor for restaurant design and service models.For foreign concepts aiming to succeed in this cosmopolitan environment, Mihara pointed out that success centres on a delicate balance between preserving the soul of the dish and adapting to local preferences.“The absolute prerequisite is to protect the core of the cuisine, the ‘authentic flavour,’ or what I would call the soul of the dish. On that foundation, it is crucial to pay respect to the local culture and preferences and to adapt with flexibility,” she explained.Mihara said this adaptation goes beyond simple Halal compliance, championing a holistic approach that includes engaging with Arab food culture, catering to the diverse tastes of Qatar’s large expatriate population, and integrating local ingredients through “local production for local consumption” initiatives.“Instead of imposing Japanese tastes, I believe that by creating a dialogue and fusion with Qatar’s food culture, we can create a new value that can only be found here,” she added.Mihara points to the rapid maturation of the food market, observing a growing demand for specialised and authentic experiences that move beyond broad categories such as ‘Japanese food’.She sees significant potential for niche concepts that have yet to be introduced, such as specialty tempura restaurants, delicate Japanese sweets, or specific regional cuisines from Japan’s prefectures.Mihara noted that Qatar’s position offers a unique commercial advantage, saying: “While Qatar's population is small, the number of visitors from neighbouring countries increases on weekends. This makes it an ideal country for test marketing to the wider GCC audience”.Mihara’s insights stem from a career rooted in cross-cultural exchange. Having lived and worked in the Islamic world – Pakistan and Qatar – for a decade, her fascination with the region’s energy and commitment to building the future while cherishing tradition led her to convert to Islam last year.Her hands-on experience came from launching and scaling, development a ramen restaurant brand that achieved notable growth in Qatar over a four-year period.

Msheireb Museums celebrated its 10th anniversary Monday, bringing together leading international and regional architects, cultural leaders, and heritage preservation experts to examine a decade of architectural innovation and cultural transformation in Qatar.The event at Bin Jelmood House was marked by two panel discussions and the launch of two new publications that document the museums’ role in shaping Qatar’s contemporary built environment.Led by Msheireb Museums general manager Abdulla al-Naama and attended by senior officials from Msheireb Properties, the conference underlined the museums’ impact on defining a unique modern Qatari architectural identity.A highlight of the celebration was the launch of two publications: ‘Building on Tradition – The New Architectural Language of Qatar’ and ‘Msheireb Museums: Transforming Doha's Heritage Houses.’‘Building on Tradition’ establishes a comprehensive framework for contemporary Qatari architecture through the introduction of the ‘Seven Principles.’ Utilising Msheireb Downtown Doha (MDD), dubbed as the world’s largest sustainable downtown regeneration as its primary case study, the book demonstrates how timeless architectural wisdom can inform exceptional 21st century urban design.**media[371391]**According to Msheireb Museums, the Seven Principles – Continuity, Individual and Collective, Space and Form, Aspects of the Home, Aspects of the Street, Designing for Climate, and Architectural Language – offer a sophisticated methodology for honouring Qatar’s cultural identity while addressing modern needs through climate-responsive and culturally sensitive design.The second publication, ‘Msheireb Museums: Transforming Doha's Heritage Houses,’ chronicles the meticulous restoration of the four historic houses at the heart of the museums: Radwani House, Mohammed Bin Jassim House, Company House, and Bin Jelmood House. The book documents the unique conservation approach, detailing how these rare examples of traditional Qatari domestic architecture were transformed into powerful, contemporary museological narratives, achieving LEED Gold standards.The event featured two panel discussions exploring the interplay between architectural heritage and future-forward innovation.The first talk, titled ‘The Architectural Alphabet - Crafting Msheireb's Urban Language,’ examined the architecture and urban planning foundational to Msheireb’s development, addressing the necessity of depicting the past while embracing the future and the importance of creating safer urban spaces. The panel included Rosanna Law, Simon Gathercole, and Michael Mossessian, and was moderated by Eng Fatima Mohamed Fawzi, senior manager – Education and Sustainability, Doha Design District.The second discussion, ‘Truth in Translation - Weaving Heritage into the Modern Fabric,’ shines a spotlight on the sensitive process of transforming historic buildings into dynamic storytelling spaces. This panel featured experts John McAslan, Fanos Panayides, and Fatima M Fazwy, and was moderated by Fahad al-Turki.

Two unique exhibitions, on view until October 25 at Fire Station: Artists in Residence, provide an opportunity for Qatar residents and visitors to explore Qatari talent and contemporary innovation. The opening of ‘Threads of Memory’ by Haifa al-Khuzaie and ‘Between Rust and Art’ by Ahmed al-Hamar on September 24 mark the completion of Fire Station’s 2024 Al Ruwad Residency. This programme supports and fosters dialogue between Qatar-based established and emerging artists. The Al Ruwad Residency, launched in 2021, strengthens Fire Station’s role as a hub for artistic exchange. By providing up to two years of time, space, and resources, it connects local artists with mentorship and ensures the institution remains a platform for creativity. **media[370064]** **media[370063]** In Threads of Memory, al-Khuzaie’s artistic practice focuses on reinterpreting Qatari heritage through contemporary forms, examining how traditional motifs carry deep memory and identity. In the featured works, al-Khuzaie presents new mixed media pieces, including handmade ceramics, drawing inspiration directly from patterns and ornamentation found in local fashion, jewellery, and textiles. During her residency, she explored the intricacies of embroidery, engraving, and decorative detail in women’s clothing, allowing their richness of colour and design to inform her compositions. **media[370062]** **media[370061]** Al-Khuzaie’s practice translates traditional elements into sculptural forms that embody both continuity and transformation. By merging these traditional forms with contemporary aesthetics, al-Khuzaie creates a dialogue between past and present that honours cultural heritage while imagining its future possibilities. Also opened on September 24 at Gallery 4, al-Hamar’s ‘Between Rust and Art’ exhibition shifts the focus to materiality, texture, and layering. Al-Hamar works with elements drawn from daily life, reinterpreting mediums such as natural dyes, organic matter, and found objects into minimal artistic compositions. His recurring fascination lies in transformation and process. **media[370060]** **media[370059]** During his residency, al-Hamar focused on deep experimentation, often revisiting the same techniques and materials to uncover new outcomes. His exhibition explores cultural motifs by deliberately inducing rust on iron sheets, a natural process that is subsequently interrupted and reshaped by his intervention.

Doha’s event calendar is hitting a peak in the second half of October, offering residents and visitors in Qatar a diverse and packed schedule of cultural, entertainment, and sporting events. According to Visit Qatar, the festivities begin today, marked by two musical events at the Qatar National Convention Centre (QNCC). The highly anticipated Cartoon Orchestra makes its international debut at the Al Mayassa Theatre, Qatar National Convention Centre. Following massive success in Kuwait, the orchestra, under the artistic direction of Kuwaiti maestro Dr Khaled Nouri, promises a magical concert spanning decades of animated classics. The performance, enriched by cutting-edge visual technology, will revive iconic theme songs and soundtracks from beloved Arabic and international animated works from the 1970s to the present day. On the same evening, Egypt’s best-selling female artist, Angham, will perform at another venue within the QNCC, providing fans with a major contemporary music option. The Qatar Sports For All Federation (QSFA) has announced the start of the SFA Fall Edition Races 2025. Running from today to November 28, the series will take place at Education City MTB Trail and Oxygen Park. Registration is open now via the QSFA app, with the first 50 runners to register for the full series receiving a special discount package, including four unique finisher medals and four race T-shirts. Lusail Winter Wonderland will host several crowd-pulling acts, where highlights include a show featuring Daffy, Flipperachi, and DJ Outlaw on October 23, an Al Akhras Concert on October 24, and a special meet-and-greet with renowned Kuwaiti YouTuber AboFlah on October 24. Additionally, the theatrical play ‘Nora The Drummer’ will run from October 23 to 25 at the Abdulaziz Nasser Theatre. For sports enthusiasts, October offers both high-speed thrills and endurance challenges. The Mena Karting Championship Nations Cup, billed as the biggest karting event in the region, is scheduled for five days of non-stop action at the Lusail International Circuit from October 21-25. The cultural scene shifts into high gear on October 27 with the simultaneous launch of three major exhibitions at M7, Msheireb Downtown Doha. The ‘Art in the Heritage of Berber Poetry’ exhibition will run until January 12, 2026, and offers an inspiring exploration of the politics of patronage and artistic legacies. It celebrates the Berber hairdressing tradition in Morocco, reclaiming the art form which carries tales of memory, beauty, and identity as a vibrant language of self-expression and cultural pride. Also opening on October 27 is ‘Houbara Haven: A Chaumet Tiara Exhibition’. This intimate showcase details the journey behind the Houbara Haven tiara, a poetic tribute to Qatar’s rich hunting traditions, designed by Qatari artist Aisha Alattiya and crafted by Maison Chaumet. The exhibition features sketches and behind-the-scenes footage illustrating the collaboration and celebrating the next generation of visionary designers. Rounding out the M7 openings is ‘FTA: Threads of Impact. Celebrating 7 Years of Fashion Trust Arabia,’ running until January 3, 2026. This extensive exhibition charts the transformative impact of FTA, featuring the work of more than 80 emerging designers from across the MENA region and presenting a multifaceted vision of contemporary Arab fashion. Celebrating Qatari heritage and outdoor life, the Kashta Exhibition 2025 is set to take place from October 28 to November 4 at Sumaisma and Al Dhaayen Youth Centre. The unique event aims to stimulate local trade by showcasing everything from traditional hunting and falcon supplies to modern camping equipment, linking heritage to reality for desert and sea goers.

Spain’s culinary presence in Qatar is rapidly expanding, driven by a sophisticated mechanism for food promotion, according to LuLu Group International director Dr Mohamed Althaf.Speaking to the media at the recent opening of 'Festival of Spain 2025', he highlighted the growth of Spanish products available at LuLu outlets in Qatar, marking a shift from seasonal imports, and becoming a mainstream supplier such as the US, India, and the Philippines, among other countries.The latest addition to the retail giant’s Spanish portfolio includes premium items such as 100% Halal-certified Spanish lamb and Spanish mangoes.“This year I believe the highlight is mostly, other than regular things, there are a lot of things that we bring from Spain,” Dr Althaf said, detailing the new additions, which also include high-quality tuna, fresh vegetables, cheeses, and other dairy products.He pointed out that the success of the Spanish food penetration into the Qatari market is attributed directly to the Spanish diplomatic presence.“I must say that the Spanish embassy has a very, very strong mechanism here to promote their food,” Dr Althaf noted. This mechanism, he added, involves introducing global initiatives such as the Spanish government’s programme, “Eat Spain Drink Spain,” which LuLu is now bringing to the Qatari market.He stressed that consumers must also be reassured about the sourcing process. LuLu, he said, maintains a high degree of traceability, employing teams stationed in Spain who oversee and test products to ensure they meet stringent health standards of Qatar, as well as regulatory and religious requirements, including proper Halal slaughter procedures.Dr Althaf highlighted the cultural significance, noting that Spanish food, particularly its Mediterranean components like olive oil and saffron, is “very close to our region and our culture when it comes to food.”Addressing the challenge of importing premium Spanish goods without high cost, Dr Althaf explained that affordability is achieved through optimal operational practices, not by sacrificing quality.“We believe good food is never expensive, if you source it properly, if you have good logistics to work with, if you maintain your cold chain, you avoid your wastage,” he said.He pointed out that while Spain certainly produces gourmet products, the nation is fundamentally a massive “powerhouse of food production worldwide,” known for high-quality fruits and vegetables, which allows for substantial volume and competitive pricing once logistical efficiency is maximised.He noted that the volume of goods arriving from Spain is now “substantial,” having established itself as a regular feature in LuLu’s supermarkets, rather than just a seasonal offering.Dr Althaf also reiterated LuLu’s commitment to the local market, describing Qatar as a “very steady market”. As the country expands into new areas, he said LuLu plans to increase its local footprint.“We will go logically wherever Qatar population is expanding. We will have outlets, and this year itself, we are planning some sign ups with the new communities,” Dr Althaf added, underscoring the retailer’s strategy to grow alongside the nation’s developing infrastructure and population centres.

The strong bilateral relationship between Spain and Qatar is poised for sustained growth, particularly in the sectors of tourism and gastronomy, according to Spanish ambassador Dr Alvaro Renedo Zalba. Speaking on the sidelines of the recent launch of the “Festival of Spain 2025”, Dr Zalba said cultural affinity and strong air connectivity are driving a mutual exchange of visitors between the two nations. The festival, which showcases Spanish products, will run across all LuLu hypermarkets in Qatar until October 15. The envoy highlighted the already “very high number of Qatari visits to Spain”, noting that direct flights to major destinations, Madrid, Malaga, and Barcelona, significantly aid travel. “We have a very close friendship socially and culturally. Qataris love Spain, Spaniards love Qatar,” Dr Zalba said, adding that the relationship is reciprocal, with Spain also seeing increased tourism to Qatar, particularly during the winter months. He acknowledged major recent events, including the FIFA World Cup 2022, for strengthening Spain’s visibility and appeal in the region. “The World Cup of course did a lot to underscore the popularity and to really disseminate all that Qatar has to offer. A truly fascinating country,” Dr Zalba said. “I do believe that tourism will continue to increase both from Spain to Qatar and from Qatar to Spain.” Apart from travel, he cited Spanish cuisine as a key factor in the nation’s international appeal, expecting a significant increase in the presence of Spanish restaurants in Doha. “I do (expect more restaurants), because it’s truly a cuisine that is deeply appreciated by the Qatari public,” he pointed out. To underline the popularity of Spanish fare, the envoy pointed to a recent culinary event, noting the impact of visiting Spanish talent. “Just today I have welcomed in Doha very prestigious chefs coming from Spain for a very particular event, and the expectation that their visit to Qatar had generated was very significant,” he said. Dr Zalba sees the popularity extending beyond the Qatari market, attributing the success to cultural and historical proximity within the Middle East generally. He stressed that gastronomy acts as a form of “soft power”, saying it is a political science term referring to a country’s international appeal. He estimates that the opportunity to enjoy authentic Spanish food is a major draw for international visitors. “I am convinced that the close to 100 million people that visit Spain annually do so with the enticing perspective of being able to enjoy Spanish cuisine like the one that is being offered to the Qatari public today by LuLu,” he said.