tag

The first edition of the Doha International Music and Dance Festival (Doha Tattoo) concluded at Katara Cultural Village, under the patronage of His Excellency the Minister of Interior and Commander of the Internal Security Force (Lekhwiya), Sheikh Khalifa bin Hamad bin Khalifa al-Thani, and in the presence of His Excellency the Minister of State for Interior Affairs Sheikh Abdulaziz bin Faisal bin Mohammed al-Thani, and Germany's Federal Minister of the Interior Alexander Dobrindt, along with several senior officers and officials.**media[396347]**The participating military bands presented dazzling performances that were well-received by the audience. Bands from Qatar participated alongside bands from several brotherly and friendly nations.**media[396348]**The Qatari bands included those from the Ministry of Defence, the Ministry of Interior, the Amiri Guard, and the Internal Security Force (Lekhwiya).Bands from Oman, Jordan, Turkiye, Kazakhstan, United Kingdom, and the US also participated.**media[396349]**The performances were inspired by the traditions of international "Tattoo" festivals, celebrating rhythm, culture and unity, in an atmosphere that reflected the spirit of cultural exchange and the diversity of experiences, within artistic panels of an organised military nature. 

His Excellency President of the Administrative Control and Transparency Authority (ACTA), Hamad bin Nasser Al Misnad affirmed that the Arabic language constitutes a fundamental pillar in promoting the values of integrity and transparency and safeguarding cultural identity, adding that ethical values are inseparable from language and culture.In a speech delivered during the celebration of World Arabic Language Day — held in conjunction with the State of Qatar’s hosting of the eleventh session of the Conference of the States Parties to the United Nations Convention against Corruption, His Excellency stated: "The Arabic language is not merely a means of communication; it is a vessel of culture, a repository of values, and a tool for enhancing societal awareness." He explained that "the precision of meaning and the elevated structures embodied in the Arabic language contribute to reinforcing the principles of truthfulness, trustworthiness, and accountability, and to protecting words from distortion and deviation, thereby supporting efforts to build more upright and transparent societies."He noted that the coincidence of World Arabic Language Day with Qatar National Day carries profound symbolism, underscoring the status of the language as a bridge for dialogue, a platform for culture, and a means of upholding human dignity. He said: "The concurrence of World Arabic Language Day with the National Day of the State of Qatar embodies deep symbolism that affirms the language’s role as a bridge for dialogue, a forum for culture, and an instrument for elevating human being and preserving dignity, as well as for renewing national and international commitment to combating corruption."In concluding his remarks, HE Al Misnad commended the efforts of the entities organizing the event, stressing the importance of continuing to strengthen the presence of the Arabic language across various fields, in a manner that contributes to consolidating ethical values and building sustainable societal awareness.

Students from one of the leading universities in the US are to gain a deeper understanding of Qatar’s history, cultural heritage, and journey of development through a partnership between Qatar Foundation (QF) and the Costello College of Business at George Mason University ( GMU).According to QF, such collaboration will also give the students an experiential taste of life in the country that supports their future academic and professional journey.An agreement signed at the recent WISE 12 Summit hosted by QF’s global education initiative WISE will bring 18 GMU students travel to Qatar during the 2026 spring term for an intercultural experience designed to broaden their academic and life horizons.During their 10-day, QF-coordinated stay in Qatar, the students from GMU – which has the largest Qatari student body in the US – will participate in interactive learning opportunities, explore the nation’s cultural sites, strengthen their Arabic language skills, and engage with Qatar-based students and members of the country’s community. The programme is also designed to build lasting relationships between GMU and academic and cultural institutions in Qatar, creating pathways for future cross-cultural collaborations.“This agreement with George Mason University reflects Qatar Foundation’s commitment to building meaningful global partnerships that expand learning beyond the classroom,” said Francisco Marmolejo, president of Higher Education and Education Advisor, QF.“By welcoming GMU students and faculty to Qatar for this cultural immersion program, we create meaningful exchange of ideas and perspectives that directly benefit students across our partner universities. At the same time, such partnerships strengthen Qatar’s role as a global education hub and allows our guests to experience first-hand the country’s rich culture, traditions, and warm, well-known hospitality.”Ajay Vinzé, dean and interim provost of George Mason University’s Costello College of Business, said: “Global partnerships like the one we’ve initiated with QF are a critical part of Costello College of Business’ long-term growth strategy, and are helping to make global learning and research opportunities accessible to increasing numbers of students and faculty from both sides.”The Costello College of Business prioritises enhancing student experience and career readiness through global academic partnerships, which aligns with its mission of preparing a diverse student body to succeed in a global business environment. The college also contributes to the human development pillar of Qatar’s development vision, which focuses on developing a well-educated population and highly skilled workforce for the country’s future.“QF and the Costello College of Business share a common belief that unlocking human potential is the primary purpose of educational institutions,” said JK Aier, senior associate dean, Academic Affairs and Global Engagement, and Associate Professor of Accounting, at Costello College of Business.“This agreement is the start of a meaningful partnership to provide experiential learning opportunities for students and prepare them to successfully navigate the challenges of an increasingly complex world. Exposure to different cultures, languages, and business practices through exchange programmes and study-abroad pathways offer hands-on lessons that cannot be replicated inside a classroom.” 

The Doha International Music and Marching Festival (Doha Tattoo) made its debut Tuesday at Katara Cultural Village, bringing together renowned military bands for a global celebration of music and marching traditions.The event, under the patronage of His Excellency the Minister of Interior and Internal Security Force (Lekhwiya) Commander Sheikh Khalifa bin Hamad bin Khalifa al-Thani, and organised by the Ministry of Interior (MoI) in collaboration with Visit Qatar, will run until December 20.The opening ceremony was attended by His Excellency Lieutenant-General (Pilot) Jassim bin Mohammed al-Mannai, Chief of Staff of the Qatari Armed Forces, alongside senior state officials.**media[394416]**Organisers stressed that the opening marked a notable Qatari evening, as Doha added a new chapter to its cultural and artistic journey, highlighting military music as a shared cultural language that brings nations together.The programme features military band performances in a visually engaging setting that combines military discipline with artistic expression, uniting sound and movement as Eastern and Western cultures converge at Katara.Participating bands include Qatari ensembles from the Ministry of Defence, the MoI, the Amiri Guard and Lekhwiya, alongside bands from Oman, Jordan, the UK, the US, Turkiye, and Kazakhstan.The bands performed pieces inspired by global military music traditions, celebrating rhythm, culture, and unity in a setting that fosters cultural exchange and honours long-standing military customs, reflecting the warmth, peace, and security that characterise events hosted in Doha.The festival opened with a performance by the Lekhwiya Band, presenting a programme of national military compositions delivered through co-ordinated rhythms and structured formations.**media[394417]**It reflected the band’s strong collective cohesion and was met with positive audience engagement for its celebratory character and national significance.The Jordanian Armed Forces Band, joined by the Silent Drill Team of the Royal Jordanian Guard and the Jordanian Circassian Guard, presented a performance rooted in long-standing military tradition.The Omani Royal Guard Military Band delivered a performance that showcased the Sultanate’s military musical identity through a selection of national and military compositions.Representing the UK, the Central Band of the Royal Air Force performed alongside the King’s Colour Squadron and the Royal Air Force Pipes and Drums.The programme included classical military compositions and national pieces, presented through carefully co-ordinated musical arrangements and ceremonial movement, reflecting the United Kingdom’s established military music tradition.The Qatari Armed Forces Band presented a programme of national and military compositions performed through structured formations and co-ordinated brass arrangements.A joint pipes and drums performance brought together ensembles from Qatar, Oman, Jordan and the UK.Featuring 140 pipers performing in a unified formation, the presentation highlighted the collective nature of military music and its ability to convey messages of co-operation and shared purpose.The US Air Force Honour Guard Band presented a performance combining musical elements with silent drill movements.The presentation focused on co-ordinated formations and ceremonial precision, offering a distinctive display that was met with strong audience appreciation.The Turkish Gendarmerie Band and the Mehter Band presented a programme that reflected one of the oldest military music traditions in the world.Featuring traditional and contemporary compositions performed with brass instruments and structured formations, the presentation highlighted the historical depth of Turkiye’s military musical heritage.**media[394418]**The Band of the Irish Guards delivered a performance combining traditional and modern musical selections.The programme featured brass and woodwind arrangements supported by organised marching formations, creating a refined presentation that resonated well with the audience.The Honour Guard of the Ministry of Defence of Kazakhstan and the Central Military Band of the Armed Forces of Kazakhstan presented a programme that blended traditional and modern musical elements.The first day of the festival concluded with a performance by the MoI Band, represented by the Police Academy Drill Team.The festival featured a theatrical Qatari narrative titled *The Tale of Jassim, depicting the evolution of life in Qatar from the desert to the sea and onward to modern Doha. 

His Excellency the Minister of Interior and Commander of the Internal Security Force (Lekhwiya) Sheikh Khalifa bin Hamad bin Khalifa al-Thani conducted an inspection visit to review preparations for the launch of the 1st edition of the Doha International Music and Marching Festival (Doha Tattoo), scheduled to take place at the Katara Cultural Village from December 16 to 20.During the visit, His Excellency went over the organisational readiness and technical preparations for the festival, which will feature performances by military and music bands from a number of countries, alongside national participants from the Armed Forces, the Ministry of Interior, the Internal Security Force (Lekhwiya), and the Amiri Guard.The festival marks a first-of-its-kind event in the Middle East and represents a significant addition to the global series of Tattoo festivals.  

Qatar Museums (QM) announced the election of Abdulatif al-Jasmi, director of QM’s Cultural Heritage Protection Department, to the Executive Council of the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM).The election took place at the 34th session of the ICCROM General Assembly in Rome, held from December 10 to 12. Al-Jasmi, who was Qatar’s nominee and a key member of the Qatari delegation, was elected to serve a four-year term on the Council.The Executive Council is one of the most important governing bodies of ICCROM, responsible for setting Centre’s general policies, adopting work plans and programmes, and monitoring the implementation of international activities. This membership in this Council enables Qatar and QM to play an active role in strategic decision-making and contribute to global initiatives that advance best practices in heritage training, management, capacity building, and the protection of endangered cultural property worldwide.This achievement strengthens QM’s position as a global leader in conservation and cultural management. It is a culmination of Qatar's sustained commitment to cultural preservation, led at a national effort through the expertise of institutions such as QM. This success also reflects the international community's profound confidence in Qatar's capacity to significantly influence global conservation and restoration policies and drive initiatives for protecting cultural heritage worldwide. This election further affirms QM’s success in establishing a comprehensive national system that ensures the adoption of global best practices and the protection and management of cultural heritage. 

As part of Qatar National Day celebrations, Darb Al Saai is captivating visitors with an immersive cultural experience that revives the spirit of traditional Bedouin life. Organized by the Ministry of Culture, the event offers a vivid re-creation of ancestral lifestyles through the popular Al Maqtar showcase.Abdulrahman Ahmed Al Badi Al Maadheed, head of Al Maqtar and Al Azba activities, highlighted the overwhelming turnout, especially from families.He told Qatar News Agency (QNA), that Al Maqtar is a cornerstone of Darb Al Saai's heritage programming, designed to bring the legacy of forebears to life through interactive and educational encounters.He said the experience features camel rides and hands-on lessons in saddling, drawing enthusiastic participation from children eager to connect with the past.He noted that it's about more than just fun, it's a bridge between generations, where young people discover the resilience and resourcefulness of their ancestors.Visitors can explore a cluster of traditional tents and houses, including the Bayt Al Ageed, Sadu Weaving Tent, Dairy Production Hut, and the Falconry Pavilion. Each space offers a window into a different facet of desert life, from crafting textiles and preparing Arabic coffee to learning about falcons, hunting tools, and the art of falconry.He stressed that poetry circles and riddle sessions add a lyrical touch, nurturing creativity and cultural pride among the youth. The layout of the village, with its close-knit structures and communal spaces, mirrors the social fabric of Bedouin communities.Meanwhile, the Falconry Zone continues to draw large crowds daily. Mohammed Saeed Al Kubaisi, the event's supervisor, explained that the program introduces visitors to various falcon species, hunting techniques, and the role of Saluki hounds in traditional pursuits.Demonstrations such as Daa'w, a live falcon training session held before sunset, offer a rare glimpse into this revered practice.The exhibit also features native birds like the Houbara bustard, enriching the audience's understanding of Qatar's natural heritage. Falconry is more than a sport, Al Kubaisi said. It's a symbol of identity and pride, passed down through generations.Darb Al Saai remains open through December 20, welcoming guests daily from 3:00 PM to 11:00 PM at its permanent venue in Umm Salal.The site itself is a harmonious blend of traditional Qatari architecture and modern design, hosting a wide array of cultural, artistic, and recreational events that celebrate national identity and heritage.

Indian Cultural Centre (ICC) in association with Telugu Kala Samiti presented ‘Wednesday Fiesta’, on December 3, showcasing an array of colourful cultural performances, reflecting the rich diversity and heritage of the Indian community in Qatar. Embassy counsellor Dr Vaibhav A Tandale was the chief guest. ICC president A P Manikantan presided. The event saw Jayapal Madhavan and Praveena Lakshmi Ganta, presidents of ICC-affiliated organisations TRAQ and Telangana Jagruthi Qatar, respectively, being honoured for their significant contributions to the community. 

Mosanada has been closely involved in the operation of many of Qatar’s major sporting venues since its establishment in 2013, with its work extending across cultural sites, public facilities, and large-scale event environments.Over the years, the company has developed an operating presence across assets that form part of the country’s everyday infrastructure and national events calendar. On December 15, Mosanada will take its next step by listing on the Qatar Stock Exchange, formalising its position within the public market.Chief executive officer Mark Cooke has played a central role in shaping the organisation’s operating approach and guiding its progression across different facility types. As Mosanada prepares for this transition, Cooke reflects on the company’s development, the nature of its work, and how the move to the public market aligns with its long-term direction. Mosanada has been operating for more than a decade. Why was this the right moment to list the company? Mosanada has reached a level of operational maturity where a public listing is a natural step. Our work now spans national assets, major public venues, and complex environments that demand strong governance, long-term planning, and consistent performance.After more than ten years of predictable operations and disciplined financial management, moving to the public market widens participation while maintaining continuity. The founders remain committed shareholders, and the company enters the market with a proven track record and a stable operating base. Many readers may not be familiar with what “specialised facility management” actually involves. How would you explain Mosanada’s role in simple terms? Our job is to keep large public, sports, cultural, and infrastructure assets running safely and reliably. These are high-footfall environments where even a minor disruption can have a major impact.We oversee technical systems, manage planned and reactive maintenance, coordinate contractors, and ensure that facilities operate without interruption. Depending on the project, we either serve as the managing agent or deliver integrated FM services ourselves. When the public does not have to think about what is happening behind the scenes, that usually means our teams have delivered what is expected of them. Mosanada was founded within the Aspire Zone Foundation and Qatar Olympic Committee ecosystem. How has that shaped the company’s development? It placed us directly inside an ecosystem where reliability and precision are essential. Working on national sports venues, major public facilities, and international events shaped the discipline with which we operate.Our exposure across Aspire Zone, the Ministry of Sports and Youth sports facilities, Katara, Qatari Diar, Expo 2023, and others gave us a range of operational experience that is uncommon in the sector. That foundation continues to influence how we plan, structure teams, and manage complex assets. What distinguishes Mosanada’s operating model from traditional FM companies? A large part of our work sits at the strategic layer of facility management. We manage portfolios of assets that require integrated systems, structured vendor governance, performance monitoring, and long-term maintenance planning.This specialised agency model is asset-light, which contributes to financial resilience, and it is well-suited to large facilities with demanding operational requirements. Our teams apply organised performance frameworks across all projects, and that discipline underpins our results. The company supported some of Qatar’s most visible national projects, including the 2022 FIFA World Cup and Expo 2023. What did these experiences add to Mosanada’s capabilities? Major events condense a tremendous amount of operational pressure into short timelines. You learn to anticipate issues early, coordinate diverse technical teams, and maintain operational control under strict deadlines.During the World Cup, our work across key assets required real-time responsiveness and adherence to precise standards. Expo 2023 demanded end-to-end involvement from planning to handover to ongoing support. These experiences strengthened our systems, broadened our technical depth, and reinforced the operational discipline that guides our daily work. Mosanada reports strong cash generation and a debt-free balance sheet. What underpins that strength? It’s the structure of the business. We operate under long-duration contracts that create predictability. Our model is asset-light, so we do not rely on heavy capital expenditure. And we apply tight operational controls supported by digital tools and measurable performance standards.This combination has supported consistent results over many years. For the financial year 2024, shareholders approved a dividend of QR42mn, equal to QR0.60 per share, payable to shareholders of record on February 8, 2026. It reflects the financial outcome of that year and the company’s underlying cash position. Trading in Mosanada’s shares begins on 15 December 2025. What should readers know as the company enters the market? Trading begins at 9.30am on December 15 through the direct listing mechanism on the Qatar Stock Exchange Main Market. All eligible investors with an active NIN will be able to purchase shares directly in the market.All shares carry the same rights, and the company’s founders retain 75% of the share capital with a one-year lock-up. More than 100 new investors now hold the remaining 25%, which supports liquidity from the first day of trading. It is a straightforward and transparent entry to the market. Looking ahead, what areas of the FM sector are evolving most rapidly, and how is Mosanada positioning itself within those changes? Facility management is becoming increasingly data-driven, with digital systems shaping how assets are monitored, maintained, and prioritised. Technical capabilities, compliance, and workforce development will also continue to be central themes across the industry.For Mosanada, these are areas we already work with closely. Much of our operating model relies on integrated systems, structured planning, and measurable outcomes. In the coming period, we will continue to evaluate strategic options that align with its operational strengths and long-term mandate.Our focus is straightforward: maintain the standards expected of the facilities we support, strengthen our teams, and apply technology where it meaningfully improves reliability and efficiency. As Mosanada enters this new phase as a listed company, what message would you share with your teams, partners, and new shareholders? This milestone is first and foremost a recognition of the people inside the company. Our teams support facilities that operate seven days a week, often behind the scenes, and their work is the foundation of Mosanada’s reputation.For our partners and clients, our priorities remain unchanged: disciplined operations, technical capability, and consistent delivery across every site. For new shareholders, the listing provides a transparent framework through which to follow the company’s progress. Mosanada has grown deliberately, and the same principles that shaped its first decade will guide its next chapter. 

The Qatar International Art Festival (QIAF) 2025 staged a fashion show at Katara Cultural Village Thursday, turning the runway into a platform for cultural expression as artists unveiled designs inspired by national traditions and personal creative narratives. Among the participants was Martina Siladi of Slovakia, representing Unity Art Nations, a collective of artists from Slovakia, the Czech Republic, Hungary and Switzerland.**media[392609]**She said the group used its mannequin draping to highlight shared cultural symbols, including mountains and national floral motifs common to all four countries. Siladi described the QIAF as a platform where artists meet “with one vision – peace, friendship and understanding”.**media[392610]**“Art connects people of all nations, cultures and nationalities because that is what art is good for,” she said, introducing the abstract painters, sculptors and ink artists who form her multicultural group. Vedran Bukovina of Croatia presented a striking dress rooted in the symbolism of his heritage. Serving as Croatia’s brand ambassador, he introduced a young creative team of graduates and artists who helped bring the piece to life.**media[392611]**The design featured Croatia’s heart motif, a national symbol protected by Unesco. “The heart represents who we are. It is simple as wool and rich as lace, full of tradition and history,” the artist said, adding that the artwork stood as a reminder of how fashion can preserve identity while inviting the world to appreciate it. The showcase also welcomed the delicate and deeply personal work of Vishakha Lad, a Fine Arts Master’s graduate from Sir J J School of Arts in Mumbai.**media[392612]**Lad is known for her intricate eco-conscious leaf artwork, a tradition pioneered by her father in 1957 and carried forward today with immense pride. “My work blends culture and nature,” she said, expressing her gratitude to the QIAF and to Imagine Art Gallery Spain for giving her the platform to share her craft. She described the festival as more than an exhibition, calling it a warm, organised and inspiring gathering where participants enjoy workshops, fashion shows and shared experiences that become lifelong memories. 

The Japanese fruits tasting event in Doha on December 8 provided an opportunity for visitors to experience the exceptional quality of Japan’s premium seasonal produce, while strengthening cultural and commercial ties with Qatar.The event, organised by the Japanese embassy in Qatar over two days, showcased a curated selection of high-end Japanese fruits sourced from various prefectures across Japan. It highlighted the sophistication of Japanese agriculture and reflects the growing interest in deepening bilateral relations between the two countries through food, culture, and trade.**media[392134]**The first day of the event took place at the Four Seasons Doha, where business leaders, diplomats, and select guests gathered for an intimate tasting session. Japanese ambassador Naoto Hisajima guided guests through the tasting experience while explaining the unique cultivation methods behind Japanese fruits. “To introduce high-quality products from Japan will surely lead to a better and deeper understanding of Japanese culture and society among the people in Qatar,” he told Gulf Times.The envoy added that Japanese fruits, grown with meticulous care by dedicated farmers, offer more than flavour alone: “Through the tasting of fruits, people in Qatar will know Japan in a deeper way.”Speaking about the local market, Hisajima expressed optimism, saying: “I believe people in Qatar will love Japanese fruits. They are sweet, complex in taste, and good for health. I hope and I am sure that more Japanese fruits will be available in Qatar so everyone can enjoy them”.**media[392133]**Yusuke Ito, representative of Musashi International, a Japanese food ingredients distributor operating in Qatar since 2007, underlined the craftsmanship behind the produce. “Japanese fruits come from many different prefectures, each with unique weather conditions. We spend a lot of time and effort growing them, which is why their shape, presentation, and taste are distinctive,” he said.Ito noted that while Japanese fruits are still relatively unknown in the Qatari market, their premium quality presents strong potential. “Because they are unique and not common, they can become special gifts in Qatar. That is where we see real opportunity,” he added.

The State of Qatar is taking part in the 20th Session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage of the United Nations Educational, Scientific and Cultural Organization (UNESCO), convened in India from Dec. 8 to 13.The Qatar delegation was headed by HE Minister of Culture Sheikh Abdulrahman bin Hamad Al-Thani. The session witnessed the inscription of the Arab bisht on UNESCO's Representative List of the Intangible Cultural Heritage, marking the first joint Arab file led by the State of Qatar with the participation of nine Arab countries.This cultural milestone reflects the preeminent standing of Gulf and Arab heritage and its enduring ability to articulate collective identity and shared civilizational memory. This milestone is the result of the Ministry's efforts to project the local legacy and safeguard traditional crafts, foremost among them the craft of bisht-making in Qatar, which represents one of the most significant crafts tied to social identity and national symbolism.The inscription of the file affirms Qatar's commitment to protecting this time-honored craft, enhancing its presence in the cultural consciousness, and transmitting it to emerging generations amid rapid economic and social transformations.Addressing the session, HE the Minister affirmed that the file showcases the Arab bisht as a cross-generational cultural element, serving as a symbol tied to social life, explaining that it was worn by Qatari forebears during celebrations and educational settings and has remained a witness to the history of the region.HH the Amir Sheikh Tamim bin Hamad Al-Thani draped Lionel Messi, captain of the Argentina national team and winner of the 2022 FIFA World Cup, in the Qatari bisht. This noble gesture reflected the prestigious status of the bisht in Qatari culture, the Minister highlighted.He asserted that the bisht would not be the last cultural heritage file that Qatar seeks to inscribe on UNESCO's Representative List. In essence, the bisht has become a symbol of prestige, social standing, and dignity. For over a century and a half, its craftsmanship has flourished. The inscription of the bisht file on UNESCO's Representative List marks a significant milestone in the path toward safeguarding Qatari and Arab heritage.The step underscores Qatar's commitment to protecting its heritage components and ensuring their transmission to future generations. This listing also reflects the success of the Ministry's 2023 initiative to register the Arab bisht as intangible heritage, thereby constituting a global recognition of its cultural and social value.