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The Doha Film Institute (DFI) has announced the return of its popular ‘Cinema Under the Stars’ programme this weekend.With stunning views of the Doha skyline as a backdrop, the outdoor screenings will take place at the Museum of Islamic Art (MIA) Park from October 3 to 5, offering three nights of family-friendly films in the evening.Qatar residents and visitors can watch the films for free. Admission is on a first-come, first-served basis, and all screenings will begin at 7pm.Kicking off the weekend on October 3 is the animated classic ‘Happy Feet’ (2006), directed by George Miller. The joyful adventure takes viewers to the icy world of Antarctica, where Mumble, a young penguin with an unusual talent for dancing, must prove that even the most unexpected skills can save the day.On October 4, audiences will travel to the vibrant city of Rio de Janeiro with ‘Rio’ (2011), directed by Carlos Saldanha. The lively film tells the story of Blu, a domesticated macaw who embarks on a thrilling adventure to reconnect with his roots.The final screening on October 5 will feature the inspiring documentary ‘Lily Topples the World’ (2021), directed by Jeremy Workman. This visually captivating film follows Lily Hevesh, a 20-year-old domino artist who has become a global sensation in her field.In addition to the weekend's screenings, past editions of ‘Cinema Under the Stars have featured films such as ‘Hunt for the Wilderpeople’ (2016), ‘Frozen’ (2013), and the critically acclaimed animated feature ‘Boy and the World’ (2014).

Innovation, education, and global coffee commerce take centre stage at the Doha International Coffee Exhibition 2024, set to conclude Saturday at the Doha Exhibition and Convention Centre.The three-day event brought together more than 100 participants and exhibitors, including coffee connoisseurs, businesses, and nearly 20 embassies from coffee-producing countries.The event, organised by Amazing Productions, showcased the latest coffee machines, educational workshops, and exciting barista competitions.Speaking to Gulf Times, exhibition organiser Ali Husnain stressed the importance of the event in highlighting Qatar’s potential as a future coffee hub in the region.“The participants and exhibitors have brought unique offerings. This is a coffee event so we’ve got a variety of exhibitors showcasing latest machines, as well as activities, and, of course, many different types of coffee,” he said.Husnain noted that the presence of the embassies added an international flair to the event, providing insights into global coffee production processes.“These embassies are here to showcase the production power of their countries, how their farms operate, and their contribution to the global coffee supply chain,” he said.A significant draw for attendees was the barista competitions, where local coffee professionals demonstrated their skills in latte art and the V60 showdown.“We have more than 55 participants in one of the competitions, and this year has been more crowded and more fun. The local coffee community is playing a major role, with big names in the industry representing different companies from around the world,” Husnain pointed out.He added that the local coffee scene has impressed him, with many individuals crafting their own coffee creations: “The locales are making their own lattes and coffee, and it really impresses me”.It is learnt that the exhibition also played a vital role in fostering cross-cultural exchange, with companies from around the world introducing their products to the Qatari market.Wilbert Zamora, a representative of Costa Rica’s Café Don Mayo, underlined the importance and opportunity of sharing knowledge with the region’s coffee enthusiasts.“We represent Café Don Mayo from Costa Rica, where we are the farmer producers. We handle the entire process, from growing the beans to exporting both green and roasted beans,” he said. “Visitors are curious to learn about the different processes involved in coffee production, not just the final product in their cup.”Zamora lauded the Qatari market for its high standards, saying: “The market here is strong, and customers demand quality. We maintain high standards, and visitors appreciate knowing exactly what they’re buying.”

Qatar welcomed 3.2mn visitors by August this year, highlighting the nation’s rising status as a premier family-friendly destination, Qatar Tourism (QT) chairman HE Saad bin Ali al-Kharji said.In his World Tourism Day 2024 statement, al-Kharji, also chair of the Board of Directors of Visit Qatar, noted that this remarkable growth aligns with Qatar’s vision to position itself as one of the fastest-growing tourism destinations in the region, aiming to attract 6mn annual visitors by 2030.QT’s latest figure marks a 26% increase compared to the same period last year. Such achievement, he said, also demonstrates QT’s aim to further increase the sector’s contribution to the GDP from 7% to 12%.Al-Kharji said this development forms part of the nation’s broader economic diversification efforts as outlined in the recently unveiled Third National Development Strategy for 2024-2030.“As we commemorate World Tourism Day 2024 under the theme ‘Tourism and Peace,’ we recognise that tourism is more than just a means of exploration; it is a powerful catalyst for transformation,” he said.Al-Kharji credited the wise leadership of His Highness the Amir Sheikh Tamim bin Hamad al-Thani for the country’s progress and stressed that the tourism sector is central to Qatar’s economic development strategy.He said tourism’s role extends beyond economic benefits, noting that it fosters cultural exchange and understanding – crucial for bridging divides and nurturing a sense of pride within the local community.The strategic focus on enhancing Qatar’s reputation as a leading family tourism destination is complemented by efforts to leverage the country’s rich cultural heritage and develop innovative attractions, al-Kharji added.“We have been strategically planning and establishing a governance framework while attracting distinguished tourism professionals to shape the next stages of our journey. In doing so, we have established Visit Qatar as the main arm responsible for marketing and promoting Qatar Tourism.“We remain committed to achieving our objectives through integrity, effective teamwork, and continuous innovation. Our success is rooted in our dedication to service excellence, transparency, and collaborative efforts,” he said.Al-Kharji underlined the progress achieved by Qatar in establishing itself as a major sports hub, further boosting its tourism profile. He said the successful hosting of high-profile events such as the FIFA World Cup 2022, the AFC Asian Cup 2023, and the Qatar Grand Prix underscores the country’s growing influence in global sports tourism.In addition, al-Kharji said advancements in medical tourism and a robust Meetings, Incentives, Conferences, and Exhibitions sector, which features 128 venues and 70,000 sqm of exhibition space, are diversifying the country’s tourism offerings.He highlighted Qatar’s commitment to global cultural connectivity, pointing out the country’s role as a melting pot of more than 100 nationalities. Recognised as one of the safest countries globally, Qatar leverages its welcoming environment to promote peace and understanding. Events like the Qatar International Food Festival, al-Kharji said, proves the country’s dedication to showcasing diverse culinary traditions and fostering cross-cultural engagement.He thanked public and private sector partners for their contributions in advancing sustainable tourism: “Your commitment to diversifying services, encouraging innovation, and maintaining high service helps to strategically place Qatar on the international tourism landscape as a leading world-class destination”.

The thriving art scene in Qatar and the wider Gulf region takes centre stage at the “Art is About Art” exhibition, highlighting how venues such as the “Fire Station: Artist in Residence” have firmly placed the nation on the global art map.“I love the art scene in the whole region, the Arab Gulf region, and Qatar is very special,” exhibition curator Dirk van Lierop told *Gulf Times, expressing his admiration for Qatar’s dedication to promoting both local and international artistic connections.He noted that artistic places in Doha like the Fire Station: Artist in Residence are not only focused on showcasing Qatari culture but also serve as platforms for international exchange.About the exhibition, van Lierop shared the long-term vision for its expansion, while stressing that current efforts are focused on its successful presentation.“It took a lot of work, more than one and a half year of preparation to put this exhibition, but the vision is there to expand it,” he said. “We are looking for a partner to help us with that.”“Art is About Art” is co-curated by Alejandra Barillas in collaboration with the Atelier Art Society and the Netherlands embassy in Doha.Dutch ambassador Ferdinand Lahnstein echoed van Lierop’s view in his remarks, lauding Doha’s burgeoning role as an artistic hotspot.“Doha is a city that has firmly established itself as a cultural hub, bringing together diverse perspectives and artistic impressions,” the envoy said.He cited how the “Art is About Art” exhibition beautifully captures the spirit of cultural connection, calling art a universal language that transcends borders.“From classic to contemporary, art place a huge role in how we express ourselves and connect with the world,” Lahnstein said. “It is something we incredible proud, and we are excited to share that passion with art here in Doha.”The envoy expressed pride in the Netherlands’ contribution to the exhibition, which features Dutch artists Han Nooyen and Annemiek Roumen, alongside Qatar’s own Yousef Ahmad.The exhibition showcases five renowned global artists, including Abdul Rahim Salem from the UAE and Jonathan Ardon from Guatemala, offering a profound exploration of human emotions, creativity, and spirituality.Alongside “Art is About Art” is another powerful exhibition, titled “Eternal Echoes: The Silent Cry of Gaza” by Al Jazeera journalist Hayat El-Yamani.Both exhibitions are open to the public until November 2.

The Doha Film Institute (DFI) is presenting “Mosaics of Morocco”, a film series featuring four Moroccan films, to mark the 2024 Qatar – Morocco Year of Culture.The programme showcases both documentaries and narratives, highlighting the rich and evolving cultural heritage of Moroccan cinema.The films, supported by DFI grants, reflect the deep cultural ties between the two countries, and offer a unique glimpse into Morocco’s vibrant storytelling tradition.The film series will be hosted at the Museum of Islamic Art (MIA) Auditorium from October 10-12.First is a documentary by Tala Hadid, titled *House in the Fields (Tigmi Nigren), set to be screened on October 10, about the daily lives of two sisters, Khadija and Fatima, in an isolated Amazigh village in Morocco's High Atlas Mountains.Next is *Mica, a narrative from director Ismael Ferroukhi, set on October 11 at 7pm. It follows a young boy from a disadvantaged background who is given the opportunity to train at an elite tennis academy.*Fragments From Heaven on October 12 (4pm) is a documentary that explores the vast Moroccan desert where nomads and scientists search for meteorites and uncovers pieces of the cosmos.On the same day, *Indivision (2023) will be screened at 7pm. The film digs deeper on the emotional and psychological complexities of inheritance, identity, and societal change - set in a decaying Moroccan villa.The DFI noted that “Mosaics of Morocco” film series is part of its broader cultural initiative, in partnership with Katara, Qatar Museums, the MIA, and Aspire Park.

The Zwara programme, a transformative initiative by M7 and Qatar Museums, continues to transform Qatar’s creative scene by offering a platform for emerging designers to push the boundaries of innovation, according to participants.Two of the four Doha-based designers, Stephen Amoyo of the Philippines, presenting *The Waiting Chair, and Abdul Basit of Pakistan, with his innovative “WeaveO” console, credit the programme for allowing them to explore their design ethos and connect with the local artistic community.The Zwara exhibition is running at M7’s Learning Space until December 18.Speaking to *Gulf Times, multidisciplinary designer Amoyo said: “It was unexpected for me. When I was chosen, I felt so lucky and blessed. Through the programme, I learned so much about myself and my design ethos.”“Ironically, my design is about creating community, and that’s exactly what I found here,” he added, highlighting how Zwara offered a safe and supportive space for designers to experiment, something he deeply appreciated.Amoyo presents *The Waiting Chair, a piece drawing inspiration from the late designer Virgil Abloh’s creative ethos and the iconic work of Jean Prouvé.It embodies his vision of a flexible, modular design that mirrors Doha’s ever-evolving urban landscape.“Doha today is a sum total of globalisation, urbanisation, and change,” he pointed out. “I wanted my design to reflect that flexibility, not just as furniture, but as art.”Basit, meanwhile, brings a fusion of tradition and modernity with his “WeaveO” console.His work seamlessly blends traditional Qatari Sadu weaving with the Dutch Art Movement, offering a modern take on the geometric patterns and motifs that are deeply rooted in Bedouin culture.He lauded the Zwara programme for providing opportunities to emerging furniture designers, which in the past was focused on fashion.“Zwara is all about giving new platforms to young artists. It’s a 10-month mentorship programme that allows us to explore and create,” Basit said. “For me, the inspiration for WeaveO came from my exposure to Qatari culture, which is incredibly hospitable. The design mirrors the physicality and colours of both Sadu weaving and modern art forms.”The Pakistani designer noted that his reflection on Qatar’s creative landscape paints a promising future.“The art scene here is vibrant,” he said. “Qatar is developing its architecture, museums, and cultural landscape. They give you exposure to heritage, culture, and design in a way that’s thoughtful, not chaotic.”In addition to Amoyo and Basit, two other designers are showcasing their works at the exhibition.Interior designer Hammam al-Abdulla presents *Nusj, a reimagined version of Marcel Breuer's *Wassily Chair.His design incorporates asymmetrical lines and a woven structure, reflecting both personal and communal aspects of life.Galyiah al-Mohannadi, another emerging designer, unveils *Saraab, an experimental bookcase inspired by Charlotte Perriand’s *Bibliothèque.Using locally sourced polychromatic glass, al-Mohannadi’s bookcase invites interaction, with rotating, modular units that allow for various configurations.

Qatar Railways Company (Qatar Rail) launched Wednesday a series of initiatives to mark World Tourism Day, encouraging visitors to use the seamless travel experience and world-class services provided by the Doha Metro and Lusail Tram networks. The global celebration takes place annually on September 27.These initiatives, being held in partnership with key partners in the tourism sector, form part of its commitment to enhancing Qatar’s position as a global tourist destination and supporting efforts to enrich the year-round visitor experience for residents and visitors, a Qatar Rail statement said.The metro and tram stations are strategically located in the main areas of Doha and Lusail, respectively, to serve densely populated areas, key hubs, and tourist attractions. By their connection to a wide range of tourist destinations, business centres, and key hospitality facilities across Qatar, the networks support the hosting of various types of tourism events, including sports, wellness, leisure, and MICE (Meetings, Incentives, Conferences, and Exhibitions) tourism.Qatar Rail has collaborated with Stopover Tourism, a destination management company specialised in organising guided tours. The company launched its inaugural tours on Doha Metro ahead of World Tourism Day, offering specially curated experiences for visitors and layover passengers in Doha, with a professional guide introducing them to the city's key attractions.The first tour was organised at Msheireb Station, passing through the National Museum and Souq Waqif stations. The tour provided visitors with a rich experience, showcasing Qatar’s cultural and tourism heritage.Qatar Rail also announced its collaboration with Hamad International Airport (HIA) to launch Complimentary Day Passes to visitors. This three-day offer from Thursday, aims to encourage visitors to experience the Doha Metro and Lusail Tram and easily travel between various tourist destinations.In co-ordination with Qatar Tourism, Qatar Rail will jointly promote events and activities across the country that can be accessed via the metro and tram networks. Additionally, the metro will be highlighted as the preferred mode of transport for visitors during their stay in Doha, through Qatar Tourism's various platforms.The Doha Metro links an extensive range of destinations, including major landmarks and tourist attractions in and around the city while the Lusail Tram serves Lusail City and its surrounding areas. Together, they provide convenient access to Qatar’s key tourist spots such as HIA, the National Museum of Qatar, Souq Waqif, Katara – Cultural Village, and other cultural and heritage sites.

Artists Abdulla AlSallat and Oleksandra Umanska have partnered to produce stunning pieces, which reflect the haunting memories left behind by war-torn buildings. Titled 'Reverie Ruins', this mixed-media installation – which fuses traditional drawing with 3D rendering – explores the deeper emotions tied to architectural destruction with both artists offering unique perspectives. “What makes it unique is the emotional response to the real things that are happening in the world, and our approach to that response makes it different,” AlSallat told Gulf Times. Umanska, deeply connected to her Ukrainian heritage and the ongoing war in her country, created 3D renderings of buildings destroyed by the conflict. AlSallat, in turn, drew over these images, expressing his feeling-driven reaction to the evocative structures. Sharing the personal impact of the project, Umanska said: “We wanted to focus on the architecture, on the buildings destroyed by the war; if those buildings could talk, what stories could they say?” “It’s 3D-rendered but it’s all based on real images and real reference images so there's a lot of references from the real buildings that were destroyed by war,” she said. “I myself am Ukrainian, so I had a strong attachment to the issue and I wanted to represent it in my art and Abdulla was very supportive of the idea,” Umanska pointed out, noting that the artwork itself presents a powerful visual, including a piece that represents a single wall from a ruined building adorned with a mural. 'Reverie Ruins' brings the forgotten past into the present, raising questions about memory, loss, and the silent witnesses to human suffering. About the future of art in the digital age, Umanska said: “I think both are very different and also incredibly interesting.” “I’m not talking about artificial intelligence (AI) digital artworks, I’m actually talking about 3D artists who generally spent as much time as traditional artists,” she added. “So I think both are important, both are interesting.” AlSallat echoed this sentiment. “Any form of self-expression, there will always be a space for it, whether it’s traditional or non-traditional art,” the Qatari artist said.”Oleksandra loves to visualise her work or her vision through 3D designs.” “We’re both expressing something and I think that’s what's important and there’s always a space for that,” he added. Both artists lauded the “Fire Station: Artist in Residence” programme for its support and resources, noting that such platform offers opportunities for local artists as well as those that moved to Doha from abroad – having exactly the same opportunity. “We had amazing studio given to us for entire year, where we managed to do this beautiful work and the support of a great team,” Umanska said. 'Reverie Ruins' is on view at “A House Overlooking the World” exhibition at Fire Station’s Garage Gallery. This latest show will run until December 31, providing visitors a window into the diverse artistic practices of 17 creators, all reflecting on the theme of self-discovery in a rapidly evolving world.

The Fire Station: Artist in Residence unveiled Sunday two exhibitions – “Art is About Art” and “Eternal Echoes: The Silent Cry of Gaza” – highlighting the role of art in cultural exchange and humanitarian reflection. Curated in partnership with the Netherlands embassy in Doha and the Atelier Art Society, “Art is About Art” showcases works from international artists exploring the emotional and spiritual significance of art while “Eternal Echoes” by Al Jazeera Media Network journalist Hayat El-Yamani pays tribute to the children of Gaza through evocative sculptures. The event was attended by HE the Minister of State and Qatar National Library president Dr Hamad Bin Abdulaziz al-Kawari, Dutch ambassador Ferdinand Lahnstein, Austrian ambassador Erika Bernhard, and Fire Station director Khalifa al-Obaidly, among other dignitaries and guests. Housed at the Fire Station’s Gallery 3 and 4, both exhibitions are open to the public and will be on view until November 2. Speaking to *Gulf Times, “Art is About Art” co-curator Dirk van Lierop, who was joined by his co-curator Alejandra Barillas, described the exhibition as unique and special, noting its setting at the Fire Station in Doha, one of Qatar’s historic buildings. He stressed how the exhibition serves as a bridge connecting three regions: the Gulf, Europe, and Latin America. The “Art is About Art” exhibition showcases the works of five renowned international artists: Han Nooyen (Netherlands), Yousef Ahmad (Qatar), Abdul Rahim Salem (UAE), Jonathan Ardon (Guatemala), and Annemiek Roumen (Netherlands). It underlines how authentic art connects cultures, reflects emotions, and represents society and offers visitors a fresh perspective on the world, encouraging inspiration and understanding. Van Lierop, a Dutch businessman specialising in art investments, and Barillas, a Latin-American businesswoman, gallery owner and former Miss Guatemala 2011, share a passion for art. Together, they curate exhibitions in galleries, art fairs, museums, and private collections. El-Yamani’s “Eternal Echoes”, curated by Saida al-Khulaifi and Fatima al-Zaini, features unique sculptures that portray balloons as once symbols of childhood innocence and now evoke the harsh realities of unimaginable struggle. The artworks serve as a poignant reminder to reflect on the silent suffering of Gaza’s children, whose cries remain unheard amid the destruction and devastation. “I’m trying to give one more voice to the children of Gaza, the more than 16,000 children being killed until this moment ... I want to tell one clear message: this blood of our children will never vanish until the criminals who have done that, the Israeli occupation, held accountable for that and this war should end now,” El-Yamani said. About her work, she noted that the balloon represents fragility while the clay means the resilience from which humans were formed and it embodies the land being fought over and holds the promise of renewal and rebirth once again.

Prominent entrepreneur and Jumbo Electronics’ director and chief executive CV Rappai launched his autobiography, A Tale of Two Journeys in Doha Friday, offering readers an inspiring account of his life and success, marking a literary milestone for Qatar’s expatriate community.The event, graced by Indian ambassador Shri Vipul and key community leaders, as well as Rappai’s family and friends, celebrated the first comprehensive autobiography of an Asian expatriate published by Katara Publishing House.Jumbo Electronics vice-chairman and managing director Sajed Jassim Sulaiman, Birla Public School founder chairman and philanthropist Dr Mohan Thomas, and Al Jazeera English programme editor Joseph John were among the dignitaries present.“When you read A Tale of Two Journeys, you will realise that it is not only my story, it is the story of the many people mentioned above, directly or indirectly ... most of you are part of it," said Rappai, who is also a director of Norka-Roots, a non-resident Keralite expat body under the Kerala state government.“I would also call this book a celebration of hard work; every individual ... carries with them many proud moments and unique experience which I think they have to share with others in the form of a book and this can inspire others in these tough times,” he said.The book offers readers a thorough exploration of Rappai’s journey of struggle and success, his life experiences, personal insights and management philosophy, while also shedding light on Qatar’s early stages of development.Covering 253 pages and 23 chapters, A Tale of Two Journeys offers a compelling narrative of Rappai's early life, from his childhood and struggles to his arrival in Doha.The book traces the origins of Video Home, set against a rapidly evolving Doha, and captures the city – and the country’s – extraordinary rise from budding city to global powerhouse.“The book, I think, shows in various parts both the courage and conviction of Mr Rappai," ambassador Vipul stated. "The book flows so seamlessly, it shows the calmness, that we all associate with Mr Rappai, who is always very calm.”“It covers many of the important facets of an expat’s life in Qatar and also many of the important political and other happenings in Qatar,” he added.The book is edited by Hussain Ahmad, managing editor of News Trail, with a foreword by C P Ravindran, former senior editor of Gulf Times.According to Ahmad, A Tale of Two Journeys delivers key insights into business management and leadership philosophy, offering valuable guidance for emerging entrepreneurs and professionals.In a press statement, Khalid al-Sayed, author, columnist and director of events and culture affairs at Katara – the Cultural Village, said: “Mr Rappai's story is a shining example of how expatriates work hard in Qatar and reach the pinnacle of success in every field, making use of the ample opportunities our country provides under the wise leadership of His Highness the Amir Sheikh Tamim bin Hamad al-Thani and His Highness the Father Amir Hamad bin Khalifa al-Thani.”“I found the book interesting because his experiences, perspectives, and achievements are unique and inspiring and will motivate others,” he said.

A robot dog, named ‘Spot’, took centre stage at the recent ConteQ Expo24 at the Qatar National Convention Centre, showcasing cutting-edge technology that South Korea seeks to co-operate with partners including Qatar.Developed by Hyundai Engineering and Construction of South Korea, Spot represents the forefront of technological innovation and its presence at the event underscored South Korea's strategic interest in collaborating with partners like Qatar in pioneering advancements.Hyundai E & C unveiled Spot at the expo as part of its ongoing testing phase, according to the embassy. Since 2021, Spot has been integral to various projects, including housing developments, tunnels, and building constructions, highlighting its skill in integrating advanced software and operating systems tailored for construction environments.Spot’s capabilities have been described as impressive, covering the acquisition of crucial digital data essential for managing construction sites effectively. Equipped with 360-degree panoramic cameras, Spot monitors site safety and quality.Laser scanners enable the capture of point cloud data, facilitating comparisons between as-built conditions and 3D design models. In addition, environment sensors detect hazardous gases, low oxygen levels, and high carbon monoxide, enhancing safety measures, especially in confined spaces.A highlight of Spot’s functionality lies in its ability to autonomously record precise time, location co-ordinates, and metadata for every data point collected. This capability lays the foundation for constructing a comprehensive digital twin environment, where Spot and other mobile robots contribute daily to the accumulation of digital data.The deployment of Spot in Qatar is symbolic of the deepening co-operation between Qatar an South Korea in the field of advanced technologies, the embassy noted. It added that during President Yoon Suk Yeol’s visit in 2023, discussions between the leaders of both nations stressed expanding collaborative efforts, particularly in Science and Technology sectors.The company announced that it is actively developing a spectrum of robot technologies tailoured for future construction sites. Apart from Spot, the company is pioneering patrol, working, and 3D printing robots, each designed to optimise operational efficiencies and enhance project outcomes.Future plans include integrating artificial intelligence (AI) into Spot's operations. Vision AI systems will analyse photos captured by Spot to identify and flag quality issues, while generative AI capabilities will autonomously generate construction reports on weekly basis, minimising human intervention.

Al Abdulghani Motors, the exclusive distributor of Toyota vehicles in Qatar, unveiled the all-new Toyota Camry 2025 at its main showroom in Doha.The new model is described as a blend of design, technology and performance.Speaking to Gulf Times, Al Abdulghani Motors’s Toyota & Lexus national sales director Samer al-Saleh said: “The Camry is still your trusted and reliable go-to-vehicle in that segment. It is the preferred and tested fleet vehicle and companies have done millions of kilometres on this car.“We are offering both the standard petrol engine and the hybrid," he stated. "The hybrid also helps give the best of both worlds scenario where you get their reliability and consistency with the range of petrol engine.”Entering its ninth generation, the Camry is reimagined with a new look and cutting-edge hybrid performance. The launch event featured a detailed presentation and test drives. Attendees had the opportunity to learn more about the features of the new Camry, engaging with Toyota’s experts and exploring the vehicle’s innovative technology firsthand.The 2025 Camry features a refreshed exterior design with a sleek, energetic look, including signature LED headlamps and front and rear fog lamps that enhance style, visibility and safety.The interior provides comfort and convenience, showcasing high-quality materials, and a range of advanced features such as a 12.3-inch touchscreen multimedia system with wireless Apple CarPlay and Android Auto compatibility, front dual-zone automatic air conditioning, and a panoramic roof.The new Camry offers a smooth and dynamic driving experience, thanks to its re-engineered suspension and braking system. There are two powertrain options: a 2.5-litre four-cylinder engine producing 201hp and paired with an eight-speed Direct-Shift automatic transmission, or the latest fifth-generation Toyota Hybrid System (THS 5), which combines a petrol engine with two electric motors to deliver a combined 227hp and improved fuel efficiency.The 2025 Camry prioritises safety with Toyota Safety Sense, a comprehensive suite of driver-assistance features that include a Pre-Collision System, Dynamic Radar Cruise Control, Lane Tracing Alert, and more.The all-new model is also equipped with Safe Exit Assist to prevent accidents when exiting the vehicle and comes standard with six airbags and a host of other enhanced safety technologies to ensure peace of mind on every drive.Available in several exterior colours, including a new Dark Blue MC, the 2025 Camry offers a choice of three-wheel designs and two interior colour schemes. More information is available from the Toyota Qatar website or the customer service at 8001800.

Msheireb Museums and Naufar Centre have partnered once again to host the 'Do You See Me?' art exhibition at the Company House, marking World Health Day on October 10.The exhibition aims to promote community awareness about mental health, focusing on substance disorders.In a press statement, Msheireb Museums general manager Abdullah al-Naama said: “Through this collaboration with Naufar Centre, we hope to contribute to changing societal perceptions towards mental health and addiction issues and to encourage a deeper and more compassionate understanding of these challenges”.Coinciding with the global 'Recovery Month', this exhibition underlines the key role of holistic and integrated support for people struggling with addiction.On view until October 12, the show shines a spotlight on substance use disorders, promoting community understanding of their causes and contributing factors.Interactive elements encourage public dialogue and exploration of this complex issue through a unique blend of human experience, culture, and artistic expression.Each of the exhibition’s three sections – Wounds, Fallen, and Awakened – symbolise a stage in the healing journey as narrated by participants in the ‘Expressive Art Psychotherapy’ sessions.“Substance use disorder is a complex health condition resulting from biological, psychological, and social factors, requiring specialised treatment and comprehensive support that is not limited to a specific entity, but is everyone's responsibility.“Every individual in the community has a role in providing support to people affected by addiction to help them rebuild their lives. Through collective efforts, we can reduce the stigma that poses a barrier to individuals seeking help,” Naufar Centre’s assistant director-general Khalifa al-Kuwari said in a statement.He noted the exhibition fosters a positive shift in community understanding of addiction and mental health, prompting dialogue about vital community support.One untitled piece evokes the claustrophobic feeling of being trapped within a small, suffocating space.This symbolises not only physical confinement but also the emotional isolation born from stigma and fear of judgment. The work powerfully captures the way these forces can intensify loneliness and create barriers to seeking help.Another artwork, titled “Need to be held, to be loved” expresses a deep human need for warmth, comfort, and emotional security. It stresses the importance of empathy, support, and understanding in overcoming isolation and fostering genuine connection.

Qatari artist Noora al-Hardan is challenging conventional notions of art by seamlessly blending traditional mediums with cutting-edge digital techniques in her piece, “Lost and Found Again,” at the Fire Station: Artist in Residence.The artist’s work, on view as part of the 'A House Overlooking the World' exhibition, explores the fascinating stories hidden within abandoned spaces, prompting viewers to see the familiar in a new light.“An example like an abandoned hut, a pair of forgotten shoes, or a (discarded) blanket. For instance, here in my work, I currently have a blanket that was thrown onto a car in a junkyard that I found, and I feel like for some reasons everyone had used an old blanket in their childhood,” she told Gulf Times.Al-Hardan said her artistic journey began with a fascination for photography. Inspired by abandoned places like junkyards and buildings slated for demolition, she captures the remnants of human existence through her lens.“My art always starts with photography so I got interested in analogue photography at university. I took an analogue film class with Khalifa al-Obaidly (Fire Station: Artist in Residence director) and after this class, I fell in love with old film strips and developing.Her work excels the boundaries of traditional art by incorporating spray paint, digital prints, and even old slide projectors. “I started as a traditional artist,” she reveals. “But I was encouraged to explore new mediums. Digital art is more interactive and engaging for viewers. It’s about finding the right balance and adding a fresh perspective”.About using a mix of digital and traditional art in communicating with her viewers, al-Hardan said such technique offer a unique visual experience for them, noting that people enjoy the combination since it is not something they see frequently.“I want to compare both, this (old projector) isn’t smooth as you can see, it’s very loud and it doesn’t move quickly, whereas the digital (projector) is very smooth. I feel like it’s a nice contrast having both,” she pointed out.About the growing popularity and interest in digital art in Qatar and the region, al-Hardan said: “I wouldn’t say more popular but I feel like people, maybe my age, like the younger people, we are interested in the past. We love finding stuff that aren’t familiar with us because we are very familiar with digital projectors but like this (old projector), it's an interesting thing”.Besides al-Hardan, 16 other artists are showcasing their unique pieces at the exhibition, which runs until December 31. Some of these include Shuaa al-Kuwari’s (Qatar) Modern Portrait, Mohammed al-Emadi’s (Qatar) Busnida Universe – Chapters 0-3, and Marco Bruno and Simone Carena’s (Italy) MotoElastico, among others.

As artificial intelligence (AI) increasingly shapes the art world, The Fire Station: Artists in Residence (AIR) in Qatar is embracing experimentation and digital mediums, fostering a new generation of Qatari artists ready to take the global stage.“Throughout the residency and mentorship, we try to encourage artists to be as experimental as possible, to try out different mediums. Many of them that are presenting their works have been, throughout the nine-month programme, working on with new mediums,” Saida al-Khulaifi, head of Programmes and Exhibitions at The Fire Station, told Gulf Times.She noted that this approach is evident in the recently opened exhibition, titled 'A House Overlooking the World' at the Garage Gallery, showcasing the diverse works of 17 artists who participated in the 2023-2024 AIR programme.Al-Khulaifi said one standout artist is Qatari engineer Alkhuzama Alharami, who embraced the residency to develop her artistic practice, integrating her engineering background with her creative vision.“We are accepting engineers into their residency who would love to experiment with artists well,” she said, noting that Alharami’s work is building sensors and computers but wanted to explore with art.Other participating artists include: Somaia Dorzadeh (Iran), Oleksandra Umanska (Ukraine), Charlotte Rodenberg (US), Marco Bruno and Simone Carena (Italy), Ann Mc Nally (Ireland), Alanoud Alghamdi (Saudi Arabia), Maryam AlTajer (Bahrain) and Hannah Fakhri, Abdulla AlSallat, Shuaa al-Kuwari, Noora al-Hardan, Aljaze AlNaimi, Zainab AlShibani, Aisha al-Abdulla, and Mohammed AlEmadi.About the future of the AIR programme, al-Khulaifi highlighted the Fire Station’s role as a vital hub for nurturing local talent, saying: “We cultivate emerging and mid-career artists, supporting them beyond the residency, even with international opportunities”.She pointed out that the programme’s international recognition, including residencies at the Cite Internationale des Art in Paris and Studio 209 NY in New York City, underscores its commitment to global exposure for Qatari artists.Al-Khulaifi also underlined the significance of the ongoing exhibition, on view until December 31, as it shines a spotlight on what she described as “the dynamic intersection of traditional and digital art forms”. This, she added, showcases the creative potential of Qatari artists in a rapidly evolving art landscape.By embracing the evolving role of AI and technology, al-Khulaifi pointed out that this empowers artists to push creative boundaries and solidify Qatar’s presence on the global art scene.

M7 unveiled an exhibition Wednesday, showcasing the unique work of four emerging designers who took part in the fourth edition of the Zwara programme.The exhibition, on display at M7’s Learning Space until December 18, highlights the culmination of a 10-month mentorship journey that saw these designers push the boundaries of contemporary furniture design.The opening was attended by dignitaries, including Qatar Museums CEO Mohammed Saad al-Rumaihi, along with prominent figures from the creative industry, students, and aspiring designers.In a press statement, M7 director Maha al-Sulaiti underlined the programme’s commitment to nurturing local talent, saying: “Zwara highlights not only their process but also captures the collaborative spirit, creativity, and innovation that resulted from this programme. It’s a testament to the incredible craftsmanship that characterises our local design community.”Curated by Jumanah Abbas, the exhibition features a collection of four distinct pieces, each embodying the individual styles and inspirations of the participating designers.Stephen Amoyo, a multidisciplinary designer, presents “The Waiting Chair”, a striking contemporary piece that blends the design philosophy of Virgil Abloh with the iconic works of Jean Prouvé.Amoyo describes the chair as a fusion of Prouvé's silhouette and Abloh's creative ethos, encouraging further contributions from future designers and the wider community.Abdul Basit, an interdisciplinary designer, unveils “WeaveO,” a console that seamlessly blends traditional Sadu weaving techniques with the Dutch Art Movement. This piece reinterprets the history of Bedouin society, transforming geometric patterns and motifs into a modern form. Basit underscores the adaptability of the design, weaving historical influences into a contemporary narrative.Nusj by Hammam al-Abdulla, an interior designer, draws inspiration from Marcel Breuer's iconic Wassily Chair for his piece “Nusj”.The chair, named after the Arabic word for “weave”, redefines the classic design with asymmetrical lines that wrap around a reimagined structure, reflecting both personal and communal use.Saraab by Galyiah al-Mohannadi, an interior and furniture designer, presents an experimental bookcase that invites interaction with its rotating structure.Inspired by Charlotte Perriand’s “Bibliothèque,” al-Mohannadi reinterprets the design with locally sourced polychromatic glass, creating distinct modular units for flexible configurations.The Zwara Programme, tailored and facilitated by M7, provides a platform for emerging designers to hone their skills under the guidance of industry leaders. This year’s programme saw participants engage in a week-long trip to the prestigious Vitra Design Museum in Germany, offering invaluable insights and inspiration.Apart from the individual pieces, M7 noted that the exhibition offers a comprehensive exploration of the designers’ creative processes. Visitors have the opportunity to explore research notes, sketches, material samples, and final products, gaining a deeper understanding of the journey from concept to creation.A special highlight of the exhibition is the student-led “Miniatures” display where aspiring interior designers from Virginia Commonwealth University Arts in Qatar crafted visionary furniture designs, pushing the boundaries of materials, trends, and manufacturing.

The Thailand embassy in Qatar brought three of Thailand’s most iconic traditions to life at a Doha event, offering attendees an opportunity to engage with the country’s vibrant culture.The “Experience the Thai-ness Trio: Thai Food, Thai Massage, and Muay Thai,” provided a unique journey into the heart of Thailand’s cultural heritage.Speaking at the event, Thai ambassador Sira Swangsilpa said the occasion “exemplifies the deep wisdom, creativity, and traditions of Thailand, cultivated over generations and recognised globally for their unique contributions to health and wellbeing.“The Thai-ness Trio represents more than just our cultural heritage – it embodies the spirit of Thailand. The first ‘T’ is Thai food, rich in herbs and spices, promotes nourishment and balance. The second “T” is Thai massage, long known for its therapeutic qualities, offers much-needed relief from the stresses of modern life”.The envoy underlined that Unesco recognised “Traditional Thai Massage” as an Intangible Cultural Heritage in 2019, adding it to their prestigious list.According to Swangsilpa, the third “T” is Thai boxing or Muay Thai, a discipline demanding both physical and mental fortitude. He pointed out that all the live demonstrations at the event was led by local experts – skilled Thai chefs, boxing coaches, and masseuses – who bring the authentic spirit of Thailand to Doha.“This event is not only a showcase of our culture but also a platform for fostering deeper mutual understanding and strengthening people-to-people connections as well as enhancing social interactions between Thailand and Qatar,” he said.‘Experience the Thai-ness Trio’ was attended by Qatar Sports for All Federation CEO Abdullah al-Dosari as a honorary guest, along with spouses of heads of foreign missions in the country, among other guests.The event kicked off with a spotlight on Muay Thai, Thailand’s time-honoured martial art. Deeply entwined with the nation’s heritage, Muay Thai is renowned worldwide as the “Art of Eight Limbs”.Attendees also experienced authentic Thai massage – an ancient art that aims to unlock blocked energy, restore balance, and revitalise the entire being – as expert therapists showcase the graceful movements and precise application of techniques.The event’s final segment focused on exploring the Thai cuisine, displaying what was described as a harmonious blend of flavours inspired by Thailand’s bountiful agriculture and rich cultural heritage.Part of the programme is a live cooking demo of Phad Thai, a national treasure renowned for its perfect balance of sweet, sour and salty notes.The embassy said the Destination Thailand Visa is available for those seeking to immerse themselves in Thai culture. This five-year visa grants 180-day stays per entry, ideal for digital nomads, freelancers, and anyone interested in Muay Thai, Thai cooking, or other cultural experiences.

Fire Station: Artist in Residence (AIR) unveiled its latest exhibition, “A House Overlooking the World,” Monday, showcasing the diverse and thought-provoking works of 17 artists who participated in the 2023-2024 residency programme.The exhibition at the Garage Gallery will be on view until December 31. Speaking to Gulf Times on the sidelines of the opening, Fire Station’s Programmes and Exhibitions head Saida al-Khulaifi said “A House Overlooking the World” is a metaphor reflecting the overarching theme of finding one’s sense of self in a rapidly changing world.“This exhibition explores three key aspects of urban identity: social, cultural, and environmental. Each artwork reflects the individual and collective experiences of the artists, providing a relatable point for every visitor,” she noted.According to al-Khulaifi, these themes evoke deep emotions and feelings, ranging from comfort and safety to displacement, complicated human relationships, and the often challenging search for oneself.She said the artists grapple with the duality of these experiences, prompting viewers to reflect on their own journeys. She highlighted the uniqueness of this exhibition as it showcases the exceptional talent nurtured by Fire Station’s AIR programme.The participating artists are: Somaia Dorzadeh (Iran), Oleksandra Umanska (Ukraine), Charlotte Rodenberg (US), Marco Bruno and Simone Carena (Italy), Ann Mc Nally (Ireland), Alanoud Alghamdi (Saudi Arabia), Maryam AlTajer (Bahrain) and Hannah Fakhri, Abdulla AlSallat, Shuaa al-Kuwari, Noora al-Hardan, Aljaze AlNaimi, Zainab AlShibani, Aisha al-Abdulla, Mohammed AlEmadi and Alkhuzama Alharami (Qatar).“The eighth edition of AIR has been a massive success and the quality of the exhibition is a testament to the artists’ talents. We hope to continue supporting local artists and nurture talent to help them actualise their potential” al-Khulaifi said.“A House Overlooking the World”, she added, also digs deeper to the unique dynamic of Doha, a city undergoing rapid transformation while simultaneously dealing with nostalgia for the past.“The artists being part of the society express those feelings, they look into memory, they look into nostalgia, but at the same time, trying to find themselves either physically or spiritually,” al-Khulaifi said.In a press statement, Fire Station director Khalifa al-Obaidly expressed his pride in the artists’ achievements, saying: “The introspective nature of the exhibition required a skillful display of artistic representation which is not easy. It was masterfully done by the artists and I would like to congratulate them on their hard work. We look forward to seeing their growth and development in the future and the impact they make in the artistic community and beyond”.A renowned international residency programme, organisers noted that AIR is designed to foster and promote artistic talent in Qatar. It provides emerging and mid-career artists with a transformative platform to enhance their skills through expert mentorship, production support, and curatorial guidance. The program also offers access to studio space and fabrication facilities to support their artistic development.The AIR programme earned international recognition, including a three-month residency at the Cite Internationale des Art in Paris and Studio 209 NY, a part of the renowned International Studio & Curatorial Programme in New York City.