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Katara Cultural Village, in collaboration with the Supreme Committee for Delivery and Legacy, will host the “FIFA World Cup Qatar 2022 Legacy” exhibition at 5.30pm Monday (December 29), at Building 45.The exhibition will highlight the cultural, humanitarian, and sporting legacy of the first World Cup to be held in the Arab region and the Middle East.It will offer an interactive experience showcasing the milestones of Qatar's hosting of the 2022 FIFA World Cup and its exceptional organisational successes.The values it embodied include bringing people together, sustainability, innovation, and Qatari cultural identity.The exhibition will also highlight the lasting impact of the tournament on various levels, including infrastructure development, the promotion of cultural and artistic activities, and the support of community initiatives.Furthermore, it will document unforgettable moments that will remain engraved in the memories of fans worldwide.This exhibition reflects Katara and the Supreme Committee for Delivery & Legacy's commitment to preserving and enhancing the tournament's legacy for future generations, consolidating Qatar's position as a global cultural and sporting destination. 

Katara Cultural Village hosted a regional forum examining how sports tourism and media can be leveraged as strategic drivers of economic growth, cultural identity and Arab soft power, amid growing regional focus on the role of sport as a development and diplomacy tool.Organised in co-operation with the Arab Federation for Sports Tourism and the Gulf Association for Tourism Media, the forum brought together officials, experts and media professionals from Qatar, Kuwait, Saudi Arabia, the United Arab Emirates and the Sultanate of Oman. Discussions centred on developing a sustainable Arab framework linking sports, tourism, the economy and media, with emphasis on hospitality and cultural identity, training and capacity building, and specialised sports and tourism media. A number of figures and participants were honoured during the event.In the opening address of the General Cultural Village Foundation, delivered by Director of the Research and Studies Department at Katara Dr Nadia al-Mudhahka, it was said that the forum reflects Katara’s vision that culture is not an isolated sector but a dynamic force that brings together sports, media and tourism to shape national identity and global perception. She said Qatar has presented a pioneering model by employing sports as a bridge for civilisational communication and highlighting Arab culture as a source of strength and influence.Chairman of the Board and Managing Director of Retaj Hotels and Hospitality Group Sheikh Nayef bin Eid al-Thani said the forum reflects the depth of vision and partnerships of the current phase at a time when sports, tourism and media have become central tools in building countries’ global image and strengthening cultural identity at regional and international levels. He stressed that Qatar recognises investment in sports, culture and media as an investment in people, identity and soft power, and has therefore developed an integrated system combining professional organisation, cultural openness and pride in Arab identity.Executive Director of Communications and Media at the Supreme Committee for Delivery and Legacy Fatma al-Nuaimi said the forum comes at an important moment as the Arab region witnesses a genuine transformation in the sports industry. She noted that sports are emerging as an integrated system encompassing economic development, cultural depth, human impact and stronger ties among Arab peoples. She highlighted the global nature of the Qatari model and the state’s approach to transforming sporting events into tools for sustainable development, and football tournaments into global platforms for tourism attraction and bridge-building among different peoples and cultures.Chairman of the Executive Office of the Forum of Specialised Arab Federations at the League of Arab States Ahmed bin Mohammed al-Jarwan highlighted Qatar’s pioneering and continuous support for Arab and international sports, reflecting an enlightened vision of the role of sport in bringing peoples closer together, promoting development and strengthening positive Arab presence internationally. He said Qatar has presented an advanced Arab and international model by employing sports as a bridge for communication and an effective tool to support tourism and stimulate the economy, adding that the Qatari experience combines organisation, professionalism, advanced infrastructure and a smart global vision, making sports a unifying civilisational platform.President of the Arab Federation for Sports Tourism Kamel Abu Ali praised Qatar’s global professional standards in organising major sporting events and reaffirmed the Federation’s commitment to supporting high-quality initiatives that enhance Arab identity and belonging.Secretary-General of the Arab Federation for Sports Tourism Dr Sultan bin Khamis al-Yahyai also commended Qatar’s pioneering experience in organising major events and its notable successes over the years, achieved through clear vision, advanced infrastructure and strong organisational expertise, which have positioned the country as a global model. He added that Qatar’s hosting of the forum reflects informed Arab awareness of the importance of sports tourism as a modern pathway for development and as a bridge linking culture, sports and tourism within an integrated institutional framework. 

Katara Cultural Village has opened “Bisht House” – a new heritage space dedicated to preserving and promoting the traditional craft of bisht-making. Katara general manager Prof Dr Khalid bin Ibrahim al-Sulaiti attended the opening, along with officials and heritage enthusiasts. The venue offers visitors an insight into the various stages of producing the bisht, from selecting fabrics to intricate embroidery using gold and silver zari threads. The bisht is a traditional, luxurious men's cloak worn over a thobe in the Arab world, symbolising high status, royalty, and prestige. Bisht House aims to highlight one of the region's most refined traditional crafts, known for its precision and artistic detail, and to reinforce its cultural and historical significance. Founder Sami al-Hawaj said the bisht is not merely a garment but a work of art that reflects Gulf identity, elegance and heritage. He added that the centre also displays historic bishts dating back more than 50 years, alongside traditional Qatari garments.

The first edition of the Doha International Music and Dance Festival (Doha Tattoo) concluded at Katara Cultural Village, under the patronage of His Excellency the Minister of Interior and Commander of the Internal Security Force (Lekhwiya), Sheikh Khalifa bin Hamad bin Khalifa al-Thani, and in the presence of His Excellency the Minister of State for Interior Affairs Sheikh Abdulaziz bin Faisal bin Mohammed al-Thani, and Germany's Federal Minister of the Interior Alexander Dobrindt, along with several senior officers and officials.**media[396347]**The participating military bands presented dazzling performances that were well-received by the audience. Bands from Qatar participated alongside bands from several brotherly and friendly nations.**media[396348]**The Qatari bands included those from the Ministry of Defence, the Ministry of Interior, the Amiri Guard, and the Internal Security Force (Lekhwiya).Bands from Oman, Jordan, Turkiye, Kazakhstan, United Kingdom, and the US also participated.**media[396349]**The performances were inspired by the traditions of international "Tattoo" festivals, celebrating rhythm, culture and unity, in an atmosphere that reflected the spirit of cultural exchange and the diversity of experiences, within artistic panels of an organised military nature. 

The Doha International Music and Marching Festival (Doha Tattoo) made its debut Tuesday at Katara Cultural Village, bringing together renowned military bands for a global celebration of music and marching traditions.The event, under the patronage of His Excellency the Minister of Interior and Internal Security Force (Lekhwiya) Commander Sheikh Khalifa bin Hamad bin Khalifa al-Thani, and organised by the Ministry of Interior (MoI) in collaboration with Visit Qatar, will run until December 20.The opening ceremony was attended by His Excellency Lieutenant-General (Pilot) Jassim bin Mohammed al-Mannai, Chief of Staff of the Qatari Armed Forces, alongside senior state officials.**media[394416]**Organisers stressed that the opening marked a notable Qatari evening, as Doha added a new chapter to its cultural and artistic journey, highlighting military music as a shared cultural language that brings nations together.The programme features military band performances in a visually engaging setting that combines military discipline with artistic expression, uniting sound and movement as Eastern and Western cultures converge at Katara.Participating bands include Qatari ensembles from the Ministry of Defence, the MoI, the Amiri Guard and Lekhwiya, alongside bands from Oman, Jordan, the UK, the US, Turkiye, and Kazakhstan.The bands performed pieces inspired by global military music traditions, celebrating rhythm, culture, and unity in a setting that fosters cultural exchange and honours long-standing military customs, reflecting the warmth, peace, and security that characterise events hosted in Doha.The festival opened with a performance by the Lekhwiya Band, presenting a programme of national military compositions delivered through co-ordinated rhythms and structured formations.**media[394417]**It reflected the band’s strong collective cohesion and was met with positive audience engagement for its celebratory character and national significance.The Jordanian Armed Forces Band, joined by the Silent Drill Team of the Royal Jordanian Guard and the Jordanian Circassian Guard, presented a performance rooted in long-standing military tradition.The Omani Royal Guard Military Band delivered a performance that showcased the Sultanate’s military musical identity through a selection of national and military compositions.Representing the UK, the Central Band of the Royal Air Force performed alongside the King’s Colour Squadron and the Royal Air Force Pipes and Drums.The programme included classical military compositions and national pieces, presented through carefully co-ordinated musical arrangements and ceremonial movement, reflecting the United Kingdom’s established military music tradition.The Qatari Armed Forces Band presented a programme of national and military compositions performed through structured formations and co-ordinated brass arrangements.A joint pipes and drums performance brought together ensembles from Qatar, Oman, Jordan and the UK.Featuring 140 pipers performing in a unified formation, the presentation highlighted the collective nature of military music and its ability to convey messages of co-operation and shared purpose.The US Air Force Honour Guard Band presented a performance combining musical elements with silent drill movements.The presentation focused on co-ordinated formations and ceremonial precision, offering a distinctive display that was met with strong audience appreciation.The Turkish Gendarmerie Band and the Mehter Band presented a programme that reflected one of the oldest military music traditions in the world.Featuring traditional and contemporary compositions performed with brass instruments and structured formations, the presentation highlighted the historical depth of Turkiye’s military musical heritage.**media[394418]**The Band of the Irish Guards delivered a performance combining traditional and modern musical selections.The programme featured brass and woodwind arrangements supported by organised marching formations, creating a refined presentation that resonated well with the audience.The Honour Guard of the Ministry of Defence of Kazakhstan and the Central Military Band of the Armed Forces of Kazakhstan presented a programme that blended traditional and modern musical elements.The first day of the festival concluded with a performance by the MoI Band, represented by the Police Academy Drill Team.The festival featured a theatrical Qatari narrative titled *The Tale of Jassim, depicting the evolution of life in Qatar from the desert to the sea and onward to modern Doha. 

His Excellency the Minister of Interior and Commander of the Internal Security Force (Lekhwiya) Sheikh Khalifa bin Hamad bin Khalifa al-Thani conducted an inspection visit to review preparations for the launch of the 1st edition of the Doha International Music and Marching Festival (Doha Tattoo), scheduled to take place at the Katara Cultural Village from December 16 to 20.During the visit, His Excellency went over the organisational readiness and technical preparations for the festival, which will feature performances by military and music bands from a number of countries, alongside national participants from the Armed Forces, the Ministry of Interior, the Internal Security Force (Lekhwiya), and the Amiri Guard.The festival marks a first-of-its-kind event in the Middle East and represents a significant addition to the global series of Tattoo festivals.  

The Qatar International Art Festival (QIAF) 2025 staged a fashion show at Katara Cultural Village Thursday, turning the runway into a platform for cultural expression as artists unveiled designs inspired by national traditions and personal creative narratives. Among the participants was Martina Siladi of Slovakia, representing Unity Art Nations, a collective of artists from Slovakia, the Czech Republic, Hungary and Switzerland.**media[392609]**She said the group used its mannequin draping to highlight shared cultural symbols, including mountains and national floral motifs common to all four countries. Siladi described the QIAF as a platform where artists meet “with one vision – peace, friendship and understanding”.**media[392610]**“Art connects people of all nations, cultures and nationalities because that is what art is good for,” she said, introducing the abstract painters, sculptors and ink artists who form her multicultural group. Vedran Bukovina of Croatia presented a striking dress rooted in the symbolism of his heritage. Serving as Croatia’s brand ambassador, he introduced a young creative team of graduates and artists who helped bring the piece to life.**media[392611]**The design featured Croatia’s heart motif, a national symbol protected by Unesco. “The heart represents who we are. It is simple as wool and rich as lace, full of tradition and history,” the artist said, adding that the artwork stood as a reminder of how fashion can preserve identity while inviting the world to appreciate it. The showcase also welcomed the delicate and deeply personal work of Vishakha Lad, a Fine Arts Master’s graduate from Sir J J School of Arts in Mumbai.**media[392612]**Lad is known for her intricate eco-conscious leaf artwork, a tradition pioneered by her father in 1957 and carried forward today with immense pride. “My work blends culture and nature,” she said, expressing her gratitude to the QIAF and to Imagine Art Gallery Spain for giving her the platform to share her craft. She described the festival as more than an exhibition, calling it a warm, organised and inspiring gathering where participants enjoy workshops, fashion shows and shared experiences that become lifelong memories. 

Katara Cultural Village’s Hall 12 has been transformed into a vibrant global space brimming with artistic expression, as the 7th Qatar International Arts Festival (QIAF 2025) continues. The festival brings together a distinguished group of international artists in a creative celebration that reinforces Katara’s role as a cultural bridge connecting the world through art and diversity.Running until Dec 12, the festival features the participation of more than 500 artists from 83 countries, representing various artistic schools and creative styles. The event offers a rich visual panorama that reflects the power of individual experiences and the convergence of cultures. Iraqi visual artist Jaafar Diaa of the Ashnon Arts Foundation said he is presenting two surrealist works titled 'The Fate of the Book in the Modern Age and Transcending Time', noting that the festival “is wonderful and features strong works from diverse artistic schools, making it a truly unique experience.”Indian artist Sugandha expressed her delight at participating for the first time, saying: “I am thoroughly enjoying this experience. The festival is large and gives us the opportunity to connect with artists from different countries. I was happy to meet artists from all over the world.”Ana de Negri from Spain explained that this is her second participation “after the success of last year’s edition,” noting that the Spanish delegation includes a large group of artists and two dedicated pavilions. She also expressed her pride in representing Spain again.Iraqi artist Tina Arfali stated that this is her first participation in Qatar, adding: “The opening was wonderful. My work combines Arabic calligraphy with photography using mixed media techniques to add depth and unique artistic texture.”Meanwhile, Iranian artist and university professor Mansoureh Valikhan said she is delighted to return for a second year, emphasising that her work received significant appreciation.She explained that the theme of her participation centres on Iranian folklore, using colours and patterns inspired by Iranian heritage. QIAF 2025 continues to host a daily programme of artistic performances, workshops, and public activities, reaffirming its position as one of the most prominent creative platforms in the region and a global event celebrating art in all its forms and expressions. 

Katara Cultural Village inaugurated Tuesday the Syrian Corner in the vicinity of the Golden Masjid, with the opening of a model of the 'Minaret of the Bride' inspired by the Umayyad Mosque in Damascus, designed by the visual artist Zaina Abara.The work embodies one of the most important architectural symbols in Islamic history and Damascene memory, as the Minaret of the Bride is the oldest minaret of the Umayyad Mosque, and constitutes a spiritual and architectural symbol that has been linked to the city's conscience for centuries.The model was executed in a contemporary artistic style that preserved the spirit of Damascene architecture and its decorations, while the presence of jasmine stands out as a symbol of identity and nostalgia, giving the work an emotional dimension that expresses the relationship of Syrians with their history and aesthetic memory.In his remarks, General Manager of Katara Dr Khalid bin Ibrahim al-Sulaiti said that the opening of the Syrian corner falls within Katara's vision to enhance the presence of arts and cultural symbols in the public space of the Cultural Village, and to make human heritage available to the public in an interactive way, which contributes to strengthening bridges of communication and cultural dialogue between peoples.Charge d'Affaires at the Syrian embassy in Doha Dr. Bilal Turkiya emphasised that the artwork embodies a deeply rooted cultural and spiritual value in the history of Syria, as the Minaret of the Bride is not only an architectural landmark that the Umayyad Mosque in Damascus boasts of, but also a symbol of the oldest continuously inhabited capital that has carried throughout its history a message of intellectual and cultural radiance whose impact has extended from Damascus to the capitals of the world.He added that the presence of this model in Katara represents a cultural bridge connecting Damascus and Doha, and allows the public to learn about the depth of Syrian heritage and its authentic aesthetics, expressing his gratitude to Katara for embracing this work that embodies the memory of a people and the identity of a city.In turn, artist Abara said that the Minaret of the Bride is a historical, spiritual, and cultural symbol linked to the city of Damascus for centuries, expressing her hope that the artwork will serve as a bridge between memory, nostalgia, and hope. She noted that reinterpreting the minaret in this artistic form aims to preserve its authenticity and keep it alive in the collective consciousness of future generations.The sculpture represents an artistic restoration of the oldest minarets of the Umayyad Mosque in Damascus, which were built in the Umayyad era and then witnessed successive architectural touches throughout the ages. The work is based on highlighting the geometric and decorative details that characterize the Damascene architecture, with a contemporary treatment that enhances the symbolic dimension of the minaret as a cultural radiance.Abara, who resides in Qatar, is a member of the Qatar Fine Arts Society. Her work focuses on documenting and reformulating the Arab visual identity in a contemporary aesthetic language. She has participated in local and international exhibitions and held a solo exhibition in Katara in 2018.

Katara Cultural Village hosted an event on Tuesday on the culinary culture of Peru, spotlighting the rich culinary heritage of the South American nation. The event featured presentations that highlighted the environmental and natural resources that have shaped Peruvian lifestyles across various historical eras. **media[381056]** Peru's ambassador to Qatar, Gonzalo Voto Bernales Gatica, praised the collaboration with Katara, describing it as a distinguished platform for cultural exchange and a vital bridge connecting the Pacific Ocean to the Arabian Gulf. He expressed his appreciation for organising the event, which celebrated iconic elements of Peruvian cuisine, most notably Ceviche, a dish inscribed by Unesco in 2023 on its Intangible Cultural Heritage List. **media[381057]** The ambassador emphasised that Ceviche is a key cultural symbol, reflecting Peruvians' deep connection to the ocean, rivers, and land. He noted that the dish embodies Peru's geographic and ethnic diversity and its rich cultural fusion, while also representing the intergenerational transmission of knowledge through fishing practices, market traditions, festive rituals, and communal values.

Katara Cultural Village has honoured the top three winners of the inaugural Katara Prize for Manuscripts and Archaeological Sites 2024 at a ceremony attended by scholars and cultural figures.The first prize was awarded to Syrian researcher Walid al-Suraqbi, while Egyptian researchers Ahmed Abdelbaset and Ahmed Abdelsattar shared second place. The third prize went to Noha Hussein al-Hefnawi, also from Egypt. The event also recognised members of the award’s judging panel — Dr Omar al-Ajli, Dr Mohammed al-Rahawi and Dr Samir Qaddouri — as well as Abdullah Mohammed Bilal, head of Mauritania’s manuscript house association, for his efforts in preserving Arab manuscript heritage.Speaking at the ceremony, Prof Dr Khalid bin Ibrahim al-Sulaiti, Katara’s General Manager, said the award reflects Katara’s commitment to reviving Arab and Islamic manuscript heritage as an essential part of cultural identity and intellectual history. He added that the initiative complements Katara’s other major literary awards, including those for the novel, Arabic poetry, and the Prophet’s Poet.

Katara Cultural Village has organised a Turkish cultural evening in collaboration with Katara-chaired Global Public Diplomacy Network (GPDNet), the Turkish embassy in Doha, and the Yunus Emre Turkish Cultural Centre.A number of ambassadors, members of the diplomatic corps, an audience from the Turkish community, and lovers of oriental music in Qatar were in attendance.The evening, marking the Turkish Republic Day commemoration, featured interaction from the public, rejoicing to the cultural atmosphere, with Turkish singer Zehra Ozgelik performing heritage and contemporary song compositions that ranged from *muwashshahs to patriotic songs, reflecting the cultural identity of Turkiye and its artistic richness.Addressing the event, Turkish ambassador Dr Mehmet Mustafa Goksu said that everyone celebrates this day as Turkiye approaches its second centennial, at an event elevated by the distinguished presence and patriotic spirit of attendees, creating an unforgettable occasion.Yunus Emre Turkish Cultural Centre (Doha) director Anwar Cidek highlighted that music is a global language that unifies peoples and brings cultures together.He noted that through its programmes, the centre strives to promote cultural exchange between Turkiye and Qatar.The evening is part of a series of joint cultural events that Katara holds with the Turkish embassy and the centre in Doha, manifesting the depth of historic and humanitarian ties between the Qatari and Turkish peoples, aiming to shore up bilateral cultural dialogue through arts and innovation. – QNA