Qatar

Friday, February 20, 2026 | Daily Newspaper published by GPPC Doha, Qatar.

Qatar

Gulf Times

From traditional ways of life to modern prosperity, Ramadan remained a month of gatherings and piety

During the 1970s, the Holy Month of Ramadan saw a quiet social transformation in Qatar. Society was transitioning from a simple maritime and desert lifestyle into the early stages of a modern state, and with this shift, Ramadan evenings began to evolve. Before the introduction of local television broadcasting, traditional gatherings (majlis) were the main form of evening entertainment. After Taraweeh prayers, men would gather in popular majlis, where traditional Arabic coffee and dates were served, and talks were mostly centred on the topics related to the sea, daily life transactions, and regional news. Children filled the narrow alleys of old neighbourhoods such as Msheireb and Al Bidda, playing late into the night, while the voice of the mesaharaty (a man who used to alert people to get up for Suhoor late at night during Ramadan) remained a constant part of the scene, waking people before dawn with his familiar call, without loudspeakers or sound effects. In 1970, official broadcasting of Qatar Television began, and the rhythm of Ramadan nights started to change. Iftar time became linked to watching the news bulletin, followed by religious programmes and the popular Arabic TV series aired in the evenings. The introduction of television did not eliminate the majlis; it reorganised it. Some homes became gathering places for neighbours to watch a programme or TV series, especially in the early years when television sets were not yet common in households. Consequently, Ramadan after the oil boom took on different turns as living standards considerably improved, and iftar banquets became more diverse. Yet the core traditions remained unchanged: exchanging dishes between homes, performing Taraweeh prayers in congregation, and giving zakat and charity. There was a general sense that modernity was entering homes, but Ramadan maintained the stable traditions that continued to link the new generation with the old generation of the seafaring and pearl diving.

Gulf Times

Qatari calligraphy show draws visitors in city of Cordoba

The exhibition of winning artworks from the Qatar International Arabic Calligraphy Competition, Al Raqim, organised by the Ministry of Endowments (Awqaf) and Islamic Affairs, attracted a diverse international audience at the Cordoba Conference Palace, reflecting the growing presence of Arabic calligraphy in the European cultural scene. The display features 15 pieces representing the top three winners of the competition’s first edition, spanning five distinct Arabic calligraphy styles. The works showcase the richness of different schools and techniques, demonstrating both the authenticity of this historic art and its capacity for contemporary creative expression within a unified aesthetic vision. Saleh bin Ali al-Marri, head of the organising committee, emphasised that the competition aims to serve as a global platform nurturing Arabic calligraphy talent, opening new horizons for creativity and visibility, while enhancing Qatar’s role as a hub for arts and culture with international influence. He added that the participation reflects the competition’s growing presence in major global art exhibitions, with winning pieces attracting wide interest from cultural institutions and specialised audiences, standing as sophisticated artistic assets that embody the spirit of Arabic calligraphy and affirm its status as a universal human art form.