Before Qatar’s cultural renaissance gained global recognition, Abdulla al-Najjar was among those who helped lay its foundations. Now, as a Member of the Board of Trustees of Qatar Museums (QM), he has witnessed first-hand the growth of the country’s museum sector and its rise as a leading space for cultural exchange.
Speaking at the latest Evolution Nation video series, which forms part of the wider Qatar Creates cultural movement by QM, al-Najjar, places significant emphasis on the collaborative and visionary efforts that developed the country’s creative sector.
“I hope that I have contributed even in small way, to achieving the vision of His Highness the Father Amir, may God protect him, at that time, and also His Highness Sheikh Tamim bin Hamad al-Thani, the Amir of the country, in supporting the cultural movement, as well as the vision adopted by HE Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani, Chairperson of the Board of Trustees in the cultural renaissance that our beloved country, Qatar, was witnessing,” he said.
For al-Najjar, the true value of cultural institutions lies in their capability to cultivate understanding across different backgrounds. He added that this cultural renaissance was never about constructing buildings, it was fundamentally about encouraging dialogue.
“There is no doubt that art is considered one of the bridges that bring people closer together,” al-Najjar said, highlighting his conviction in universal connection. He added: “I think everyone knows and agrees that the bridges extended through art bring people closer in a faster and simpler way without any complications.”
His journey is closely linked to the Museum of Islamic Art (MIA), an institution founded in 2008 and home to one of the world’s greatest collections of Islamic art, spanning 1,400 years of history across three continents. Al-Najjar was among the key figures who helped shape the museum’s early direction, as Qatar’s cultural landscape began to expand on the global stage.
“In the beginning, I was responsible for the opening of the Museum of Islamic Art in Qatar. After that, I was appointed CEO of the Museums Authority, so the responsibility grew from being director of a museum to becoming CEO of a group of museums, as well as projects that were still being established at that time,” he explained.
Amidst overseeing vast museum networks and grand visions, al-Najjar retains a strong appreciation for individual artefacts. One specific item resonates intensely with him: the Shah Jahan Jade Pendant. Produced in India in 1632, this carved Mughal amulet is delicately inscribed with verses from the Qur’an. Manufactured from jade, which was historically ascribed curative properties, it was created during a period of imperial mourning.
“One of the pieces that is close to my heart is the amulet piece displayed at the Museum of Islamic Art, it belonged to King Shah Jahan, who had it made when his wife Nur Jahan passed away. He would wear this amulet, which carried Ayat Al-Kursi [The Throne Verse] to ease his sorrow. This is one of the pieces that is very close to my heart at the Museum of Islamic Art,” al-Najjar said.
The Evolution Nation video series forms part of the wider Qatar Creates cultural movement by QM. The campaign was launched to mark 50 years since the establishment of the original National Museum of Qatar in 1975, celebrating the people, institutions and ideas that have shaped Qatar’s cultural development.
Through its stories, Evolution Nation highlights individuals who have contributed to Qatar’s artistic and historic landscape over the past five decades. The series is available on the Qatar Creates YouTube channel and across QM’s social media platforms, offering audiences a closer look at the people behind the country’s continuing cultural, creative and sporting evolution.
