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For Qatari engineer and artist Abdullah al-Fakhro, Arabic calligraphy is not confined to ink and paper. Through sculpture, public art and handcrafted jewellery, he has spent more than a decade transforming the Arabic letter into a contemporary artistic language that celebrates identity, heritage and innovation.Al-Fakhro's journey began during his university years under the mentorship of renowned the late calligrapher Saeed al-Ansari (Arabic calligraphy teacher at the Ministry of Education, and founder in 2011 of the Arabic calligraphy department at the Museum of Islamic Art). While studying traditional calligraphic techniques, he became fascinated by the artistic possibilities embedded within the Arabic script itself.Around 2013, he began experimenting with geometric Kufic forms, treating letters not merely as written symbols but as architectural structures capable of taking three-dimensional form. The exploration gradually evolved into a distinctive visual practice that bridges classical calligraphy and contemporary art.“I work with freehand calligraphy, using my sense of letterform beauty to create art without being limited by strict classical rules,” al-Fakhro says. “This direction was influenced by the artist eL Seed, whose work does not follow traditional calligraphy styles. In these paintings, I focus on the idea and its impact, creating work that fits more naturally within contemporary art.”Among the scripts that continue to inspire him is the early classical Kufic style associated with Kairouan, in Tunisia.“It is characterised by balance, dignity and strong horizontal flow,” he says. “My interest in this script lies in its historical depth and its ability to connect heritage with modern artistic expression.”By 2016, his artistic experiments had found one of their most compelling expressions in jewellery. Drawing on Arabic script and Islamic aesthetics, al-Fakhro began creating handcrafted pieces that transformed letters and words into wearable works of art.“Jewellery is more than decoration,” he explains. “It can express identity, values and a connection to culture. Arabic calligraphy allows people to wear a piece of art that carries meaning.”Crafted primarily from 18-karat gold and produced in collaboration with skilled artisans in Qatar and abroad, the pieces quickly gained recognition for combining cultural symbolism with contemporary design.In 2020, he launched Midad, a brand inspired by the traditional ink associated with Quranic calligraphy. Through the venture, he produces limited-edition jewellery and artistic objects rooted in Arabic script and Islamic visual heritage.His artistic practice extends well beyond jewellery. Al Fakhro has created sculptures, furniture pieces and public installations inspired by Arabic letters, participating in numerous cultural initiatives across Qatar. In 2016, he contributed to the “Katara Murals by Artists’ Brushes” project alongside calligrapher Issa al-Fakhroo, helping create large-scale public artworks that enriched Qatar’s visual landscape.He later participated in the “Qatar’s Iconic Limousine” competition with a work inspired by the beloved national song “Allah Ya Omri Qatar” by Mohammed Al Saei. In 2022, he collaborated with the Museum of Islamic Art shop on a collection inspired by the celebrated Blue Qur’an, featuring the saying attributed to Ali ibn Abi Talib: “You think you are a small entity, yet within you the greater world unfolds,” rendered in Qur’anic Kufic script through a contemporary visual interpretation.Most recently, al-Fakhro participated in the Msheireb Design District competition with three sculptural works inspired by Arabic calligraphy and centred on universal human values.“I chose values that resonate with the atmosphere of Msheireb, a district that blends Arab and Islamic identity with a global outlook,” he says. “I selected ‘mercy’, ‘blessing’ and ‘kindness’ because we all need mercy and blessings, and kindness can create a positive impact on visitors.”Drawing inspiration from Qatari and Gulf heritage, his works frequently incorporate Mashrabiya (Arabesque sculture) motifs alongside colours and materials associated with Islamic art, including turquoise and lazord stone.Yet for al-Fakhro, the true value of art lies not in precious metals or materials, but in the idea behind them.“The artist is the creator of the concept and the design,” he says. “That creative vision is what gives a work its greatest value.”Through gold, sculpture and the enduring beauty of Arabic script, Abdullah al-Fakhro continues to redefine the possibilities of calligraphy, transforming letters into objects of beauty, cultural memory and artistic expression. 

The Dividing City emerged as the biggest winner at the 38th Doha Theatre Festival, earning the festival’s top honour for “Best Play” along with several major awards that underscored its artistic and technical excellence. At the closing ceremony, His Excellency the Minister of Culture Sheikh Abdulrahman bin Hamad al-Thani honoured the winners in the presence of theatre practitioners, artists and cultural figures, marking the conclusion of another edition of Qatar’s premier theatrical event. The festival’s judging panel, comprising veteran artist Ghazi Hussein, Dr Nizar Shaqroun and artist Khalid Abdulkarim al-Hammadi, placed particular emphasis on directorial maturity, innovative scenography and the dramatic depth of the competing productions.**media[461366]**They singled out The Dividing City for its sophisticated visual language, cohesive artistic vision and compelling stagecraft. The panel lauded the production’s expressive scenography, noting its ability to transform complex human and social issues into powerful symbolic imagery. Critics and judges described the play as a mature collaborative achievement, with director Mohammed Yousef al-Mulla successfully integrating performance, design and dramatic structure into a compelling theatrical experience. Produced by the Qatar Theatre Group, The Dividing City swept several of the festival’s top honours, winning “Best Play”, “Best Director” for Mohammed al-Mulla, “Best Script” for writer Talib al-Duwai, “Best Set Design” and “Best Actor” for Nasser Habib. The play tells the story of a city’s ruler who is assassinated by his wife’s brothers after they fear that her unborn child will one day challenge their authority. Blending tragedy with dark comedy, it explores themes of power, fear and the struggle for the future. Its characters serve as allegorical figures: the brothers represent different expressions of authority and self-interest, while the mother, midwife and peasant embody truth, conscience, and the ordinary citizen caught in forces beyond his control. Meanwhile, Amina al-Wakily received the “Best Actress” award for her performance in Under the Rubble, produced by the Doha Theatre Company. The production was one of three works competing in the festival, alongside The Black Pearl Bank by Al-Watan Theatre Company. The festival’s accompanying intellectual seminars also highlighted the diversity of theatrical approaches showcased this year, recognising notable achievements in acting, music, scenography and dramatic interpretation. 

Qatar’s artistic gymnastics team delivered an impressive performance at the 2026 Asian Artistic Gymnastics Championships, with both Mehrdad Ghadimi and Rakan al-Harith securing places in the finals of the continental event held in Zunyi, China. Ghadimi advanced to the rings final after producing an outstanding display during the qualification round. Al-Harith also booked his place in the pommel horse final following a confident and technically accomplished routine, continuing the progress he has demonstrated on the international stage and underlining the growing strength of Qatari gymnasticsThe Qatari delegation travelled to China under the leadership of Ali al-Hitmi, President of the Qatar Gymnastics Federation and First Vice President of the International Gymnastics Federation (FIG). Commenting on the achievement, al-Hitmi praised the performances of both gymnasts and described their qualification for the finals as a major accomplishment for Qatari sport.“Qualifying two gymnasts for apparatus finals at a championship of this level is a remarkable achievement and reflects the progress being made by Qatari gymnastics,” he said. “The competition includes some of the best gymnasts in the world and Asia, making this result even more significant.” He added: “This success is the outcome of the hard work and commitment shown by our athletes, coaches and administrative staff, as well as the long-term development programmes implemented by the Federation. We are proud of what has been achieved and look forward to seeing both gymnasts perform strongly in their respective finals.” Al-Hitmi also acknowledged the continued support provided by the Qatar Olympic Committee, emphasizing its important role in helping national federations develop athletes capable of competing successfully at the highest regional, continental and international levels.  

Al Markhiya Gallery at Katara Art Center is organising the exhibition 'Between Yesterday and Today,' opening on Tuesday. Featuring the works of artists Lulu M, Masoud Rashid al-Balushi, and Mubarak al-Malik, the exhibition offers an artistic exploration of the three artists’ careers, highlighting the transformations in their creative experiences, the ideas that have evolved over time, and the artistic identities that have been shaped through years of research, experimentation, and growth.Through their new works, the artists showcase different stages of their artistic journeys, with each piece reflecting a unique signature and experience, while maintaining the common thread that united them in their early beginnings. The exhibition also provides visitors with an opportunity to compare the transformations in their artistic styles and creative visions over the past ten years.The exhibition serves as a space for dialogue between the past and the present, documenting the evolution of the artists' individual experiences and highlighting how accumulated expertise and experiences have shaped their current works, whether in terms of techniques, themes, or visual approaches.The organisers emphasise that 'Between Yesterday and Today' is not merely a showcase of new artworks, but rather a journey of reflection on the paths of three artists who began from a common point before each embarking on his or her own unique journey, only to reunite this time in an artistic experience that celebrates growth, development, and continuity within the visual arts landscape. 

The Fire Station Artist in Residence (AIR) is hosting artists participating in the current edition of its Intensive Arts Study Programme.The artists are continuing their creative work within the artist residency programme, as part of a comprehensive educational and artistic experience, culminating in a final exhibition in October 2026.The programme selected 23 artists from among the 996 applications submitted in this edition, reflecting a high level of interest and the programme's prominent standing as one of the leading initiatives supporting contemporary arts in Qatar.The Intensive Arts Study Programme is an annual initiative held at the Fire Station. It is open to artists of all nationalities, offering an intensive curriculum that combines practical work in studios, specialised workshops, seminars, group critique sessions, and lectures delivered by artists, curators, and thinkers from around the world.Through this blend of artistic practice, theoretical reflection, and critical discussion, the programme aims to develop traditional art education methods, empowering artists to deepen their creative and critical perspectives and engage with contemporary artistic issues.The programme represents a pivotal point for emerging visual artists, providing them with an immersive, multidisciplinary artistic environment that contributes to refining their technical skills, enriching their intellectual methodologies, and broadening the horizons of their creative practices within a supportive and stimulating professional context.The programme is part of Qatar Museums' vision to establish the country as a global hub for artistic innovation and cultural dialogue by supporting emerging talent and fostering knowledge and cultural exchange.Throughout the year, the programme features international instructors and experts who deliver public lectures and open discussions, contributing to the revitalisation of the local art scene and enhancing engagement with the public.The current edition of the Intensive Art Study Programme is scheduled to culminate in a final exhibition in October 2026, showcasing the artistic experiences and projects developed by the participating artists during their residency at the Fire Station. 

The Qatar Photography Centre (QPC), affiliated with the Ministry of Culture, has organised the “The Arab Cup through Qatari Eyes" exhibition as part of a series of artistic and cultural events accompanying the launch of the FIFA Arab Cup Qatar 2025.The exhibition is aimed at reviving the visual memory of the tournament when it was hosted by Qatar in 2021, and to showcase the artistic beauty captured by the lenses of professional Qatari photographers.QPC director Jassim Ahmed al-Buainain highlighted the importance of this artistic event, which connects sports and visual culture.He said that the exhibition is the result of a collaborative effort, featuring the works of three Qatari photographers who covered the previous tournament: Jassim Ahmed al-Buainain, Asma Ghanem al-Abdullah, and Ayed Ibrahim al-Sultan.Al-Buainain noted that the collaboration between the three photographers stemmed from their shared passion for documenting this prominent sporting event.The exhibition features 45 high-quality photographs, capturing memorable moments from all the matches of the previous edition of the Arab Cup.The official added that the images transcend mere sporting documentation, embodying the artistic and human aspects of the tournament, from the players' enthusiasm to the fans' reactions and the overall atmosphere in the stadiums hosting the event. 

Six ancient statues have been stolen from the National Museum of Damascus, which is one of the Middle East's oldest cultural institutions and houses a collection showing Syria's archaeological and artistic heritage.A source at the museum told Reuters that a thief broke a glass display case on Monday and apparently stayed inside the building until evening.Authorities have launched an investigation, according to the head of internal security in Damascus, Osama Mohammad Khair Atkeh.Khair Atkeh, quoted by state news agency SANA, said specialised teams were conducting tracking and search operations to arrest those responsible and recover the stolen artefacts.Security guards and officials were being questioned to determine the circumstances of the incident, he added.Established in 1919, the National Museum closed in 2012 because of fighting in the capital at the start of the country's civil war. It partially reopened in 2018, and resumed full operations in January 2025, a month after rebels toppled former President Bashar al-Assad.

The Cultural Village Foundation, Katara, inaugurated the art exhibition "From Cuba to Qatar: Horses, Fibers, and Memories" by Cuban artist Yosvany Martinez this evening, in collaboration with the Embassy of the Republic of Cuba in Doha. The opening ceremony was attended by Director General of Katara Dr. Khalid bin Ibrahim Al Sulaiti, Ambassador of Cuba to Qatar Jose Enrique Enriquez Rodriguez, and diplomats, cultural figures, and members of the Cuban community in Qatar. Hosted at Building 47 and running until October 20, the exhibition features 29 artworks crafted using diverse techniques, including a sculpture made from natural fibers and plant-based paper. Martinez's pieces are distinguished by their artistic intimacy and reliance on organic materials such as the stalks of Espartio Macho, a native Cuban grass. The artist dries and dyes the fibers with natural pigments before incorporating them into his compositions, which depict horses and iconic landmarks of Havana, Cuba's capital. In his remarks at the opening, the Cuban ambassador expressed gratitude to Katara for its support, stating that this exhibition invites us to transcend geographical boundaries, where horses gallop freely and harmony emerges among the artworks. The recurring presence of horses reflects a shared cultural element between Cuba and Qatar. He added that the exhibition explores the richness of fibers and the cultural connections that unite peoples, contributing to mutual understanding, artistic collaboration, and intercultural dialogue. Speaking to Qatar News Agency (QNA), the ambassador emphasized the strength of cultural ties between Cuba and Qatar, praising the ongoing and fruitful cooperation between Katara and Cuban cultural institutions. He noted that Katara recently hosted a Cuban musical performance, further cementing this partnership. He affirmed that the exhibition "From Cuba to Qatar: Horses, Fibers, and Memories" embodies his collaboration and reflects a shared commitment to fostering cultural and artistic dialogue between the two nations. He stressed that culture remains a vital bridge for human connection and mutual understanding. In a separate statement to QNA, artist Yosvany Martinez explained that he employed a range of artistic techniques in the exhibition, most notably fiber art. He described the fibers as a type of grass native to Cuban fields, which he harvests, dries, and dyes with natural colors before meticulously assembling them into his artworks on cardboard. Each piece begins with a pencil sketch, forming the foundation for his intricate compositions. Martinez further shared that he later expanded his artistic repertoire to include techniques such as oil on canvas and linocut printing, a method involving engraving on linoleum. He explained that he uses a fine carving tool known as a gubia to achieve intricate details, before passing the artwork through a printing press to complete the process. Concluding his remarks, Martinez revealed that several of his oil paintings featured in the exhibition are dedicated to the State of Qatar, as a tribute to the growing cultural ties between the two nations. He emphasized that he paints using a fine brush with individual bristles, allowing him to create textures that mimic the feel of natural fibers, symbolizing the unity of nature, art, and human memory.

A two-day cultural event celebrating Qatar's rich heritage and artistic identity kicked off today in Switzerland, offering visitors a curated immersion into Qatari culture, tradition, and creativity. Organized by the Ministry of Culture in collaboration with Katara Hospitality, the event marks the launch of a broader initiative aimed at preserving and promoting Qatar's cultural heritage on the global stage. Through this initiative, Qatari culture becomes an elegant guest within Katara Hospitality's luxury properties worldwide, blending authentic traditions with refined hospitality and contemporary artistic expression. The opening day was dedicated to VIPs and official guests, while the second day will be open to the public, allowing a wider audience to engage with Qatari heritage in an immersive cultural setting. The Ministry of Culture explained that the event provides a multisensory experience, featuring rare manuscripts, traditional books, artworks, cultural artifacts, and fragrances. Visitors can also enjoy live folk performances and sample authentic Qatari cuisine, offering a comprehensive view of Qatar's civilizational depth and its successful fusion of heritage and modernity. Speaking at the inauguration, His Excellency Undersecretary of the Ministry of Culture, Dr. Ghanem bin Mubarak Al Ali, expressed pride in the partnership with Katara Hospitality. This collaboration reflects Qatar's belief that culture is a bridge for dialogue and a window to the world, he said. This initiative embodies a living dialogue between Qatar's deep-rooted heritage and contemporary artistic expression. It is a call for intercultural exchange and a celebration of beauty in all its forms, he added. Al Ali emphasized the Ministry's strong commitment to promoting Qatari culture in international forums, thanking the working teams from both sides for creating a holistic cultural experience that leaves a lasting impression. Meanwhile, CEO of Katara Hospitality, Fahad Abdullah Al Mana, echoed this sentiment, expressing honor to collaborate with the Ministry of Culture to present this unique cultural event in Switzerland. "Hosting it at Burgenstock, one of our most iconic destinations, reflects the premium value Katara Hospitality places on cultural diplomacy." He added that Katara Hospitality sees its role not merely as a provider of luxury accommodation but as a platform for cultural storytelling. "Our mission is to present Qatari culture to the world as it is — authentic, beautiful, and inclusive. This is not about influencing other cultures, but about offering a genuine encounter that touches the senses and enriches the soul." He noted that the initiative plants cultural seeds that will remain in the hearts of visitors long after they leave, ensuring that Qatar's story continues through human connection and shared memory. His Excellency Qatar's Ambassador to Switzerland, Mohammed bin Jaham Al Kuwari, described the event as more than just a cultural showcase. This is a reflection of Qatar's deep commitment to culture as a bridge between peoples and civilizations, His Excellency said. His Excellency the Ambassador emphasized that for Qatar, development is incomplete without cultural prosperity. Culture is the soul of nations and their living memory, he added, highlighting that Doha has become a global hub for intellectual and cultural dialogue, a beacon of creativity and exchange. Al Kuwari stressed that in a world facing growing challenges, culture remains a powerful unifier. "Qatar rejects the logic of conflict and consistently advocates for dialogue and diversity, believing that culture can achieve what politics often cannot." He concluded by reaffirming the Ministry of Culture's dedication to spreading authentic Qatari culture globally and noted the many groundbreaking initiatives the ministry has launched over the past years to fulfill this mission.