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M7 hosted the Franca Fund Gala on Nov 23 at the Museum of Islamic Art, honouring the life and legacy of the late Franca Sozzani, editor-in-chief of Vogue Italia, by raising funds to drive research in preventative genomics.The event, in partnership with The Franca Sozzani Fund for Preventive Genomics, took place as Qatar marks its cultural journey over the past 50 years with Evolution Nation, a celebration highlighting both the nation’s cultural milestones and its aspirations for the future.The gala was co-hosted by Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani, Qatar Museums Chairperson and Fashion Trust Arabia Co-Chair; Francesco Carrozzini, Co-Founder, Franca Sozzani Fund for Preventive Genomics and Sozzani’s son; and global editorial director at Vogue and chief content officer for Condé Nast and longtime friend of Sozzani, Anna Wintour. Among the VIPS in attendance includes Queen Rania Al Abdullah of Jordan.“This evening, we have come together to honour the vision of Franca Sozzani, who used fashion to disrupt, to talk about difficult topics, and to give the voiceless a voice. In the presence of her family, we celebrate her courage and resilience, as we join to advance the work of The Franca Sozzani Fund for Preventive Genomics,”“Tonight’s gala underscores our commitment to reimagine healthcare through cutting-edge science, combined with the highest ethical standards, global advocacy, and compassionate care. These vital goals are the core of Franca Fund as well as our other beneficiaries this evening: the Qatar Cancer Society and the Xana Foundation in Barcelona,” said HE Sheikha Al Mayassa.The event raised more than $4mn, which will directly support the work of The Franca Fund and its visionary goal: to support ongoing research programs in preventive genomics at Harvard Medical School and Mass General Brigham, led by internationally acclaimed physician-scientist and Harvard Professor of Medicine (Genetics) Dr Robert Green. He is considered a pioneer in the responsible use of DNA analysis to detect and provide early treatment or prevention of inherited conditions that affect millions of children and adults worldwide.In a statement, Carrozzini said: “My mother believed that ideas should never sit still. She once told me, ‘If it’s not daring, it’s not new. And if it’s not new, it won’t matter.’ That was Franca – fearless, restless, always pushing everyone, including herself, to see what others haven’t yet seen”.Advancing equity in access to medical care, HE Sheikha Al Mayassa announced a donation to the Qatar Cancer Society (QCS), founded and chaired since 1997 by Dr Khalid bin Jabor al-Thani. Serving as a voice of awareness and a platform of support for all those facing the journey of cancer treatment, QCS offers every patient a renewed sense of hope, providing financial assistance to more than 10,770 cancer patients.HE Sheikha Al Mayassa also announced a contribution to the Xana Foundation in support of the launch La Casa De Las Xanas. The Xana Foundation was born to offer warm support and steadfast companionship to families whose children face serious illnesses. 

The Museum of Islamic Art (MIA) and the National Museum of Korea (NMK) are presenting the ‘Islamic Art: A Journey of Splendour’, which opened Saturday in Seoul, South Korea. The landmark collaboration marks the first comprehensive presentation of MIA’s world-renowned collection in South Korea, taking audiences on an extraordinary journey into the history of Islamic art and culture as it evolved in regions stretching from Spain to China.A press preview was recently held with the attendance of dignitaries and the directors and representatives of the MIA and NMK, including Qatar’s ambassador to Korea Khalid Ebrahim al-Hamar, MIA director Shaika Nasser al-Nassr, NMK director You Hong June, and Dr Mounia Chekhab Abudaya, deputy director of Curatorial Affairs at the MIA.On view through October 11, 2026, in the NMK’s World Art Gallery, the exhibition brings together more than 80 masterpieces spanning 1,400 years, including exquisite Quranic manuscripts, ceramics, glassware, textiles, scientific instruments, and objects from royal courts.It celebrates exceptional craftsmanship and creativity and the evolution of Islamic art across continents through trade, scholarship, and artistic innovation. “We extend our sincere gratitude to the National Museum of Korea for the partnership and warm collaboration that have brought this exhibition to life. Islamic Art: A Journey of Splendour reflects our commitment to nurturing cultural dialogue and mutual appreciation through the universal language of art.**media[384926]**“As we mark the 20th anniversary of Qatar Museums, this exhibition stands as a testament to our ongoing dedication to strengthening global exchange and understanding. Together, we celebrate the power of art to connect people and inspire understanding across borders,” said Shaika Nasser. The exhibition unfolds across three thematic sections that guide visitors through the spiritual, cultural, and artistic expressions of the Islamic world.It explores ‘Islam and Religious Art of Islamic World’, ‘The Embrace and Expansion of Islamic Culture’, and ‘The Islamic Courtly Culture and Manuscripts’. At the conclusion of the exhibition, visitors can experience a digitally reconstructed version of an 1817 Damascene reception room, recreated by MIA. Islamic Art: A Journey of Splendour will underscore the significance of Islamic art beyond its traditional geographic and cultural spheres, highlighting the shared values of craftsmanship, calligraphy, and heritage that resonate throughout the Islamic world and Korea.June said, “This exhibition is a meaningful opportunity to introduce Islamic art through our collaboration with the Museum of Islamic Art, Doha. I hope that visitors will gain a deeper understanding of the Islamic culture that flourished brilliantly across eras and regions, and that the exhibition will inspire reflection on the diversity of human cultures and the value of coexistence.” Curated by Abudaya and curator Kangmi Kwon, associate curator Hyeeun Kwon, and associate curator Youngwoo Kwon of NMK, the exhibition represents a rich collaboration between Qatar and Korea-based experts.**media[384927]**Abudaya delivered a lecture Saturday titled ‘A Journey of Splendour– Presenting Islamic Art from Doha to Seoul’ at the Education and Training Room of the NMK, and offered audiences a deeper understanding of the themes and highlights presented in Islamic Art: A Journey of Splendour. Islamic Art: A Journey of Splendour signals Qatar Museums’ ongoing commitment to cultural exchange and international collaboration through initiatives like Years of Culture, which connect Qatar with partner nations for ongoing exchange.It is also presented as part of Evolution Nation, an 18-month campaign honouring Qatar’s cultural journey over the past 50 years since the founding of the National Museum of Qatar, and 20 years since the founding of Qatar Museums.Curated by Qatar Creates, the national movement positioning Qatar as a global hub for art, culture, and creativity, Evolution Nation highlights both the nation’s cultural milestones and its aspirations for the future. For more information, visit https://mia.org.qa/en/calendar/islamic-art-a-journey-of-splendor/.

The Qatari Publishers and Distributors Forum, affiliated with the Ministry of Culture, in cooperation with the Children's Literature Center, launched the "Art of Writing and Illustrating Comics" programme. It aims to train participants in creating and executing comics that combine writing and illustration in a modern storytelling style.The programme is part of the "Children's Story Designer" initiative, within the framework of the Ministry of Culture's ongoing efforts to enhance literacy skills among the younger generation, striving to achieve Qatar National Vision 2030, which aims to build a learning and sustainable society based on knowledge and creativity.The "Comics" programme is designed for participants aged 12-16 and targets 15 participants. The project will run for three weeks. During the programme, participants will learn the stages of comic book design, starting with writing, then scene layout, character design, and full scene illustration. They then add effects and text, and finally, colour and inking, continuing to produce their stories until the final production stage.Jassim Ahmed al-Buainain, Director of the Qatari Publishers and Distributors Forum, explained the importance of the "Comics" programme, emphasizing that it is not limited to training children but is a genuine investment in the cultural future of Qatar. He stressed that the programme primarily aims to build a generation of authors and designers capable of producing innovative and engaging storybooks.**media[381079]**The director of the Qatari Publishers and Distributors Forum explained that this initiative opens up broad horizons for children, giving them the opportunity to explore the world of authorship in its various stages. Instead of being mere readers, children themselves begin writing stories from their own pure imagination and illustrating their comics, drawing inspiration from their surroundings and national values.Writer Asma al-Kuwari, director of the Children's Literature Center, said that the "Art of Writing and Illustrating Comics" programme is part of a series of initiatives implemented by the center in cooperation with the Qatari Publishers and Distributors Forum to promote reading and develop writing and literary and artistic production skills among children and young adults.She emphasized that the "Comics" programme aims to train participants in innovation and the creation of illustrated stories that combine writing and graphic design in a modern storytelling style. It also contributes to developing aesthetic sense, critical thinking, and the ability to narrate and express themselves both in writing and visually. She explained that the final products will be showcased to the public at the Doha International Book Fair.The "Children's Story Designer" programme is an innovative approach to teaching children and young adults the entire book-making process. Participants learn to write, illustrate, design, and market their stories independently, culminating in their publication in Qatari and Arab markets.

The Ministry of Culture organised a dialogue session Wednesday evening entitled "Opportunities of the Creative Economy in a Changing World," on the sidelines of the "Art and Design Village" festival at Darb Al Saai.The session aimed to highlight the pivotal role of the creative economy as an engine for sustainable development and to explore its new horizons in light of rapid global transformations, particularly in the fields of technology and digital transformation.The session was presented by media personality Iman al-Kaabi.The speakers discussed the legal and institutional frameworks necessary for the flourishing of creative industries and reviewed successful models in this field.Hamid Ibrahim, head of Creative Operations at Kogali, emphasised that the partnership with Disney+ to produce the series "I wago" represents a pivotal step. He explained that the most significant advantage lies in leveraging the immense global reach of the Disney brand, renowned for its rich heritage and extensive experience in animation.Ibrahim summarised the philosophy of working in the creative economy with the phrase, "Thinking in terms of the entire ecosystem". This perspective goes beyond simply creating a character for a film; it encompasses adapting that character into a series or designing them for products like lunchboxes, confirming that the industry is growing and expanding in this way.Abdulaziz al-Kubaisi, owner and founder of Lusail Art Production Studios, highlighted the importance of integrating creativity with the economy, calling for the transformation of studios and creative activities into "sustainable economic platforms in the face of global competition."Al-Kubaisi explained that the creative economy is the art of transforming creativity, activity, and hobbies into income-generating economic value, noting that this concept represents the turning point from pursuing a hobby to establishing a business.Qatar-based filmmaker Obada Jarbi emphasised that documentaries and feature films represent a long-term investment tool and a form of soft power capable of building a creative economy that reflects local identity and culture. He stressed that this type of content can replace traditional public relations and advertising campaigns.Jarbi discussed the pivotal role of cinema as a "long-term investment" for the country, adding that many major global cities owe their popularity primarily to what has been portrayed in films, thus reducing the need for massive advertising campaigns.Qatari entrepreneur Nada Khamis Mohammed al-Sulaiti, founder of Alama Jewellery, revealed the motivation behind launching her brand in 2011. She explained that growing up in a home deeply rooted in heritage inspired her to be the one to tell Qatar's story, emphasising that Qatar is "the most deserving of telling our identity and stories" to the world.Qatari entrepreneur Abdullah al-Mana called on young people and the community to adopt the concepts of the creative economy as a fundamental pillar for diversifying income sources, stressing that this economy opens "new and numerous horizons in industries" away from total dependence on the traditional economy.

His Excellency Sheikh Abdulrahman bin Hamad al-Thani, Minister of Culture, inaugurated the second edition of the Fereej Art and Design Festival on Monday. The festival, organised by the ministry’s Visual Arts Center, will run until Nov 14 at Darb Al Saai in Umm Salal, with wide Arab and international participation.The opening ceremony was attended by HE Ibrahim bin Ali al-Mohannadi, Minister of Justice; Dr Ahmed Hano, Minister of Culture of Egypt; Dr Mustafa al-Rawashdeh, Minister of Culture of Jordan; Mohammed Yassin Saleh, Minister of Culture of Syria; HE Khalifa bin Jassim al-Kuwari, Chairman of the General Tax Authority; a number of senior officials from the Ministry of Culture; and several ambassadors accredited to Qatar.HE the Minister of Culture toured the festival, where he viewed a number of the participating events and exhibitions. On this occasion, HE Dr Ghanem bin Mubarak al-Ali, Undersecretary at the Ministry of Culture, affirmed that the festival represents a fundamental pillar in the ministry’s strategy to support and showcase local talent. He noted that the main objective is to promote Qatari art and support Qatari artists across various art forms.He explained that the festival aims to reinforce Qatar’s position as a centre of cultural and artistic influence in the region. This year, the festival has witnessed a significant expansion in the number of art galleries, exhibitions, and workshops, with the participation of more than 120 artists representing over 20 countries.He noted that the festival aims to attract leading artists and art institutions from both within and outside the country, thus fostering cultural and creative exchange. He highlighted the key features of this year’s festival, explaining that it includes exhibitions by pioneering Qatari artists such as Yousef Ahmed, Salman al-Malik, and Mohammed al-Jaida, among others, in addition to a unique digital exhibition titled “Sana Qatar Sana Art”.The festival features more than 12 art exhibitions and 14 workshops, including seven international workshops in diverse fields such as Japanese Bingata art, Kuwaiti glass melting, creating colours from Australian nature, a Spanish gilding workshop, a fabric printing workshop from India, a floral plate workshop from Russia, and a live performance workshop from Kuwait. These and other experiences blend artistic heritage with modernity.The festival houses six main art spaces: the Exhibition House, the Art Workshops House, the Calligraphy House, the Ceramics House, the Artists’ Studios House, and the Seminars House, in addition to the Art and Design Market and the Children’s Courtyard area.The festival celebrates Arabic calligraphy, ceramics, and sculpture, as well as the creativity of young people in design, anime, and digital art. The festival programme also includes art activities for children, such as paint-pouring workshops, art school workshops, and a free drawing area.Furthermore, there are panel discussions and art seminars that bring together artists, critics, and the public, as well as live drawing sessions held in an interactive, open atmosphere.

The opening of a contested museum in Nigeria, meant to display west African art, has been postponed after protesters disrupted a private visit Sunday, officials said.The Museum of West African Arts (Mowaa) had been due to officially open Tuesday, but this will now be postponed indefinitely, officials said.Mowaa was launched five years ago by Nigerian businessman Phillip Ihenacho in Benin City, Edo State, with the support of its former governor.It's due to house exhibition spaces and archives and aims to host residencies for west African artists and craftspeople, and Sunday was holding a pre-opening event for donors and industry professionals.But around 20 men, some armed with wooden bats, stormed into the museum courtyard, forcing guests to take refuge inside.The group, whose demands were not clear, caused minor damage in the museum courtyard, AFP reporters saw."Protesters entered and began vandalising part of the reception pavilion, where we receive visitors, then they stormed inside the front section, where the exhibition area is located," Ihenacho said.After around two hours, guests were escorted away in buses to a nearby hotel.The museum has sparked tensions between the former state governor and his successor, an ally of the city's traditional ruler, Oba Ewuare II, who says he should be in charge of the museum.Benin for years has been trying to recover artefacts seized during the colonial era, in particular the "Benin Bronzes" looted more than 120 years ago.Most of the ornate bronzes were seized by British soldiers in a retaliatory raid on Benin, and then auctioned off or sold to museums across Europe and the United States.Ihenacho said he believed the protesters were "representatives from the palace" of Oba Ewuare II. "We have never pretended to be anything other than the Museum of West African Art," Ihenacho added.

Mathaf: Arab Museum of Modern Art opened “Resolutions: Celebrating 15 years of Mathaf Exhibition” and “we refuse_d” to the public Friday, honouring its roots in Sheikh Hassan bin Mohammed bin Ali al-Thani’s foundational collection and confronting the struggles of artists who face censorship and displacement.“Resolutions”, on view until August 8, 2026, explores the institution’s journey, showcasing four areas that cover its origins and impact on the region.The section “Infrastructure: Traces of a Legacy”, curated by Fatima Mostafawi, examines the museum as a complex case study rooted in the vision of artist and collector Sheikh Hassan.It details how Doha emerged as an artistic hub during the political turmoil of the 1990s and includes archival materials like letters, photographs, and video interviews that capture Sheikh Hassan’s role as both fellow artist and patron.The exhibition continues its self-examination with “Mathaf as Institutional Memory: An Exhibition History”, curated by Hadeel al-Kohaji, which chronicles the “kaleidoscopic range” of exhibitions the museum has hosted.This section utilises an elaborate timeline and backstage documents to foster a sense of institutional memory, valuing the museum’s publications, graphic design, and international partnerships.“Resolution” broadens its scope to the regional impact of art, featuring “Education: Art as Knowledge Creation”, curated by Noora Abdulmajeed.This underscores the foundational role of art education in cultivating revolutionary possibilities and knowledge circulation within the Arab world.“Representation and the Writing of History”, curated by Arthur Debsi, spotlights how artists in West Asia and North Africa used a shared visual language in the post-independence era to define a Pan-Arab ideology and continuous resistance, especially in relation to the occupation of Palestine.Addressing contemporary issues, “we refuse_d” exhibition, curated by Nadia Radwan and Vasif Kortun, brings together 15 artists whose practices explore refusal, endurance, and action.On view until February 9, 2026, this exhibition asks critical questions about how to persist, resist, and create under conditions of silencing, censorship, and displacement.Speaking to the media, Kortun said: “To see other people’s misery it’s not what we really wanted to do and we kind of turned the idea of refusal around its head... we know of the concrete cases of cancelations but what we don’t know is the untold, or unwritten or unknowable history of refusals and cancellations.”Among the highlights of this exhibition are Abdul Hay Mosallam Zarara’s *Untitled, from the Mahmoud Darwish series (2008), the newly commissioned installation *Resonance (2025) by Majd Abdel Hamid, Samia Halaby’s *Six Golden Heroes (2021), and Taysir Batniji’s early work *Untitled (1997).

Qatar Museums (QM), in collaboration with the Kiran Nadar Museum of Art (KNMA) New Delhi, is set to present The Rooted Nomad: MF Husain, an immersive exhibition having recourse to works by Maqbool Fida Husain (1913–2011), one of India’s iconic artists. Following its inaugural presentation at the 60th International Art Exhibition of La Biennale di Venezia in 2024, The Rooted Nomad: MF Husain will be on view from October 28 to February 7, 2026 at QM Gallery Katara. It will be presented as a fully immersive, multi-sensory experiential project tracing Husain’s itinerant spirit and artistic pursuits from his formative years in India to his last years spent in Doha as a citizen of Qatar.The title captures the dual essence of Husain’s life — his deep connections to his homeland and his nomadic, cosmopolitan spirit. Through the artist’s distinguished portfolio of works that weave together myth, memory, and modernity, the exhibition reflects Husain’s vision of India as both an ancient civilisation and a postcolonial nation.Drawing upon a reserve of mythologies, shared histories, literature and manifestations, Husain articulated his harmonised vision of a modern India through a lexicon of symbolic iconographies anchored in a secular artistic sensibility. The dynamic visual panorama is created from images of more than 80 of Husain’s representative works interlaced with textual material that includes his photographs, drawings, poems, cinema posters, and rarely seen archival material. Central to Husain’s artistic inquiry is a restless consciousness, shaped by a lifetime of movement and encounters that make us dwell upon ideas of mobility, migration, moving across borders and beyond geographical and cultural boundaries.In a press statement, Sheikha Reem al-Thani, acting deputy CEO of Exhibitions, Public Art, and Rubaiya Qatar and Director of Central Exhibitions at QM, said: “Husain’s vision—spanning continents, histories, and identities—reflects the spirit of exchange that defines Qatar’s cultural landscape today. This immersive exhibition offers audiences a renewed encounter with an artist whose work continues to inspire global conversations on belonging and creativity.”Conceived and curated by KNMA and visualised and designed by Visioni Srl, Rome, the immersive experience has been reimagined since its inaugural presentation in Venice to introduce new spatial and sensory experiences. The immersive attempts to unpack expanded notions of the idea of ‘yatra’ or journey, both as a crux to civilisational ethos and artistic calling as well as a metaphor for transformation.The complex production integrates motion graphics, live action, 2D and 3D animation, choreography, and sound design. It offers a deeply humanistic and unifying vision, seamlessly blending Husain’s versatile oeuvre to narrate the complex story of this singular figure while reminding audiences of shared narratives that connect people across geographies and generations.Roobina Karode, director and chief curator at KNMA, said: “The Rooted Nomad aims to bring to new audiences the creative journey of the artist with his striking composite quasi-abstract language melding calligraphy, idealised motifs from ancient Indian reliefs and folk traditions, pictorially representing varied themes including the Mahabharata, Karbala and The Last Supper with poetic brevity”.The exhibition is presented as part of Evolution Nation, an 18-month campaign honouring Qatar’s cultural journey over the past 50 years, since the founding of the National Museum of Qatar, and builds on the legacy of the Qatar–India 2019 Year of Culture.

The Ministry of Sports and Youth, in co-operation with the General Secretariat of the Gulf Co-operation Council (GCC), has launched “The Art of Debate and Argument Building” training programme for GCC youth. The programme will run until Oct 24 in Doha.Held in partnership with the Qatar Foundation’s QatarDebate Center, the programme, aims to develop the skills of GCC youth in the art of debate, enhance their critical thinking and logical analysis capabilities, and to encourage constructive dialogue and persuasion skills.The programme also seeks to empower participants with the foundations and skills of debate, develop public speaking and discussion management skills, and promote shared values ​​and cultural understanding among GCC youth.The QatarDebate Center provides training to youth participating in the programme through certified trainers.The programme features specialised training workshops and practical experiences through mini-debate simulations, in addition to cultural activities and field visits to prominent landmarks in Qatar, with the aim of enhancing communication and building professional networks among participating Gulf youth.It targets youth from the Gulf Co-operation Council (GCC) countries, aged 18 to 29, with a total of 36 young men and women participating, five participants from each country, in addition to 11 participants from the host country, Qatar.In this context, Director of the Youth Affairs Department at the Ministry of Sports and Youth, Fawaz Abdullah al-Musaifari said in a remarks that the Ministry of Sports and Youth places great importance on supporting joint Gulf youth work, believing in the importance of strengthening cohesion and integration among youth from the GCC countries, and continuously striving to provide a supportive environment to empower Gulf youth and to enhance their capabilities.He explained that this programme represents a practical model of this approach, as it is keen to provide participants with the knowledge and skills that qualify them for leadership and effective contribution to their communities, thus enhancing the position of Gulf youth in the comprehensive development process.Regarding QatarDebate’s participation in the programme, Turki al-Suwaidi, programme specialist at QatarDebate, expressed pride in partnering with the Ministry of Sports and Youth to implement this programme, which aims to empower Gulf youth with the tools of constructive dialogue and the art of persuasion. He noted that QatarDebate believes in the importance of equipping youth with skills that enhance critical thinking and effective communication, and is committed, through this collaboration, to transferring debate training expertise and experience to a new generation of ambitious youth in the GCC countries. Programme Director, Nasser Mohammed al-Jabri emphasised the team’s full readiness to ensure the success of this programme, as all necessary preparations have been made to ensure a rich and distinguished training experience for all participants.Organising this programme reflects the Ministry of Sports and Youth’s commitment to promoting a culture of constructive dialogue and mutual understanding among the youth of the region, and to offering quality programmes that align with global best practices in building the capacity of youth and empowering them to become future leaders in their communities.

The American School of Doha (ASD) recently hosted the Global Art Teachers Exchange (GATE), an international conference that brings together visual arts educators from around the world to collaborate, learn, and celebrate creativity. Established in 2018, the GATE provides relevant, practical, and affordable professional development designed specifically for visual arts teachers. Each year, a different international school hosts this independently organised and funded event, with the goal of fostering collaboration and the exchange of innovative teaching practices. This year, the ASD welcomed 65 art educators from more than 25 countries, for a weekend of immersive workshops, presentations, and cultural excursions. The programme is aimed at inspiring new ideas and strengthening global connections in arts education. “After a year of preparation, from proposal to selection among top international schools, we were thrilled to open our doors to art educators from across the globe,” said ASD visual arts teacher and GATE team lead Klara Hermanek. “Our Visual Arts team is passionate about creating an environment where creativity, expertise, and collaboration thrive,” she said. “Hosting the GATE was a chance to share the love of art teaching with colleagues worldwide.” Spearheaded by Inge Winters, Joni Muller, Carla Otero, Wendy Zarter, Klara Hermanek, Ryan Pace, Liz Estudillo, and John Venditti, the ASD Visual Arts Department led the event, showcasing the school’s dedication to artistic excellence and global engagement. At the heart of the GATE is its participatory model: attendees lead workshops, facilitate discussions, and share classroom-ready resources. Sessions ranged from early childhood to high school art education, emphasising hands-on, practical approaches directly applicable to the classroom. The conference concluded with a strong sense of community and renewed enthusiasm for teaching the visual arts, underscoring the universal power of art to connect people across cultures and inspire lifelong learning, a statement added.

The Argentine Embassy in Doha recently hosted its third edition of ‘Art, Fashion, and Cultural Diplomacy Exhibition’, highlighting the importance of cultural exchange as a key theme driving the relationship between Qatar and Argentina. Speaking to reporters at the event, Argentine ambassador Guillermo L Nicolas underlined the exhibition’s role in setting the stage for the ‘Qatar-Argentina Year of Culture 2025’, which features numerous events in Doha and Buenos Aires. He said the event aims to connect the traditions of both nations, showcasing elements such as intangible cultural heritage and artworks, including paintings created by several diplomats and their wives. Nicolas cited the recent exhibition of Latin-American art at the National Museum of Qatar as a successful precursor, describing it as “the gem of our cultural year.” The exhibition, which concluded on July 19, featured around 170 works by more than 100 pioneering and contemporary Latin American artists, including iconic pieces from Frida Kahlo, Diego Rivera, Wifredo Lam, Fernando Botero, and Antonio Berni. He said that cultural exploration uncovered unexpected common ground, leading them to realise they are “much closer than we believe” through shared aspects like traditional garments, a love for horses, and the importance of family. The envoy pointed out that cultural diplomacy is a main element not only for showcasing national identity but also for improving international relations. He said it serves as the essential foundation for international relations, asserting it is the primary method to foster mutual understanding and to create a network through which political and economic ties can be successfully developed. He noted that despite the vast geographical distance, cultural comparison reveals deep similarities. According to Nicolas, the year-long initiative of Qatar Museums is designed to solidify the bond forged during the 2022 FIFA World Cup, which saw an influx of approximately 45,000 Argentinian visitors. “We have an amazing connection between the two peoples during the World Cup,” he recounted, adding that the cultural initiative is “a good opportunity to continue this relation.” The envoy said such initiative aligns with Qatar’s vision of becoming a global cultural hub, an effort he lauded, noting Qatar’s “wonderful position in the cultural world.” He suggested that sports should be viewed as part of cultural tradition, as the Year of Culture facilitates the exchange of artistic expressions, allowing Qatari art to be showcased in Argentina and Argentinian culture to be displayed in Doha. Nicolas added that he sees the 2025 initiative as “just one more milestone” in the already strong political, economic, and trade relationship between the two countries.

Qatar Museums (QM), the nation's leading institution for art and culture, is thrilled to announce a landmark initiative to restore two of Qatar's most beloved cultural landmarks: the Qatar National Theater and the Doha Club. Celebrated for their role in shaping the country's cultural and civic life, these iconic venues hold a special place in the memories of generations. QM invited the public — whether as performers, audiences, or supporters — to share their memories, archival photos, memorabilia, or recordings. These contributions will help bring these stories to life in future exhibitions and digital archives, ensuring that the spirit of both spaces continues to inspire for generations to come. Since its opening in 1982, the Qatar National Theater has stood as a cultural landmark on Doha's Corniche. It is now being restored and modernized to once again serve as a hub for culture, creativity, and community. This national landmark will honour Qatari heritage while introducing new, state-of-the-art facilities, welcoming artists and audiences from Qatar and around the world. A space for performance and dialogue, it will continue to reflect the country's vision of connecting tradition with innovation. Constructed in the late 1970s, Doha Club was one of Qatar's first modern social and recreational venues and embodied the nation's early steps into modernization and cosmopolitan life. It hosted social gatherings, cultural exchanges, as well as diplomatic and sports events. With its pool, tennis courts, restaurants, and distinctive architecture, the Club was a beloved landmark for both Qataris and expatriates until its demolition in 2007. Now the Doha Club is set for revival as a space for community and cultural exchange for future generations.