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In a historic building in central Tripoli, Libyans wander past ancient statues and artefacts, rediscovering a heritage that transcends political divides at their national museum which reopened this month after a 2011 uprising."I got here barely 15 minutes ago but I already feel like I've been transported somewhere. It's a different world," said architecture student Nirmine Miladi, 22.In the waterfront building known as the red citadel — once the seat of power — visitors journey through a history that includes ancient art, Greek and Roman antiquities and Ottoman-era weapons and jewellery.Miladi's sister Aya, 26, an interior design student, said she liked the bright new museum's layout, "the careful lighting, the screens and interactive tools" that all help make the museum accessible to all.Libya plunged into chaos after a Nato-backed uprising toppled and killed longtime leader Muammar Gaddafi in 2011, and the country has struggled to regain stability.Since then, the North African country has been divided, with two rival executives vying for power: a Tripoli-based government of national unity and an administration based in Benghazi in the country's east.Mohamed Fakroun, head of international cooperation at the antiquities department, said the museum went through "a dark period during its 14-year closure".Fearing looting and vandalism after Gaddafi's overthrow, the antiquities department removed "all the artefacts until the country re-stabilised", said Fakroun, 63, who has worked at the French archaeological mission to Libya for almost four decades.Curator Fathiya Abdallah Ahmad is among a handful of people who knew the location of secret, sealed rooms where the museum's treasures were taken into hiding for more than a decade.She said the antiquities department and staff worked to "preserve a historic and cultural heritage that belongs to all Libyans".This allowed the works to be safeguarded until the museum could reopen "in a modern format that conforms to international standards", she added.The bright new facility includes digital projections and interactive screens as well as videos, audio guides and QR codes enabling visitors to delve further.Fakroun noted the museum has a room dedicated to Roman emperor Septimius Severus, who was born in the ancient city of Leptis Magna — now a Unesco World Heritage site east of Tripoli.Another room is dedicated to stolen items that have since been returned, including from the US and the United Kingdom, he added.Interior design student Aya Miladi said many Libyans saw the museum's inauguration as the "return of a national symbol".It is also "a step towards reconciliation between Libyans and with their often little-known past", after years of war, as well as a sign of stability, she added.Teacher Fatima al-Faqi, 48, said there was "a world of difference" between the reopened museum and the dark, dusty facility she visited 30 years ago on a school trip.This time, she was leading a group of high-school students to help them "discover Libya's history and nourish their sense of patriotism", she said, as pupils goggled at items from naked Roman statues to stuffed animals in the natural history section.The Tripoli government has invested more than $5mn in rehabilitating the museum and its surrounding area, despite the oil-rich country's economic woes including frequent cash and fuel shortages.Fakroun said the six-year renovations were carried out in co-operation with the French mission and the ALIPH foundation — the International Alliance for the Protection of Heritage.The museum seeks to convey a hope-filled message about Libya's identity to its visitors, most of whom "were not born when it was last open before 2011", he added.Visitor Sarah al-Motamid, 34, said that "many people don't know about our country's ancient history and look at us as if we were worthless".She said she was visiting with her six-year-old daughter Mariam because she wanted her to "understand that we are not without a past or civilisation". 

The Museum of Islamic Art (MIA) and the National Museum of Korea (NMK) are presenting the ‘Islamic Art: A Journey of Splendour’, which opened Saturday in Seoul, South Korea. The landmark collaboration marks the first comprehensive presentation of MIA’s world-renowned collection in South Korea, taking audiences on an extraordinary journey into the history of Islamic art and culture as it evolved in regions stretching from Spain to China.A press preview was recently held with the attendance of dignitaries and the directors and representatives of the MIA and NMK, including Qatar’s ambassador to Korea Khalid Ebrahim al-Hamar, MIA director Shaika Nasser al-Nassr, NMK director You Hong June, and Dr Mounia Chekhab Abudaya, deputy director of Curatorial Affairs at the MIA.On view through October 11, 2026, in the NMK’s World Art Gallery, the exhibition brings together more than 80 masterpieces spanning 1,400 years, including exquisite Quranic manuscripts, ceramics, glassware, textiles, scientific instruments, and objects from royal courts.It celebrates exceptional craftsmanship and creativity and the evolution of Islamic art across continents through trade, scholarship, and artistic innovation. “We extend our sincere gratitude to the National Museum of Korea for the partnership and warm collaboration that have brought this exhibition to life. Islamic Art: A Journey of Splendour reflects our commitment to nurturing cultural dialogue and mutual appreciation through the universal language of art.**media[384926]**“As we mark the 20th anniversary of Qatar Museums, this exhibition stands as a testament to our ongoing dedication to strengthening global exchange and understanding. Together, we celebrate the power of art to connect people and inspire understanding across borders,” said Shaika Nasser. The exhibition unfolds across three thematic sections that guide visitors through the spiritual, cultural, and artistic expressions of the Islamic world.It explores ‘Islam and Religious Art of Islamic World’, ‘The Embrace and Expansion of Islamic Culture’, and ‘The Islamic Courtly Culture and Manuscripts’. At the conclusion of the exhibition, visitors can experience a digitally reconstructed version of an 1817 Damascene reception room, recreated by MIA. Islamic Art: A Journey of Splendour will underscore the significance of Islamic art beyond its traditional geographic and cultural spheres, highlighting the shared values of craftsmanship, calligraphy, and heritage that resonate throughout the Islamic world and Korea.June said, “This exhibition is a meaningful opportunity to introduce Islamic art through our collaboration with the Museum of Islamic Art, Doha. I hope that visitors will gain a deeper understanding of the Islamic culture that flourished brilliantly across eras and regions, and that the exhibition will inspire reflection on the diversity of human cultures and the value of coexistence.” Curated by Abudaya and curator Kangmi Kwon, associate curator Hyeeun Kwon, and associate curator Youngwoo Kwon of NMK, the exhibition represents a rich collaboration between Qatar and Korea-based experts.**media[384927]**Abudaya delivered a lecture Saturday titled ‘A Journey of Splendour– Presenting Islamic Art from Doha to Seoul’ at the Education and Training Room of the NMK, and offered audiences a deeper understanding of the themes and highlights presented in Islamic Art: A Journey of Splendour. Islamic Art: A Journey of Splendour signals Qatar Museums’ ongoing commitment to cultural exchange and international collaboration through initiatives like Years of Culture, which connect Qatar with partner nations for ongoing exchange.It is also presented as part of Evolution Nation, an 18-month campaign honouring Qatar’s cultural journey over the past 50 years since the founding of the National Museum of Qatar, and 20 years since the founding of Qatar Museums.Curated by Qatar Creates, the national movement positioning Qatar as a global hub for art, culture, and creativity, Evolution Nation highlights both the nation’s cultural milestones and its aspirations for the future. For more information, visit https://mia.org.qa/en/calendar/islamic-art-a-journey-of-splendor/.

Six ancient statues have been stolen from the National Museum of Damascus, which is one of the Middle East's oldest cultural institutions and houses a collection showing Syria's archaeological and artistic heritage.A source at the museum told Reuters that a thief broke a glass display case on Monday and apparently stayed inside the building until evening.Authorities have launched an investigation, according to the head of internal security in Damascus, Osama Mohammad Khair Atkeh.Khair Atkeh, quoted by state news agency SANA, said specialised teams were conducting tracking and search operations to arrest those responsible and recover the stolen artefacts.Security guards and officials were being questioned to determine the circumstances of the incident, he added.Established in 1919, the National Museum closed in 2012 because of fighting in the capital at the start of the country's civil war. It partially reopened in 2018, and resumed full operations in January 2025, a month after rebels toppled former President Bashar al-Assad.

The President of the Transitional Presidential Council of the Republic of Haiti, Anthony Frank Laurent Saint-Cyr, and his accompanying delegation visited the National Museum of Qatar (NMoQ) on Monday.The visit came as part of his participation in the Second World Summit for Social Development, scheduled to convene on Tuesday.During the tour, Saint-Cyr viewed the museum's most prized collections across its various galleries and received a comprehensive briefing on its precious treasures, which span multiple eras.He was accompanied by HE Director of the National Museum of Qatar Sheikh Abdulaziz bin Hamad Al-Thani.

A stockpile of more than 350 letters and correspondence, dating back to 1975, provided the National Museum of Qatar (NMoQ) with the intimate and untold story of its founding, highlighted at a major exhibition celebrating the institution’s 50th anniversary.“The biggest discovery (during the research and planning stage) for us who work in the museum were the correspondence, old letters which we found in the storage of our museums,” NMoQ’s Research and Collections deputy director Dr Abdullah Mohammed al-Sulaiti told reporters.He said that when they opened the box and discovered the old, the hidden letters came as a shock, a find that allowed them to piece together the story of the old museum.The exhibition, titled “A Nation’s Legacy, A People’s Memory: Fifty Years Told running until February 7, 2026”, traces the museum’s evolution from its inception in 1975 as the first national museum in the region to its reinvention in 2019 in the iconic structure designed by French architect Jean Nouvel.Such discovery, Dr al-Sulaiti added, offers a raw, firsthand account of the huge logistical and technological challenges faced by the museum’s original architects and curators.“We understand exactly what they are thinking and the difficulties of doing that project at that time,” he said. “There is no Internet, there is no e-mail, there is nothing (of that sort).”“They only have telephone and Telex, it’s a very old machine at that time,” he said, pointing out the contrast with modern communication.Dr al-Sulaiti said that the documents show that early museum staff often had to travel extensively to collect information and objects, highlighting the rigorous dedication required in the pre-digital era.The exhibition begins at Temporary Gallery 13, guiding visitors through the museum’s history from its establishment, an idea initiated in 1972 by His Highness Sheikh Khalifa bin Hamad al-Thani, to its present state.The mission was, and remains, to collect and display the history, traditions, and natural environment of Qatar.The Qatar National Museum officially opened in 1975 within the Sheikh Abdullah bin Jassim Palace, the restoration of which earned the prestigious Aga Khan Award for Architecture in 1980.Key historical artifacts are on display, including some of the newly discovered correspondence.Highlights include the brass opening piece from the 1975 inauguration, displayed next to a photograph of His Highness Sheikh Khalifa.The exhibition also features contemporary re-creations of beloved features from the original site, such as the famous Earth Dome.According to Qatar Museums, the exhibition weaves together personal stories of individuals who contributed to the museum’s legacy alongside archival photographs that trace its role in chronicling Qatar’s national transformation.The exhibition also showcases the work of artists Shouq al-Mana and Khalifa al-Thani, whose pieces reflect national identity and resilience.Among these is Khalifa al-Thani’s Pearls Don’t Lie on the Sand, which transforms the traditional dhow into a luminous sculpture symbolising discovery.A major feature is Yousef Fakhoor’s installation, Echoes of time, The Four Doors.Using sound, light, and video, the piece unfolds a poetic journey through Qatar’s past, present, and imagined future.Each of the four symbolic doors invites reflection, bridging generations by presenting moments in time, from a young girl’s whispered prayer in 1975 to a vision of Qatar in 2050.

The National Museum of Qatar (NMoQ) has unveiled “Lehmesa: Return by Moonlight”, an immersive exhibition that explores the life cycles, habitats, and ecological significance of Qatar’s sea turtles.The exhibition focuses on the endangered Hawksbill turtle, the only sea turtle species that nests on Qatar’s beaches, and reflects the nation’s natural endowment.The exhibition was inaugurated by HE Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani, Chairperson of Qatar Museums (QM), in the attendance of QM chief executive Mohammed Saad al-Rumaihi, NMoQ director Sheikh Abdulaziz al-Thani and other dignitaries.Taking its name from the local term for a sea turtle, “Lehmesa” celebrates the resilience of the Hawksbill turtle, and reflects the nation’s commitment to protecting its biodiversity.On view from today until February 7, 2026, the exhibition marks the 50th anniversary of the NMoQ, a milestone that honours five decades of preserving and sharing the nation’s cultural and natural legacy.Through six immersive sections, “Lehmesa: Return by Moonlight” traces the Hawksbill’s journey from land to sea, offering visitors a sensory-rich experience inspired by Qatar’s coastlines, coral reefs, and marine habitats.Blending environmental science with creative interpretation, the exhibition features works by London-based artist Josh Gluckstein and encourages visitors to reflect on their role in sustaining the balance of the natural world.As part of the exhibition’s public programming, the NMoQ will host a series of events, workshops, and educational activities in collaboration with the Ministry of Environment and Climate Change (MoECC) and Qatar University.These initiatives are aimed at deepening public understanding of marine biodiversity and conservation, engaging families, students, and communities in hands-on learning experiences that highlight the importance of Qatar’s coastal ecosystems.“Lehmesa: Return by Moonlight” is presented as part of Evolution Nation, an 18-month campaign honouring Qatar’s cultural journey over the past 50 years, since the founding of the NMoQ.Curated by Qatar Creates, the national movement positioning Qatar as a global hub for art, culture, and creativity, Evolution Nation highlights both the nation’s cultural milestones and its aspirations for the future.The exhibition explores the turtle within the context of Qatar’s identity, aligning with the Years of Culture initiative, which shares Qatar’s cultural heritage with partner nations.

The National Museum of Korea will open a new permanent exhibition dedicated to Islamic history and culture next month, offering visitors a glimpse into one of the world’s most influential civilisations. In collaboration with the Museum of Islamic Art in Qatar, the Islamic gallery will open Nov 22 on the third floor of the museum’s World Art Gallery. This marks the first time the museum has established a permanent space devoted to Islamic culture.

Qatar Museums (QM) Chairperson HE Sheikha Al Mayassa bint Hamad bin Khalifa al-Thani unveiled the major retrospective “A Nation’s Legacy, A People’s Memory: Fifty Years Told” on Thursday, marking the official kickoff of the National Museum of Qatar (NMoQ)’s 50th-anniversary celebrations across Doha. The celebration featured the recognition of major donors, the prestigious Anniversary Awards Dinner, themed *Recognising Evolution – A Journey from Tradition to Tomorrow, and the “Taste Evolution: Collaboration Dinner”, presented by Qatar Creates. **media[373167]** The opening was attended by QM chief executive Mohammed Saad al-Rumaihi and NMoQ director Sheikh Abdulaziz al-Thani, among other dignitaries and guests. “A Nation’s Legacy” chronicles the NMoQ’s journey, from its establishment in 1975 as the region’s first national museum to its reinvention in 2019 as a cutting-edge experiential institution housed within an iconic building designed by French architect Jean Nouvel. **media[373173]** According to the QM, the NMoQ’s 50th-anniversary festivities began on October 22 with a symbolic voyage of the historical dhow Fateh Al Khair. Bearing the museum’s logo, the dhow sailed along the Doha Corniche, serving as a visual narrative of continuity, resilience, and transformation. **media[373169]** The ceremony was enhanced by cultural maritime performances, featuring renowned Qatari singer Munsoor al-Muhannadi, highlighting the museum’s role as a vital bridge between past heritage and future generations. “For half a century, the NMoQ has safeguarded the legacy of our nation and our national treasures while continually developing new means of storytelling through the latest advances in technology,” Sheikh Abdulaziz said in a press statement. **media[373168]** “With ‘A Nation’s Legacy, A People’s Memory: Fifty Years Told’, we invite audiences to join us in celebrating the institution’s remarkable record of honouring our heritage while imagining what is to come.” NMoQ Research and Collections deputy director Dr Abdullah Mohammed al-Sulaiti told reporters during the press preview that extensive public programming will form part of the exhibition, aimed at nurturing creativity, learning, and cultural participation across all age groups. Key among these initiatives is “NMoQ Late: Our Heritage, By Young NMoQ”, which aims to empower teenagers by offering creative expression opportunities, after-hours access, and culturally relevant initiatives. This effort seeks to position the museum as a vital “third space”, a welcoming environment where youth can connect, collaborate, develop skills, and build a sense of ownership within the community. The QM added that the NMoQ’s learning and outreach programmes, such as workshops, educational activities, and immersive experiences, will further connect audiences with Qatar’s heritage. Specialised culinary initiatives like collaborations with Chef Noof, Desert Rose, and cooking classes at Jiwan will explore food as a living heritage, demonstrating how traditional practices are preserved, adapted, and celebrated today. These programmes will transform the exhibition from a historical survey into a vibrant, interactive journey celebrating Qatar’s past, present, and future. The QM noted that the anniversary celebrations included a special tribute dedicated to the significant donations that have enriched the QM’s collections and sustained the preservation of the nation’s cultural heritage. These gifts were highlighted as a reflection of deep civic pride and the shared commitment of individuals, families, and institutions to safeguarding Qatar’s legacy. The celebrations also featured a live musical performance from Dana al-Meer and Hala al-Emadi, who reflected Qatar’s evolving national identity through a lively fusion of traditional Arabic and modern sounds. It concluded with “Taste Evolution: The Collaboration Dinner”, a culinary experience crafted by Chef Noof al-Marri and QC+’s Michelin-starred Chef Jeremy Cheminade, blending authentic Qatari flavours with contemporary techniques.