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The Qatar Press Centre (QPC) has taken part in the Economic Journalist Forum, hosted by the Al Batinah North Governorate in Oman, on January 21-22, as part of efforts to highlight the developmental and economic transformations taking place in the governorate, particularly in Sohar, which is considered one of the Sultanate’s most prominent industrial and logistics hubs. The QPC was represented at the forum by journalist and economic affairs researcher Mubarak al-Khayareen, who presented a working paper on promising investment opportunities in the Sohar Free Zone. Established in 2010, the free zone has emerged as an attractive platform for industrial and commercial investment, benefiting from an integrated logistics infrastructure and direct connectivity to Sohar Port on the Gulf of Oman, granting it a competitive advantage at both the regional and international levels. The paper reviewed the competitive incentives offered by the free zone, including 100% foreign ownership of projects, corporate tax exemptions for up to 25 years, and customs duty exemptions on imports and re-exports. It also highlighted the simplified procedures provided by the “one-stop shop” system, which facilitate investment transactions and enhance the efficiency of the business environment, thereby encouraging global companies to enter the Omani market. The paper stressed that these policies constitute a strong attraction for both local and foreign private-sector investors and help stimulate capital inflows into productive, export-oriented activities with added value, supporting efforts toward economic diversification. It also referred to operational data indicating that the Sohar Port and Free Zone ecosystem contributes approximately 2.6% of Oman’s GDP, reflecting the project’s importance in supporting economic growth beyond the oil sector. This impact is further evident in the volume of cargo handled through the port, which exceeds 75mn tonnes annually, in addition to receiving more than 3,000 vessels per year, underscoring the strength of commercial activity and the integrated transport and service network supporting import and export operations. At the international level, the Sohar Free Zone has received global recognition, ranking among the top three free zones in the world, according to a report by fDi magazine, an affiliate of the British newspaper Financial Times. This ranking reflects the efficiency of its infrastructure, the attractiveness of its regulatory framework, and investors’ confidence in the sustainability of the project’s performance and its position within global value chains. The objectives of the Sohar Free Zone align with the pillars of Oman’s Tenth Five-Year Plan (2021–25), which focuses on strengthening the private sector, diversifying income sources, and developing economic infrastructure. The zone also supports the objectives of Oman Vision 2040, which aims to build a sustainable economy based on knowledge, competitiveness, and innovation. The paper concluded by stressing that the Sohar Free Zone represents a strategic pillar in Oman’s comprehensive development journey, contributing to enhanced economic and social growth and the establishment of an advanced industrial and logistics ecosystem that responds to future aspirations. Further, the forum focused on highlighting the investment and logistics potential of the governorate through a programme of field visits that included Sohar Port, the Free Zone, and Sohar Industrial City, allowing participants to observe firsthand the growing role of this integrated system in supporting the national economy and enhancing the Sultanate’s competitiveness on the regional and global investment map. 

Al Jazeera has announced the death of Jamil Azar, a founding anchor and journalist who helped shape the network during its early years three decades ago. Azar, 89, was remembered by Director-General Sheikh Nasser bin Faisal al-Thani as a “distinguished linguist” who authored the network’s enduring motto: “The opinion and the other opinion.” “Jamil Azar leaves behind a remarkable and lasting media legacy, a reputation defined by integrity and excellence, and a deep influence on generations of journalists,” Sheikh Nasser said in a statement Sunday. Born in Al-Husn, Irbid, Jordan, in 1937, Azar spent three decades at the BBC’s Arabic Service from 1965-1996, working as a news translator, presenter and producer of programmes including Politics Between the Questioner and the Respondent. He joined Al Jazeera at its launch on July 30, 1996, becoming a prominent news anchor and hosting The Week in the News before stepping down in 2011. 

Her Highness Sheikha Moza bint Nasser on Thursday inaugurated Lawh Wa Qalam: MF Husain Museum at Qatar Foundation’s Education City, unveiling a landmark cultural space dedicated to the legendary modernist Maqbool Fida Husain.Conceived in close collaboration with the late artist and built on a promise made to him, the museum marks a historic addition to Qatar’s growing constellation of world-class museums.Among the invitees witnessing the inauguration was award-winning author, multimedia journalist, and cultural curator Sahar Zaman, who conducted one of the most widely watched interviews with Husain before his passing.With 25 years of experience and a celebrated career that includes founding Asia’s first arts web channel, Hunar TV, and authoring the acclaimed 2024 biography “Talat Mahmood: The Definitive Biography”, Sahar’s presence added a deeply personal dimension to the museum’s debut.Speaking with Gulf Times about her memories of the legendary artist, Sahar recalled her interviews with Husain during the last decade of his life—a period marked by creative urgency, global travel, and self-imposed exile.“I say with great pride and equal humility that MF Husain became a friend in the last and final decade of his life,” she said. “In his 90s, he was racing against time to finish his large-scale projects—Indian cinema, Arab civilization, and his final work Seero fi al Ardh.”She remembered interviewing him in Dubai, often accompanied by spontaneous moments that revealed his childlike energy. “I once sat with him in his red Ferrari for a short drive,” she said. “He told me the car would be part of an upcoming artwork. I laughed it off then—but a week later he flew to Italy to work on the Morano horses. His life moved at the pace of his Ferrari.”Reflecting on his creative vision, Sahar described Husain as “fearless”—an artist unmoved by judgment or controversy. “His strong brushstrokes and straight lines were a depiction of that fearlessness,” she said. “At 90-plus, he relocated to Doha to start afresh, create new work, and build a museum. His zest for life was unmatched.”Though his art stirred political controversies in India, Sahar believes time has reaffirmed his stature. “When the noise of those debates settles, it’s the genius of his work that shines. Collectors still vie for his art—just this year his Gram Yatra sold for a record $13.8 million. His significance remains unquestionable.”A promise fulfilled in DohaSahar described Lawh Wa Qalam as “a triumph of human spirit, unprecedented posthumous glory, and the honour of a promise made to him by Sheikha Moza.” She praised the museum not only as an artistic milestone but as a profound example of cultural stewardship.“It’s an exemplary display of a promise made and a promise kept,” she said. “Fourteen years have passed since Husain’s death, yet the commitment to build his museum was never forgotten. Sheikha Moza will be remembered in golden letters for preserving, showcasing, and reintroducing Husain to generations who might never have known him.”She added that the museum, positioned in Doha at the crossroads of East and West, will help bridge cultural narratives. “Lawh Wa Qalam will sit at the heart of the international art circuit,” she said. “It will not just preserve Husain’s story but create new dialogues between cultures.”A legacy for future generationsFor Sahar, the museum offers a powerful takeaway for visitors. “They will see that art takes time, struggle, and patience,” she said. “But when made with sincerity and purity, it becomes immortal and timeless.”She believes contemporary artists continue to draw lessons from Husain’s mastery. “His strokes—whether large canvases or tiny sketches—show extraordinary control and ease. And beyond technique, he was a once-in-a-generation mix of talent, showmanship, strategy, and marketing. He knew what to paint and how to sell.”As Qatar opens the doors to Lawh Wa Qalam, Sahar sees the museum not only as a tribute to a global icon but as a celebration of artistic resilience and cross-cultural understanding. “It brings together two worlds—India and Qatar—through the vision of a man who created his own language of modern Indian art,” she said.