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The Cultural Village Katara organised a special event Saturday, featuring a live broadcast of the grand opening ceremony of the Grand Egyptian Museum, in cooperation with the Embassy of Egypt in Qatar. The event was attended by Prof Dr Khalid bin Ibrahim al-Sulaiti, General Manager of Katara, and Walid Elfiky, Ambassador of Egypt to Qatar, alongside a large diplomatic and public audience, particularly members of the Egyptian community living in Qatar, who enthusiastically engaged with this historic occasion. **media[376315]** Katara’s organisation of this live broadcast reflects its cultural mission to open new windows of interaction with human achievements across diverse fields, and to highlight the shared values that unite peoples through culture, art, and knowledge. It also demonstrates Katara’s commitment to keeping pace with major global cultural events and shining a light on them. In his speech on this occasion, Ambassador Elfiky expressed his delight at Katara’s participation in this world-class event, which he described as a moment of pride for Egypt and for all humanity. He noted that the Grand Egyptian Museum (GEM) represents a civilisational bridge linking Egypt’s glorious past with its present and future, embodying Egypt’s vision of its historic role as a beacon of culture and knowledge throughout the ages. **media[376314]** He added that this monumental cultural project reflects the Egyptian leadership’s deep commitment to heritage and identity, affirming that culture and art are among the noblest bridges that bring nations closer and deepen human understanding. He also praised the strong cooperation between the Egyptian Embassy and Katara, expressing his gratitude to Katara’s General Manager and staff, saying: “Katara continues to enrich the cultural scene in Qatar and the Arab region through its outstanding initiatives and contributions, fostering intercultural exchange among nations.” The Grand Egyptian Museum is located near the Pyramids of Giza, covering an area of approximately 500,000 square meters, making it the largest archaeological museum in the world dedicated to a single civilization. The building itself spans about 167,000 square meters, housing permanent and temporary exhibition halls, restoration centers, and educational, cultural, and recreational facilities. **media[376316]** The museum contains over 100,000 artifacts from various periods of ancient Egyptian history — from pre-dynastic times, through the Old, Middle, and New Kingdoms, and up to the Greek and Roman eras. Among its most remarkable treasures is the complete collection of King Tutankhamun, comprising more than 5,000 artifacts displayed together for the first time since their discovery. The architectural design of the museum is itself a masterpiece, inspired by the grandeur of its location overlooking the Giza Pyramids. Its majestic façade is composed of large triangular stone forms that symbolize the temporal continuum of Egyptian civilization—from past to future. The exhibition halls are equipped with advanced technical systems, offering visitors an interactive and immersive experience that connects them deeply with Egypt’s rich and enduring history.

Egypt at last opened the $1 billion Grand Egyptian Museum on Saturday as performers dressed in white tunics embroidered with designs inspired by ancient frescoes, greeted guests. "Today, as we celebrate together the opening of the Grand Egyptian Museum, we are writing a new chapter in the history of the present and the future," Egyptian President Abdel Fattah al-Sisi told a gathering of dignitaries, sitting in the museum's square. Cairo has pinned great hopes on the long-delayed museum, which is a key plank of plans to revive the tourism industry so vital to its troubled economy. It will be home to tens of thousands of objects dating back more than six millennia. The audience a the opening watched a spectacular display of light and music, with the pyramids towering in front of them. On giant screens above, scenes from celebrations in Tokyo and Rio de Janeiro played out against the backdrop of Egypt's ancient monuments. Dozens of performers dressed in elaborate Pharaonic costumes, their foreheads crowned with golden wreaths and sceptres in hand, played traditional tunes as a laser show depicting pharaohs and fireworks lit up the night sky above the museum. "It is a living testimony to the genius of the Egyptian human, who built the pyramids and inscribed on the walls the story of immortality," Sisi said, referring to the new institution. On Saturday morning, roads around the museum were cordoned off and security tightened ahead of the opening, with giant banners draped from buildings and strung across streets -- advertising the launch. "This is the dream that all of us imagined. We all dreamed that this project would be realised," Egyptian Prime Minister Mostafa Madbouly told a press conference in Cairo on Saturday. Set on a gentle slope overlooking the Giza Plateau, just beyond the shadow of the pyramids, the museum was built with major financial and technical support from Japan, and spreads across nearly half a million square metres. Madbouly said that the "largest part of construction, finishing and bringing this global landmark to its current form occurred during the past seven to eight years". More than two decades in the making, the GEM faced multiple delays due to setbacks related to political unrest, regional conflicts and the Covid-19 pandemic. The museum houses more than 100,000 artefacts, half of which will be on display, making it the world's largest collection devoted to a single civilisation, according to Egyptian officials. Inside, visitors will enter vast, light-filled halls with soaring ceilings and sand-coloured stone walls that echo the surrounding desert. At the centre of the main atrium stands an 83-tonne statue of Ramses II, the pharaoh who ruled Egypt for 66 years and presided over its golden age. Unlike the cramped, century-old Egyptian Museum in central Cairo, the GEM features immersive galleries, precision lighting, virtual-reality exhibits and even a children's museum. One highlight is a live conservation lab, visible through floor-to-ceiling glass, where visitors can watch restorers assembling a 4,500-year-old solar boat buried near Khufu's pyramid, built to carry his soul across the sky with the sun god Ra. The undisputed star of the show, however, is King Tutankhamun's collection of more than 5,000 objects, many displayed together for the first time. The museum opens to the public on Tuesday, showcasing thousands of funerary artefacts previously scattered across Egypt. Egypt's tourism sector, a vital source of foreign currency and jobs, has been repeatedly shaken over the past decade and a half, from the 2011 uprising to waves of unrest and sporadic terrorist attacks in the aftermath. In recent years, tourism has shown signs of recovery, with 15 million visitors travelling to Egypt in the first nine months of 2025 and generating $12.5 billion, up 21 percent from a year earlier. Egyptian tourism minister Sherif Fathy expected on Saturday total tourist arrivals to stand at 18 million by the end of this year. He told reporters the government expects the museum to draw five million visitors annually, adding that it currently welcomes 5,000 to 6,000 visitors each day. "We hope to increase that to 15,000 daily," said Fathy.

After years of delays, Cairo is finally set to open the Grand Egyptian Museum on Saturday -- a long-awaited, billion-dollar showcase of pharaonic grandeur that Egypt hopes will help revive tourism and boost its troubled economy. Seventy-nine delegations, including 39 heads of state and government, are expected at the ceremony, which begins at 7:30 pm local time (1730 GMT). Germany, Japan, Saudi Arabia, Belgium, Spain and Denmark will be among those sending representatives, according to a statement from the Egyptian presidency. In the nights leading up to the opening, shafts of light have illuminated both the pyramids and the museum's colossal facade -- a prelude to Saturday's spectacle. Set on a gentle slope overlooking the Giza Plateau, just beyond the shadow of the pyramids, the museum was built with major financial and technical support from Japan, and spreads across nearly half a million square metres. It houses more than 100,000 artefacts, half of which will be on display, making it the world's largest collection devoted to a single civilisation, according to Egyptian officials. Inside, visitors will enter vast, light-filled halls with soaring ceilings and sand-coloured stone walls that echo the surrounding desert. **media[375988]** At the centre of the main atrium stands an 83-tonne statue of Ramses II, the pharaoh who ruled Egypt for 66 years and presided over its golden age. Unlike the cramped, century-old Egyptian Museum in central Cairo, the Grand Egyptian Museum (GEM) features immersive galleries, precision lighting, virtual-reality exhibits and even a children's museum. One highlight is a live conservation lab, visible through floor-to-ceiling glass, where visitors can watch restorers assembling a 4,500-year-old solar boat buried near Khufu's pyramid. The undisputed star of the show, however, is King Tutankhamun's collection of more than 5,000 objects, many displayed together for the first time. The museum opens to the public on Tuesday, showcasing thousands of funerary artefacts previously scattered across Egypt. Setbacks More than two decades in the making, the GEM faced multiple hurdles, including political unrest, regional conflicts and the Covid-19 pandemic. Observers caution that its long-term success depends on stable tourism and strong supporting infrastructure. Egyptian archeologist Hussein Bassir said the museum's future hinges on "regular maintenance to preserve the building and its treasures". "If the current momentum is not maintained, the museum could quickly lose its appeal and visitor numbers could drop," he told AFP. Egypt's tourism sector, a vital source of foreign currency and jobs, has been repeatedly shaken over the past decade and a half, from the 2011 uprising to waves of unrest and sporadic terrorist attacks in the aftermath. **media[375986]** Elhamy al-Zayat, former head of the Egyptian Tourism Federation, told AFP the museum was part of a broader plan to transform the entire Giza Plateau. "Egypt has created an entirely new cultural and tourist zone" at the plateau, with a nearby airport and upgraded visitor facilities at the pyramids, he said. Roads leading to the plateau have been refurbished, digital ticketing introduced and air-conditioned electric buses now glide past the pyramids. In recent years, tourism has shown signs of recovery, with 15 million visitors travelling to Egypt in the first nine months of 2025 and generating $12.5 billion, up 21 percent from a year earlier. Officials believe the GEM alone could draw up to seven million visitors annually, potentially bringing total visitor numbers to 30 million by 2030. Yet some observers are cautious, saying regional instability, including the conflicts in Gaza and Sudan, as well as economic pressures, threaten to challenge the museum's potential to deliver a major boost for Egypt's tourism sector.