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The opening of a contested museum in Nigeria, meant to display west African art, has been postponed after protesters disrupted a private visit Sunday, officials said.The Museum of West African Arts (Mowaa) had been due to officially open Tuesday, but this will now be postponed indefinitely, officials said.Mowaa was launched five years ago by Nigerian businessman Phillip Ihenacho in Benin City, Edo State, with the support of its former governor.It's due to house exhibition spaces and archives and aims to host residencies for west African artists and craftspeople, and Sunday was holding a pre-opening event for donors and industry professionals.But around 20 men, some armed with wooden bats, stormed into the museum courtyard, forcing guests to take refuge inside.The group, whose demands were not clear, caused minor damage in the museum courtyard, AFP reporters saw."Protesters entered and began vandalising part of the reception pavilion, where we receive visitors, then they stormed inside the front section, where the exhibition area is located," Ihenacho said.After around two hours, guests were escorted away in buses to a nearby hotel.The museum has sparked tensions between the former state governor and his successor, an ally of the city's traditional ruler, Oba Ewuare II, who says he should be in charge of the museum.Benin for years has been trying to recover artefacts seized during the colonial era, in particular the "Benin Bronzes" looted more than 120 years ago.Most of the ornate bronzes were seized by British soldiers in a retaliatory raid on Benin, and then auctioned off or sold to museums across Europe and the United States.Ihenacho said he believed the protesters were "representatives from the palace" of Oba Ewuare II. "We have never pretended to be anything other than the Museum of West African Art," Ihenacho added.

Mathaf: Arab Museum of Modern Art opened “Resolutions: Celebrating 15 years of Mathaf Exhibition” and “we refuse_d” to the public Friday, honouring its roots in Sheikh Hassan bin Mohammed bin Ali al-Thani’s foundational collection and confronting the struggles of artists who face censorship and displacement.“Resolutions”, on view until August 8, 2026, explores the institution’s journey, showcasing four areas that cover its origins and impact on the region.The section “Infrastructure: Traces of a Legacy”, curated by Fatima Mostafawi, examines the museum as a complex case study rooted in the vision of artist and collector Sheikh Hassan.It details how Doha emerged as an artistic hub during the political turmoil of the 1990s and includes archival materials like letters, photographs, and video interviews that capture Sheikh Hassan’s role as both fellow artist and patron.The exhibition continues its self-examination with “Mathaf as Institutional Memory: An Exhibition History”, curated by Hadeel al-Kohaji, which chronicles the “kaleidoscopic range” of exhibitions the museum has hosted.This section utilises an elaborate timeline and backstage documents to foster a sense of institutional memory, valuing the museum’s publications, graphic design, and international partnerships.“Resolution” broadens its scope to the regional impact of art, featuring “Education: Art as Knowledge Creation”, curated by Noora Abdulmajeed.This underscores the foundational role of art education in cultivating revolutionary possibilities and knowledge circulation within the Arab world.“Representation and the Writing of History”, curated by Arthur Debsi, spotlights how artists in West Asia and North Africa used a shared visual language in the post-independence era to define a Pan-Arab ideology and continuous resistance, especially in relation to the occupation of Palestine.Addressing contemporary issues, “we refuse_d” exhibition, curated by Nadia Radwan and Vasif Kortun, brings together 15 artists whose practices explore refusal, endurance, and action.On view until February 9, 2026, this exhibition asks critical questions about how to persist, resist, and create under conditions of silencing, censorship, and displacement.Speaking to the media, Kortun said: “To see other people’s misery it’s not what we really wanted to do and we kind of turned the idea of refusal around its head... we know of the concrete cases of cancelations but what we don’t know is the untold, or unwritten or unknowable history of refusals and cancellations.”Among the highlights of this exhibition are Abdul Hay Mosallam Zarara’s *Untitled, from the Mahmoud Darwish series (2008), the newly commissioned installation *Resonance (2025) by Majd Abdel Hamid, Samia Halaby’s *Six Golden Heroes (2021), and Taysir Batniji’s early work *Untitled (1997).

Qatar Museums (QM), in collaboration with the Kiran Nadar Museum of Art (KNMA) New Delhi, is set to present The Rooted Nomad: MF Husain, an immersive exhibition having recourse to works by Maqbool Fida Husain (1913–2011), one of India’s iconic artists. Following its inaugural presentation at the 60th International Art Exhibition of La Biennale di Venezia in 2024, The Rooted Nomad: MF Husain will be on view from October 28 to February 7, 2026 at QM Gallery Katara. It will be presented as a fully immersive, multi-sensory experiential project tracing Husain’s itinerant spirit and artistic pursuits from his formative years in India to his last years spent in Doha as a citizen of Qatar.The title captures the dual essence of Husain’s life — his deep connections to his homeland and his nomadic, cosmopolitan spirit. Through the artist’s distinguished portfolio of works that weave together myth, memory, and modernity, the exhibition reflects Husain’s vision of India as both an ancient civilisation and a postcolonial nation.Drawing upon a reserve of mythologies, shared histories, literature and manifestations, Husain articulated his harmonised vision of a modern India through a lexicon of symbolic iconographies anchored in a secular artistic sensibility. The dynamic visual panorama is created from images of more than 80 of Husain’s representative works interlaced with textual material that includes his photographs, drawings, poems, cinema posters, and rarely seen archival material. Central to Husain’s artistic inquiry is a restless consciousness, shaped by a lifetime of movement and encounters that make us dwell upon ideas of mobility, migration, moving across borders and beyond geographical and cultural boundaries.In a press statement, Sheikha Reem al-Thani, acting deputy CEO of Exhibitions, Public Art, and Rubaiya Qatar and Director of Central Exhibitions at QM, said: “Husain’s vision—spanning continents, histories, and identities—reflects the spirit of exchange that defines Qatar’s cultural landscape today. This immersive exhibition offers audiences a renewed encounter with an artist whose work continues to inspire global conversations on belonging and creativity.”Conceived and curated by KNMA and visualised and designed by Visioni Srl, Rome, the immersive experience has been reimagined since its inaugural presentation in Venice to introduce new spatial and sensory experiences. The immersive attempts to unpack expanded notions of the idea of ‘yatra’ or journey, both as a crux to civilisational ethos and artistic calling as well as a metaphor for transformation.The complex production integrates motion graphics, live action, 2D and 3D animation, choreography, and sound design. It offers a deeply humanistic and unifying vision, seamlessly blending Husain’s versatile oeuvre to narrate the complex story of this singular figure while reminding audiences of shared narratives that connect people across geographies and generations.Roobina Karode, director and chief curator at KNMA, said: “The Rooted Nomad aims to bring to new audiences the creative journey of the artist with his striking composite quasi-abstract language melding calligraphy, idealised motifs from ancient Indian reliefs and folk traditions, pictorially representing varied themes including the Mahabharata, Karbala and The Last Supper with poetic brevity”.The exhibition is presented as part of Evolution Nation, an 18-month campaign honouring Qatar’s cultural journey over the past 50 years, since the founding of the National Museum of Qatar, and builds on the legacy of the Qatar–India 2019 Year of Culture.

The Ministry of Sports and Youth, in co-operation with the General Secretariat of the Gulf Co-operation Council (GCC), has launched “The Art of Debate and Argument Building” training programme for GCC youth. The programme will run until Oct 24 in Doha.Held in partnership with the Qatar Foundation’s QatarDebate Center, the programme, aims to develop the skills of GCC youth in the art of debate, enhance their critical thinking and logical analysis capabilities, and to encourage constructive dialogue and persuasion skills.The programme also seeks to empower participants with the foundations and skills of debate, develop public speaking and discussion management skills, and promote shared values ​​and cultural understanding among GCC youth.The QatarDebate Center provides training to youth participating in the programme through certified trainers.The programme features specialised training workshops and practical experiences through mini-debate simulations, in addition to cultural activities and field visits to prominent landmarks in Qatar, with the aim of enhancing communication and building professional networks among participating Gulf youth.It targets youth from the Gulf Co-operation Council (GCC) countries, aged 18 to 29, with a total of 36 young men and women participating, five participants from each country, in addition to 11 participants from the host country, Qatar.In this context, Director of the Youth Affairs Department at the Ministry of Sports and Youth, Fawaz Abdullah al-Musaifari said in a remarks that the Ministry of Sports and Youth places great importance on supporting joint Gulf youth work, believing in the importance of strengthening cohesion and integration among youth from the GCC countries, and continuously striving to provide a supportive environment to empower Gulf youth and to enhance their capabilities.He explained that this programme represents a practical model of this approach, as it is keen to provide participants with the knowledge and skills that qualify them for leadership and effective contribution to their communities, thus enhancing the position of Gulf youth in the comprehensive development process.Regarding QatarDebate’s participation in the programme, Turki al-Suwaidi, programme specialist at QatarDebate, expressed pride in partnering with the Ministry of Sports and Youth to implement this programme, which aims to empower Gulf youth with the tools of constructive dialogue and the art of persuasion. He noted that QatarDebate believes in the importance of equipping youth with skills that enhance critical thinking and effective communication, and is committed, through this collaboration, to transferring debate training expertise and experience to a new generation of ambitious youth in the GCC countries. Programme Director, Nasser Mohammed al-Jabri emphasised the team’s full readiness to ensure the success of this programme, as all necessary preparations have been made to ensure a rich and distinguished training experience for all participants.Organising this programme reflects the Ministry of Sports and Youth’s commitment to promoting a culture of constructive dialogue and mutual understanding among the youth of the region, and to offering quality programmes that align with global best practices in building the capacity of youth and empowering them to become future leaders in their communities.

The American School of Doha (ASD) recently hosted the Global Art Teachers Exchange (GATE), an international conference that brings together visual arts educators from around the world to collaborate, learn, and celebrate creativity. Established in 2018, the GATE provides relevant, practical, and affordable professional development designed specifically for visual arts teachers. Each year, a different international school hosts this independently organised and funded event, with the goal of fostering collaboration and the exchange of innovative teaching practices. This year, the ASD welcomed 65 art educators from more than 25 countries, for a weekend of immersive workshops, presentations, and cultural excursions. The programme is aimed at inspiring new ideas and strengthening global connections in arts education. “After a year of preparation, from proposal to selection among top international schools, we were thrilled to open our doors to art educators from across the globe,” said ASD visual arts teacher and GATE team lead Klara Hermanek. “Our Visual Arts team is passionate about creating an environment where creativity, expertise, and collaboration thrive,” she said. “Hosting the GATE was a chance to share the love of art teaching with colleagues worldwide.” Spearheaded by Inge Winters, Joni Muller, Carla Otero, Wendy Zarter, Klara Hermanek, Ryan Pace, Liz Estudillo, and John Venditti, the ASD Visual Arts Department led the event, showcasing the school’s dedication to artistic excellence and global engagement. At the heart of the GATE is its participatory model: attendees lead workshops, facilitate discussions, and share classroom-ready resources. Sessions ranged from early childhood to high school art education, emphasising hands-on, practical approaches directly applicable to the classroom. The conference concluded with a strong sense of community and renewed enthusiasm for teaching the visual arts, underscoring the universal power of art to connect people across cultures and inspire lifelong learning, a statement added.

The Argentine Embassy in Doha recently hosted its third edition of ‘Art, Fashion, and Cultural Diplomacy Exhibition’, highlighting the importance of cultural exchange as a key theme driving the relationship between Qatar and Argentina. Speaking to reporters at the event, Argentine ambassador Guillermo L Nicolas underlined the exhibition’s role in setting the stage for the ‘Qatar-Argentina Year of Culture 2025’, which features numerous events in Doha and Buenos Aires. He said the event aims to connect the traditions of both nations, showcasing elements such as intangible cultural heritage and artworks, including paintings created by several diplomats and their wives. Nicolas cited the recent exhibition of Latin-American art at the National Museum of Qatar as a successful precursor, describing it as “the gem of our cultural year.” The exhibition, which concluded on July 19, featured around 170 works by more than 100 pioneering and contemporary Latin American artists, including iconic pieces from Frida Kahlo, Diego Rivera, Wifredo Lam, Fernando Botero, and Antonio Berni. He said that cultural exploration uncovered unexpected common ground, leading them to realise they are “much closer than we believe” through shared aspects like traditional garments, a love for horses, and the importance of family. The envoy pointed out that cultural diplomacy is a main element not only for showcasing national identity but also for improving international relations. He said it serves as the essential foundation for international relations, asserting it is the primary method to foster mutual understanding and to create a network through which political and economic ties can be successfully developed. He noted that despite the vast geographical distance, cultural comparison reveals deep similarities. According to Nicolas, the year-long initiative of Qatar Museums is designed to solidify the bond forged during the 2022 FIFA World Cup, which saw an influx of approximately 45,000 Argentinian visitors. “We have an amazing connection between the two peoples during the World Cup,” he recounted, adding that the cultural initiative is “a good opportunity to continue this relation.” The envoy said such initiative aligns with Qatar’s vision of becoming a global cultural hub, an effort he lauded, noting Qatar’s “wonderful position in the cultural world.” He suggested that sports should be viewed as part of cultural tradition, as the Year of Culture facilitates the exchange of artistic expressions, allowing Qatari art to be showcased in Argentina and Argentinian culture to be displayed in Doha. Nicolas added that he sees the 2025 initiative as “just one more milestone” in the already strong political, economic, and trade relationship between the two countries.

Qatar Museums (QM), the nation's leading institution for art and culture, is thrilled to announce a landmark initiative to restore two of Qatar's most beloved cultural landmarks: the Qatar National Theater and the Doha Club. Celebrated for their role in shaping the country's cultural and civic life, these iconic venues hold a special place in the memories of generations. QM invited the public — whether as performers, audiences, or supporters — to share their memories, archival photos, memorabilia, or recordings. These contributions will help bring these stories to life in future exhibitions and digital archives, ensuring that the spirit of both spaces continues to inspire for generations to come. Since its opening in 1982, the Qatar National Theater has stood as a cultural landmark on Doha's Corniche. It is now being restored and modernized to once again serve as a hub for culture, creativity, and community. This national landmark will honour Qatari heritage while introducing new, state-of-the-art facilities, welcoming artists and audiences from Qatar and around the world. A space for performance and dialogue, it will continue to reflect the country's vision of connecting tradition with innovation. Constructed in the late 1970s, Doha Club was one of Qatar's first modern social and recreational venues and embodied the nation's early steps into modernization and cosmopolitan life. It hosted social gatherings, cultural exchanges, as well as diplomatic and sports events. With its pool, tennis courts, restaurants, and distinctive architecture, the Club was a beloved landmark for both Qataris and expatriates until its demolition in 2007. Now the Doha Club is set for revival as a space for community and cultural exchange for future generations.

The Cultural Village Foundation, Katara, inaugurated the art exhibition "From Cuba to Qatar: Horses, Fibers, and Memories" by Cuban artist Yosvany Martinez this evening, in collaboration with the Embassy of the Republic of Cuba in Doha. The opening ceremony was attended by Director General of Katara Dr. Khalid bin Ibrahim Al Sulaiti, Ambassador of Cuba to Qatar Jose Enrique Enriquez Rodriguez, and diplomats, cultural figures, and members of the Cuban community in Qatar. Hosted at Building 47 and running until October 20, the exhibition features 29 artworks crafted using diverse techniques, including a sculpture made from natural fibers and plant-based paper. Martinez's pieces are distinguished by their artistic intimacy and reliance on organic materials such as the stalks of Espartio Macho, a native Cuban grass. The artist dries and dyes the fibers with natural pigments before incorporating them into his compositions, which depict horses and iconic landmarks of Havana, Cuba's capital. In his remarks at the opening, the Cuban ambassador expressed gratitude to Katara for its support, stating that this exhibition invites us to transcend geographical boundaries, where horses gallop freely and harmony emerges among the artworks. The recurring presence of horses reflects a shared cultural element between Cuba and Qatar. He added that the exhibition explores the richness of fibers and the cultural connections that unite peoples, contributing to mutual understanding, artistic collaboration, and intercultural dialogue. Speaking to Qatar News Agency (QNA), the ambassador emphasized the strength of cultural ties between Cuba and Qatar, praising the ongoing and fruitful cooperation between Katara and Cuban cultural institutions. He noted that Katara recently hosted a Cuban musical performance, further cementing this partnership. He affirmed that the exhibition "From Cuba to Qatar: Horses, Fibers, and Memories" embodies his collaboration and reflects a shared commitment to fostering cultural and artistic dialogue between the two nations. He stressed that culture remains a vital bridge for human connection and mutual understanding. In a separate statement to QNA, artist Yosvany Martinez explained that he employed a range of artistic techniques in the exhibition, most notably fiber art. He described the fibers as a type of grass native to Cuban fields, which he harvests, dries, and dyes with natural colors before meticulously assembling them into his artworks on cardboard. Each piece begins with a pencil sketch, forming the foundation for his intricate compositions. Martinez further shared that he later expanded his artistic repertoire to include techniques such as oil on canvas and linocut printing, a method involving engraving on linoleum. He explained that he uses a fine carving tool known as a gubia to achieve intricate details, before passing the artwork through a printing press to complete the process. Concluding his remarks, Martinez revealed that several of his oil paintings featured in the exhibition are dedicated to the State of Qatar, as a tribute to the growing cultural ties between the two nations. He emphasized that he paints using a fine brush with individual bristles, allowing him to create textures that mimic the feel of natural fibers, symbolizing the unity of nature, art, and human memory.

Katara Cultural Village hosted the closing event of the 21st High Street Art Exhibition with an interactive evening that marked the end of a series of activities hosted by the exhibition over the past few days, showcasing contemporary, impressionistic, and abstract works that addressed issues of society, and human identity.Throughout the evening Katara provided cultural and artistic platforms that enrich the visual arts scene in Qatar, allowing artists from various backgrounds to showcase their works to the public, reflecting the diversity and creativity of the local scene.The Qatar Fine Arts Society, the co-organiser of the event, ensured that the exhibition was an open space for creativity and artistic dialogue.Artists and members of the public came together in an interactive environment that reflected the status of visual arts as a bridge for human and cultural communication.

Mathaf: Arab Museum of Modern Art, will host "Unmasking the Mind: How Art, Sound & Story Heal Us", a public panel discussion on October 8. The session coincides with the activities held to mark Mental Health Awareness month, and underscores Mathaf's commitment to mental health advocacy and community wellbeing by offering an inclusive platform for interdisciplinary dialogue, as well as exploring the role of effective creative expression in improving mental health. Through hosting this event, Mathaf demonstrates how museums and cultural institutions can actively contribute to public health, providing safe spaces where art, music, and psychology intersect to break stigma and open new possibilities for healing. This initiative also reflects Mathaf's broader commitment to interdisciplinary collaboration, bringing together clinical psychologists, artists, and musicians to explore innovative approaches to wellbeing. Indeed, the panel discussion underscores Mathaf's dedication to empowering the public with knowledge, encouraging participation, and nurturing a culture of open conversations around mental health. The panel will address the intersection of art, music, and psychology, and the role of creativity as both a means of artistic expression and a therapeutic tool. The panel will feature a number of specialists, including: Dr. Zhivka Pesheva, clinical psychologist, life coach and musician, Dr. Marta Casillas, clinical psychologist, Olga Velcheva, musician and sound therapist and Ramzi Bou Kamel, musician. The session coincides with Qatar Museums' 20th anniversary celebrations, which coincides with the launch of its "Evolution Nation", an 18-month campaign celebrating Qatar's cultural journey, from the founding of the Qatar's National Museum to the its established system of cultural institutions.

Qatar Reads, an initiative under the Qatar National Library (QNL), and M7 have launched the Fables in Fashion Art Exhibition 2025 to illustrate the book Maqamat Al-Hariri in diverse artistic formats. Held in Msheireb M7, Qatar’s epicentre for innovation and entrepreneurship in design, fashion and tech, the exhibition expands the life of literature to connect and inform community members about our past as a source of cultural and creative innovation. The exhibition, which runs until September 20, is part of “One Book, One Doha”, Qatar Reads' annual reading campaign that brings community members together in a shared reading experience. Each year a book from Arabic literature is selected, inviting everyone to read, reflect and engage through a variety of campaign activities. A total of 30 artists and fashion designers are participating in reviving the content of this Arabic literary masterpiece. The exhibition includes canvas works, installations and fashion designs that were produced by 13 Qatari artists and 17 international artists. Thirty-two artistic and creative works are on display, in addition to eight fashion pieces to celebrate the power of literature and timeless wisdom. In this art exhibition, artists and collaborators bring a fresh visual perspective that infuses the narrative with a creative spirit and artistic depth. This enriches the book's content and transforms it into a multi-dimensional experience. Through their original contributions, the artists reimagine the text, broadening its scope and adding new levels of meaning. The exhibition is not just a representation of the book, it celebrates the creative added value brought by each participating artist, turning the literary work into a vibrant space for dialogue where words and images come together in a harmony worth exploring. HE the Minister of State and QNL president Dr Hamad bin Abdulaziz al-Kawari said: “It is a true honour to present this magnificent artistic experience that can enable the society to learn and discover new meanings.” “The art exhibition emphasises our role at the QNL – thus expanding our efforts beyond the bookshelves,” he said. “It builds on our heritage and literature to promote imagination and creativity, culturally and technologically.” “We always aim to present our history in new, engaging ways to help the new generations absorb wisdom and build on a solid foundation where they can find engaging topics in old books,” HE Dr al-Kawari added. “This exhibition encourages members of the community to engage with literature in different ways, which means leveraging the power of reading to cultivate a reading culture within the community.” “By merging literacy initiatives with art and fashion, the Fables in Fashion Art Exhibition 2025 demonstrates that reading is part of our future-oriented vision – fueling creativity, collaboration and cultural dialogue,” he concluded. “When we selected Maqamat Al-Hariri as Book of the Year, it was based on our conviction that its themes would resonate widely across all segments of the community,” said Qatar Reads manager Fatema al-Malki, said. “We are proud of this interactive experience, which highlights art and fashion as powerful tools to reinforce the role of literature in our society, fostering creativity, innovation and cultural enrichment.”

Georgetown University in Qatar (GU-Q) will hold “Seeing Sudan: Politics Through Art”, a landmark three-day conference from September 18-20 at Four Seasons Doha that promises not just to inform, but to transform the way the world views Sudan. “At a time when Sudan’s crisis risks invisibility, this conference amplifies Sudanese voices and highlights the transformative role of culture in sustaining resilience and hope,” said GU-Q dean Safwan M Masri. “The 50 leading scholars, artists, and activists speaking at the conference will show how art functions as politics by other means, with memory as its medium, imagination as its arena, and survival as its aim.” Anchoring the programme is the keynote panel “Eyes on Sudan”, featuring Zeinab Badawi, legendary broadcaster, president of SOAS University of London, and author of the bestselling book *An African History of Africa (2024). She will be joined by Khalid Albaih, internationally celebrated Sudanese political cartoonist and GU-Q’s 2025 Artist-in-Residence; Nesrine Malik, award-winning journalist and author whose writing has reshaped global understandings of politics and identity; and Rashid Diab, one of Sudan’s most influential contemporary artists. Together with Masri as moderator, they will ask urgent questions about Sudan’s past, present, and future, and challenge audiences to engage with a rich cultural legacy in peril. Beyond the keynote, attendees will experience live music by Alsarah of Alsarah & The Nubatones, and musician and composer Huda Asfour; attend a special art exhibition and book launch for *Sudan Retold at Alhosh Gallery; and engage in immersive discussions on art, film, music, and life in Sudan and the diaspora. The event extends beyond academic dialogue, offering participants the chance to engage with Sudan’s cultural heartbeat in the midst of crisis. As the GU-Q marks its 20th anniversary, “Seeing Sudan” exemplifies its aim to foster bold scholarship and dialogue that bridges cultures, honours diverse histories, and addresses the world’s most pressing challenges.