The Venice Film Festival got a break from its anguish-filled line-up with yesterday’s premiere of Official Competition, a behind-the-curtains Argentine satire about film-making that had the audience laughing out loud.
In it, an 80-year-old billionaire businessman in search of social prestige decides to make a movie to leave his mark.
To fulfil his ambition, he hires the best: maverick director Lola Cuevas, played by Penelope Cruz, and two actors with big talent but even bigger egos.
One is a Hollywood star, impersonated by Antonio Banderas.
The other, played by Argentine actor Oscar Martinez, is a high-brow theatre purist, with radical views about celebrity and commercial entertainment.
From the get-go, the two are on a collision course, and the director’s eccentric methods for immersing them in character only add to the tension, making for some farcical scenes.
To elicit fear, they are made to rehearse while sitting beneath a precariously suspended boulder.
In another scene, the pair are cling-wrapped together for bonding.
Argentine directors Gaston Duprat and Mariano Cohn said they wanted to show what happens on set and the tactics actors with different backgrounds use to prepare for rehearsals.
Speaking to reporters after a press screening at the Venice movie showcase, where Official Competition is vying for the top Golden Lion award, they said inspiration had come from the personal experiences of their own cast.
Banderas said he once worked opposite an actor who would bellow before a scene.
“The first time he did it, I thought it was a cow,” he said.
He added that it had been refreshing to make a funny movie at a time when “laughing seems to be forbidden”: a reference to the global gloom from the coronavirus (Covid-19) pandemic.
“Art, that’s the theme,” said Banderas. “To be able to ridicule the excesses that in some way are used to arrive at art.”
Martinez confessed the cast had a hard time keeping a straight face during filming: “We had so much fun sometimes we had to stop the sequence.”
The film explores universal themes and emotions, such as envy, under-confidence, competition between professionals and people’s relationship with success, he said.
Cruz, who also stars in another competition film in Venice – Pedro Almodovar’s Parallel Mothers – said that it was liberating to interpret Lola, whom she described as smart but a bit of a “psychopath”.
“It was somehow a tribute to our profession,” she said.
Her character, who has a mane of frizzy red hair, puts her actors through hell in rehearsals.
In one scene, as the mutual animosity of the two wildly contrasting actors is at its apex, she literally encases them together in plastic wrap to increase their interdependence and bond.
In another rehearsal, the two actors hurl increasingly over-the-top expletives at each other to tap into their rage.
“There were so many bad words, insults, cursing that I think at some point we had to write them down,” Banderas told reporters. “I think some of them were really unbelievable, there are things I heard on the streets of Malaga and started throwing them out – there was a little bit of improvisation.”
Cruz was careful to caution that the cast and directors of Official Competition were not out to offend the industry.
“It’s a tribute to our profession. At no time is it a parody, nor is it disrespectful to the actor,” she said.
Banderas hastened to set one thing straight about the narcissistic character he plays.
“Some writers might hint at it. But ‘he’ in the film is not ‘me’.”