* Qatari short ‘Under Her Skin’ by Meriem Mesraoua selected to the official shorts film competition
Eight films supported by the Doha Film Institute (DFI) have been officially selected to participate at the 2020 Venice International Film Festival, from September 2 to 12.
Set to be one of the first major international festivals held since the Covid-19 pandemic began, the Venice Film Festival will feature a lineup of 60 films only and new outdoor screening locations.
The diverse line-up of DFI-supported films selected to the festival comprises exciting works from emerging and established filmmakers, including six from the Arab world, one from Italy, and one from Turkey.
Of the eight projects, five films screen in key sections at the Festival, including official competition, Horizons, Critics Week and Venice Days and three projects are selected to the Festival’s industry and market initiatives.
The only documentary filmmaker to win the Golden Lion in 2013, Italian director, cinematographer, producer and screenwriter Gianfranco Rosi returns to Venice with his fifth documentary Notturno, co-financed by the Institute.
“We are deeply proud to support projects that were selected to an exclusive selection at the first international film festival of this year since the pandemic. To be considered amongst the 60 films in this year’s reduced lineup speaks to the compelling visual content and storytelling techniques of each of the eight projects,” DFI CEO Fatma Hassan Alremaihi said.
“More so, this is the first major physical market event for three of the DFI-supported titles,” she added.
Notturno (Italy, France, Germany, Qatar) by Rosi is part of the 18 feature films selected for the main competition, known as Venezia 77.
Shot over the course of three years between Syria, Iraq, Kurdistan, and Lebanon, Notturno follows different people from near war zones in the Middle East, trying to restart their everyday lives. Following its world premiere at Venice, the film will also screen at the Toronto International Film Festival in September.
Gaza Mon Amour (Palestine, France, Germany, Portugal, Qatar) by twin brothers Tarzan Abunasser and Arab Abunasser is competing in the Orizzonti official section (Horizons), which runs parallel to the main competition and is dedicated to films that represent the latest aesthetic and expressive trends in international cinema.
A satire on love and desire, and an affirmation that life continues amidst the absurdity of living, the film will also screen at this year’s Toronto International Film Festival.
Azra Deniz Okyay’s feature debut Ghosts (Turkey, Qatar) will compete in the festival’s prestigious Critics Week Programme. It is the first Turkish film since 2018 to feature in the Venice programme.
In 200 Meters (Palestine, Jordan, France, Germany, Italy, Qatar) by Ameen Nayfeh, part of the parallel programme Venice Days, a Palestinian man living on the West Bank and separated from his hospitalised son by the wall must embark on a harrowing journey to see him. A distance of 200m becomes a 200km odyssey.
Premiering in the Orizzonti Short Films Competition, Meriem Mesraoua’s Under Her Skin (Qatar, Algeria, France) follows a young girl in Algeria that slowly regains control over her actions and projected image to the world.
Razan al-Salah’s experimental VR film, The Greatest Wait (Palestine, France, Canada, Qatar) is among the international projects selected for the 2020 Venice Gap-Financing Market initiative.
The film follows Zei, a 3rd generation Palestinian refugee, who returns to her ancestral home Haifa through virtual reality, the only way she can see Palestine.
Final Cut in Venice, which runs as part of the Venice Production Bridge, will feature Salah al-Ashkar’s Our Choices (Syria, France, Qatar). It chronicles the siege of Aleppo in 2016 by Bashar al-Assad’s forces and is shot from within the city by Al Ashkar - simultaneously witness and protagonist.
Also part of the workshop is Ely Dagher’s first feature Harvest (Lebanon, France, Belgium, USA, Qatar) about a young Palestinian woman, who struggles to fit back into old family dynamics whilst details of her life abroad weigh heavy on her. Dagher’s 2015 film Waves '98 won the short film Palme d’Or at Cannes.