At the first Qumra Talk of the Doha Film Institute’s (DFI) six-day event designed to nurture the talent of emerging filmmakers, The Black List founder and CEO Franklin Leonard on Saturday underlined the importance of bringing new and diverse voices into Hollywood and the role that his company has played in this area so far.
An annual list of Hollywood’s most liked unproduced screenplays, The Black List was founded by Leonard in 2005. It has grown into an industry-leading company celebrating and supporting great screenwriting and production.
Since the company’s launch, more than one third 1,200 Black List scripts have been produced, grossing over $26bn in box office worldwide and have won 53 Academy Awards from 262 nominations.
According to Leonard, the original aim of The Black List was simple – to find “extraordinary films”. What was at first a mailing list of Hollywood insiders’ favourite unproduced screenplays has become an online platform that also allows writers outside the “Hollywood bubble” to get their work noticed.
Because of this, Leonard believes that the growth of The Black List has contributed to entrance of new voices into mainstream cinema.
“In the first few years of producing The Black List, I realised that it had, for the first time, allowed the film industry in Hollywood to systematically tackle the question: what films are people actually going to love, rather than what films will just make money?,” Leonard said. “After The Black List grew into an online platform, I saw that it had the potential to solve another industry problem: how to help unknown writers get their scripts noticed, especially for people who do not live in Hollywood,” he added.
As well as act as a platform for new writers to share their screenplays, The Black List also runs several ‘screenwriters’ lab’ throughout the year, some of which are solely for women screenwriters to tackle the “frankly embarrassing” representation of films written and made by women in cinema today.
Leonard told the audience at his Qumra Talk that one former participant in a Black List lab was Minhal Baig, whose film Hala – an emotionally turbulent coming-of-age story about a Muslim Pakistani-American teenager – premiered at this year’s Sundance Film Festival.
Apple has recently landed the film’s worldwide rights, marking the company’s first acquisition of the festival.
“Hollywood is not traditionally set up to nurture the talents of people from diverse backgrounds, like Minhal. I am proud that The Black List has helped to launch the careers of those typically excluded from the mainstream film industry in LA. In the future, I am hoping to expand the reach of The Black List so that it can support the submission and review of foreign-language screenplays. After all, good stories don’t have national boundaries,” Leonard said.
Leonard’s Qumra Talk was introduced by Rana Kazkaz, assistant professor of Communication in Residence at Northwestern University in Qatar, which has partnered with DFI for several years.
The next Qumra Talk takes place today (March 18) with Michel Reilhac, entitled ‘Welcome to the New Reality: How VR is Changing our World’, which complements the Qumra VR Lounge.
Powered by Diversion Cinema, the lounge is available to the public for each day of Qumra 2019. It explores the world of virtual reality through two internationally acclaimed works – Arden’s Wake/ Tide’s Fall by Eugene Chung and Spheres by Darren Aronofsky.
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