Intricate techniques from the heart of Arab-Islamic cultural heritage are being taught to children and adults alike as Qatar Foundation (QF)’s Al Ghorrah for Literature and Arts continues to take people on a journey of creativity.

From musical and theatrical performances to storytelling, culinary experiences, and interactive workshops, the five-day event at Education City is a unique and diverse showcase of artistic and cultural expression for visitors of all ages to enjoy.

Within Al Ghorrah’s Multicultural Zone and Multaqa, visitors have been experiencing the beauty of Arabic calligraphy, and discovering the rich history of Islamic geometric patterns, through specialised workshops that allow them to try their hand at learning these ancient skills.

In sessions led by contemporary artist and educator Samira Mian, participants have been recreating historical patterns through the use of symmetry and repetition, tracing their designs on khaki cotton paper and bringing them to life through pencils and paint.

“I feel incredibly privileged to share my passions for Islamic patterns with young people at Al Ghorrah,” she said. “This event provides a fantastic platform to highlight the intellectual and artistic heritage of the Islamic lands and the rewarding practices involved in recreating these patterns.”

On the third day, Saturday, of Al Ghorrah, artist, designer, and educator Ameet Hindocha will also be giving visitors the opportunity to explore Islamic geometry, inviting them to draw patterns on paper using traditional tools such as a ruler and compass.

“For the last decade, I have been immersed in the study and exploration of Islamic geometric design,” he said. “I see my work as continuing the lineage of the geometers and artisans who created the masterpieces of architecture and book arts found across the Islamic world, and extending those possibilities by utilising the tools, materials, and processes available to a modern-day practitioner.”

“The intention of my teaching practice is to inspire students to discover the traditional skills of geometric construction as fundamental tools for design in the modern world,” Hindocha continued. “Drawing these patterns by hand with simple tools is a deeply contemplative process that encourages appreciation of the sophisticated geometry and craftsmanship displayed in the monuments and manuscripts of Islam.”

Meanwhile, Al Ghorrah is seeing Moroccan calligraphy artist Badr Essaihi introduce to visitors the tools of Arabic calligraphy, and guiding them through writing the *BasmAllah, a saying from the *Hikam of Ibn Ata Allah, and *Surah al-Ikhlas.

For those new to calligraphy, a workshop by Razzan Alagraa, a student of the Islamic arts, has been teaching participants the fundamentals of the *riq’a script and how to complete their very own calligraphic composition.
Related Story