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Venice, personal lens on 1968 student stir

AFP/Venice, Italy

 

 

US actors Ethan Hawke, Wesley Snipes, Shannon Kane and director Antoine Fuqua attend the “Brooklyn’s Finest” premiere at the Palazzo del Cinema during the 66th Venice Film Festival

Italian director Michele  Placido offered a personal take on the 1968 anti-war movement in  Italy in his autobiographical Il Grande Sogno (The Great Dream) at  the Venice film festival.

“This is a diary, a kind of popular novel, a political novel,  even if I may seem to be saying something at the end,” said Placido,  63, formerly a young police officer who crossed the barricades to  join the student movement.

Mario Capanna, the movement’s charismatic leader, praised Il  Grande Sogno at yesterday’s news conference, saying: “I found the  film to be crystal clear.... Recalling these years in an  autobiographical key invites one to dream today and tomorrow.”

Capanna, now 64, added: “Those who control our past control our  future, therefore it’s important to revisit the past. Culturally,  1968 has won.”

The film, the third Italian work vying for the Golden Lion here,  centres on a romance between bourgeois revolutionary Laura (Jasmine  Trinca) and the policeman Nicola (Riccardo Scamarcio), who wants to  become an actor.

Alsoyesterday , Iranian photographer and visual artist Shirin  Neshat made her directorial debut with Women Without Men,  dissecting Iranian society at the time of the 1953 CIA-backed coup  that overturned the nationalist government of Mohammed Mossadegh and  installed the shah in power.

Against that backdrop, four women -- a prostitute, an activist,  a cosmopolitan woman and a traditional young girl -- fight for  individual freedom and independence, winding up together at an  idyllic orchard in the countryside.

“The four characters are who I am -- every one of them carries  some personal dilemma, though it is not exactly autobiographical,”  Neshat said.

Based on a novel by Shahrnush Parsipur, the film is dedicated to  “those who lost their lives fighting for freedom and democracy in  Iran, from the constitutional revolution of 1906 to the Green  Movement of 2009”.

Neshat said: “This film speaks to the Iranian people  and the world. We have been struggling for over 100 years, and we  will not give up. ... We will get there one day.”

She added: “Dictators have changed in form and shape and  ideology, but it still goes on.”

 Both Neshat and Parsipur, who spent nearly five years in prison  in Iran, live in the United States.

Also yesterday, zombies invaded the 66th Mostra in horror guru  George A. Romero’s Survival of the Dead, pitting two clans against  each other on an island off Delaware, on the east coast of the  United States.

For the O’Flynns, the only way to bring an end to the scourge is  to blow up the zombie’s head with whatever weapon comes to hand --  pistol, machine gun, grenade, hatchet...

The Muldoons would rather allow the zombies to keep coming back  until a vaccine can be developed.

 

 

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